1977. Dans la petite ville fictive de Sainte-Gudule, située dans le Nord, près de Saint-Amand-les-Eaux, l'usine de parapluies Pujol-Michonneau est dirigée par un patron réactionnaire et misogyne, Monsieur Pujol (Fabrice Luchini), qui a épousé la fille Michonneau, Suzanne (Catherine Deneuve). Cette dernière, surnommée « la potiche » par sa propre fille, supporte sans broncher le mauvais caractère, les vexations et les infidélités de son mari, notamment la relation qu’il entretient avec sa secrétaire, Nadège (Karin Viard). Pujol est excédé par le climat social exécrable qui règne dans son usine. Le député-maire communiste de la ville, Maurice Babin (Gérard Depardieu) ne se prive pas de souffler sur les braises. Un jour les ouvriers déclenchent une grève sans préavis qui débouche sur la séquestration de Pujol. Il fait une grave attaque cardiaque. Dans l'attente de son rétablissement, sa « potiche » de femme décide, à la surprise générale, de prendre la direction de l'entreprise. Et, à la surprise générale, elle s'en tire plutôt bien.
Joe Benton (Spencer Tracy) and his wife Anna (Luise Rainer) are suspected of starting a taxi war. Although innocent, they are blamed for everything that has happened and the officials demand that Anna be deported from the United States. While trying to prove their innocence, the couple feels forced to hide.
The film opens with Tom Joad (Henry Fonda), released from prison and hitchhiking his way back to his parents' family farm in Oklahoma. Tom finds an itinerant ex-preacher named Jim Casy (John Carradine) sitting under a tree by the side of the road. Casy was the preacher who baptized Tom, but now Casy has "lost the spirit" and his faith (presaging his imminent conversion to communism). Casy goes with Tom to the Joad property only to find it deserted. There, they meet Muley Graves (John Qualen) who is hiding out. In a flashback, he describes how farmers all over the area were forced from their farms by the deed holders of the land. A local boy (Irving Bacon), hired for the purpose, is shown knocking down Muley's house with a Caterpillar tractor. Following this, Tom and Casy move on to find the Joad family at Tom's Uncle John's place. His family is happy to see Tom and explain they have made plans to head for California in search of employment, as their farm has been foreclosed on by the bank. The large Joad family of twelve leaves at daybreak, along with Casy who decides to accompany them. They pack everything into a dilapidated 1926 Hudson "Super Six" sedan adapted to serve as a truck in order to make the long journey to the promised land of California.
Cantankerous tycoon John P. Merrick (Charles Coburn) goes undercover as a shoe clerk at his own New York department store to identify agitators trying to form a union, after seeing a newspaper picture of his employees hanging him in effigy. He befriends fellow clerk Mary Jones (Jean Arthur) and her recently fired boyfriend Joe O'Brien (Robert Cummings), a labor union organizer. Through his firsthand experiences, he grows more sympathetic to the needs of his workers, while finding unexpected love with sweet-natured clerk Elizabeth Ellis (Spring Byington).
In the future of 2026, wealthy industrialists rule the vast city of Metropolis from high-rise tower complexes, while a lower class of underground-dwelling workers toil constantly to operate the machines that provide its power. Joh Fredersen is the city's master. Joh's son Freder idles away his time in a pleasure garden with other rich children. Freder is interrupted by the arrival of a young woman named Maria, who has brought a group of workers' children to witness the lifestyle led by the rich. Maria and the children are quickly ushered away, but Freder is fascinated by Maria and goes to the workers' portion of the city to find her.
Le film s'inspire en partie de l'enfance d'Alfonso Cuarón.
Au début des années 1970, une famille aisée vit à Mexico dans le quartier Colonia Roma . Cleo est une des domestiques d'origine indigène de cette famille avec Adela. La famille est composée des parents Sofía et Antonio, des enfants Sofi, Pepe, Toño et Paco, et de Teresa, la mère de Sofía. Sofia est quittée par son époux. Les deux femmes, Cleo et Sofia, vont s'entraider.
Mob-connected union boss Johnny Friendly (Lee J. Cobb) gloats about his iron-fisted control of the waterfront. The police and the Waterfront Crime Commission know that Friendly is behind a number of murders, but witnesses play "D and D" ("deaf and dumb"), accepting their subservient position rather than risking the danger and shame of informing.
Solo, a Senegalese cab driver, is working to provide a better life for his young family in Winston-Salem, North Carolina. William, an old man with a lifetime of regrets, hires Solo to take him to Blowing Rock, a peak in which updrafts cause objects that are dropped from it to fly upwards. William does not ask for a ride back from the rock and is obviously depressed, so Solo assumes that the old man intends to commit suicide there. Solo befriends William, in hopes of talking him out of ending his life. He introduces William to his wife and his stepdaughter Alex, hoping to inspire the old man with the joys of life.
