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Nobody's Perfect is a film of genre Comedy directed by Maurice Murphy released in USA on 2 february 1990 with Christopher Atkins

Nobody's Perfect (1990)

Nobody's Perfect
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Released in USA 2 february 1990
Directed by ,    
Genres Comedy
Rating55% 2.755082.755082.755082.755082.75508

Wet and Wild Summer! is a 1990 Australian-American comedy film directed by Maurice Murphy and starring Christopher Atkins, Julian McMahon and Elliott Gould.

Synopsis

Pour seduire et acceder a celle qu'il aime, Stephen Parker, l'element le plus brillant de l'Universite californienne de Bramson se fait passer pour une fille.

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Suggestions of similar film to Nobody's Perfect

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Nobody's Perfect, 1h30
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Genres Comedy
Themes Films about sexuality, Sports films, LGBT-related films, Transgender in film, LGBT-related films, LGBT-related film, Tennis films, Cross-dressing in film
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Rating55% 2.755082.755082.755082.755082.75508
Pour se rapprocher de celle qu'il aime, Stephen Parker, brillant élève de l'Université californienne de Bramson College se fait passer pour une fille, Stéphanie.
Wet and Wild Summer
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A property developer wants to take over an Australian beach for a high rise resort. He sends his son to Australia to check out the situation, posing as an exchange lifeguard. He falls in love with a woman who owns the land his father needs for the development and finds himself sympathising with the locals.
Fatty Finn
Fatty Finn (1980)
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Set in inner-city Woolloomooloo in Sydney, New South Wales in 1930, the neighbourhood nice guys are led by Fatty (real name Hubert Finn), an ambitious 10-year-old with an eye for making a quid. From shady frog jumping contests to a fixed goat race, Fatty uses his enterprise to raise enough money to buy a crystal set (radio without a separate power supply) that's worth seventeen shillings & sixpence (17/6), more than his Dad earns in a year. Bruiser Murphy the bully and his gang try to stop him. Fatty uses his brains against his enemies' brawn to eventually triumph.
Carny
Carny (1980)
, 1h47
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Rating63% 3.199393.199393.199393.199393.19939
Frankie (Gary Busey) and Patch (Robbie Robertson) are friends who work for the Great American Carnival, a small-time carnival that tours the South. Frankie does an act as The Mighty Bozo, a character who sits in a dunk tank insulting the crowd, while Patch takes the money, points out the next mark to milk of his money to the Bozo, and distributes the balls outside. Patch is also the show's "adjuster," hence his carny name, working with the owner of the carnival, Heavy St. John (Kenneth McMillan) negotiating deals with local officials and representatives of the local underworld to keep the show open.
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Charlie Sykes and Rachel Clark are a young all-American couple that decide to run away and elope in Las Vegas. On the road to Vegas, they ignore the warning of a local gas station attendant named Sam. They take an abandoned backroad where Rachel is kidnapped by a zombie Hell Cop who takes her to hell. Charlie goes back to Sam, and Sam explains what the Hellcop is and how to save her. Sam then gives Charlie a shotgun with special ammo and a car that holds a special attribute. On the highway, Charlie meets other dead people that live in Hell and even a motorcycle gang. On the road, he meets a mechanic named Beezle, with his young apprentice. Beezle gives him tips on how to save his girlfriend and even brings him back to life. After Charlie rescues Rachel, Beezle reveals himself to be Satan and proposes a deal to let them, and his apprentice, go free if they can defeat the Hell Cop in a race to the portal that connects Earth and the backroads of Hell.
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When three great, has-been actors meet at the funeral of a legendary Hollywood agent, their alcoholic reunion leads them to visit the Hollywood Sign. There they find the body of a man - leading them to uncover an in-progress scam for stealing millions from a Las Vegas casino - which originated as a movie plot written by one of the actors' ex-girlfriends - who could not get her script produced. Desperate to make a come-back, the three risk their lives for production capital... by writing themselves into the "script."
Celtic Pride, 1h31
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