The film takes place in a fictional state of Bubun (or Bubunia), a matriarchal totalitarian country led by ruthless La générale (Generaless) (Anémone). In Bubun, roles of men and women are swapped, up to the point where male population is deprived of any civil rights, including work, education, military service, freedom of marriage etc. People worship The White Horses (making horses sacred animals) and the only source of nourishment is "paste" (tasteless viscous liquid delivered from waterpipe-like sinks). The country is isolated from the rest of the world, borders are guarded by armed squads, and public executions are in order (mostly involving men as condemned).
William Dudley (Leslie Nielsen) is a corrupt mayor of a nameless Midwestern U.S. city who has allowed an oil refinery to be built right in the center of town, far from any river, lake or reservoir. On one typical hot summer day, Herman Stover (Jonathan Welsh), a dangerously disturbed employee at the works has been denied an expected promotion and in addition, finds himself fired. He then decides to take his revenge against the works by opening the valves to the storage vats and their interconnecting pipes, flooding the area and sewers with gasoline and chemicals. It doesn't take long for this act of petty vandalism to start a fire, which starts a chain reaction that causes massive explosions at the refinery, destroying it and spreading a mushroom-cloud of flame that soon engulfs the entire metropolis. The drama focuses on a newly built hospital which, like the refinery and all civic buildings that went up during the mayor's crooked administration, is shoddily built and poorly equipped where the head doctor, Frank Whitman (Barry Newman), and his staff treat thousands of casualties from the fire while the city fire chief Risley (Henry Fonda) keeps in constant contact with the fire companies fighting a losing battle against the fires, and Maggie Grayson (Ava Gardner), an alcoholic reporter, sees it as her chance to make it nationwide with her coverage of the story of the "city on fire".
Roberto Gómez, a former advertising executive, has been unemployed for several years. Though he is happily married, he is depressed and feels as if he has failed his family. His wife, Luisa, attempts to cheer him up as he leaves for an interview with a former business partner and friend, Javier Gándara. When Roberto arrives, his former co-workers are distant and cold. Gándara tells him that there are no positions available, and Roberto leaves dejected. Remembering that his wife wants to vacation at the hotel where they spent their honeymoon, he impulsively drives off to visit it, only to find that it is now the site of a museum and important archeological dig. As Roberto wanders about the site during an important press event, he panics when he sees security guard Claudio and falls a great distance.
The Big One est un documentaire américain de Michael Moore réalisé en 1997 lors de la tournée de promotion de son livre Downsize This! à travers les États-Unis. À chaque ville traversée le film montre la réalité sociale et le chômage en allant à la rencontre des salariés et des dirigeants d'entreprise. Il dénonce les pratiques de multinationales qui licencient leur personnel alors qu'elles font des bénéfices, ou comme Nike, dont certains sous-traitants utilisent le travail des enfants.
Set in "Barrytown", a fictitious working-class quarter of Dublin. Brendan "Bimbo" Reeves gets laid off from his job as a baker. With his redundancy cheque, he buys a van and sells fish and chips with his best mate, Larry. Due, in part, to Ireland's surprising success at the 1990 FIFA World Cup, their business starts off well. But the relationship between the two friends soon becomes strained as Bimbo and his wife, Maggie behave more and more like typical bosses. Larry believes that Maggie is the cause of the strained friendship, as he thinks she is pushing Bimbo away from him. The van is closed down because of poor hygiene by health inspector, Des O'Callaghan. Bimbo thinks that Larry told the Health Board about the van, leading to a fight between the two. Larry quits the job, despite Bimbo's best efforts to get him back. Bimbo then drives the van into the sea, so as to win his friendship with Larry back.
Le réalisateur Jafar Panahi, se faisant passer pour un chauffeur du nom d'Aghayé Panahi (en persan : آقای پناهی, Mr. Panahi) se trouve au volant d’un taxi partagé dans la capitale iranienne de Téhéran dans lequel il a installé une caméra. Cette caméra filme une succession d’archétypes iraniens variés qui prennent tous place à bord du taxi, les personnages étant plus ou moins conscients du stratagème orchestré par le cinéaste. Hommes ou femmes, jeunes ou vieux, riches ou pauvres, traditionalistes ou modernistes, aussi bien vendeur de vidéos pirates que défenseur des droits de l'homme, tous se retrouvent tour à tour dans le véhicule. Chaque personnage propose un portrait iranien spécifique et est également porteur d’un thème de société. Le film se termine par le vol de la caméra du taxi.
Le cœur gros, Maya a laissé sa mère a Cuernavaca pour émigrer aux États-Unis. Après bien des péripéties, elle arrive à Los Angeles où vit depuis longtemps sa sœur ainée Rosa. Énergique et décidée, Maya décroche un premier job de serveuse dans un bar de nuit puis obtient de Rosa, employée dans une entreprise de nettoyage, qu'elle la présente à son directeur, Perez. Devenue femme de ménage, Maya se retrouve au milieu d'une armée d'employées de toutes les nationalités, qui travaillent dans des conditions inacceptables. Maya refuse de se soumettre.