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Giulia Gam is a Actor Brésil born on 28 december 1966

Giulia Gam

Giulia Gam
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Nationality Bresil
Birth 28 december 1966 (57 years)

Giulia Gam (born December 28, 1966) is an Italian-born Brazilian actress. Granddaughter of a Dane, she became famous in Brazil after performing the young Jocasta Silveira in the soap opera Mandala and since then started a meteoric career in television, despite being one of the most seminal thespians of Brazil.

Giulia's biography registers a respectable stage career, from which she was chosen for her debut in Rede Globo, Giulia played the character Jocasta, when young, in the telenovela Mandala (the adult Jocasta was portrayed by actress Vera Fischer). Giulia came to the telenovela without any experience in television, other than some ads and videos made by friends from an independent film company. She carried out four years of exhaustive and obsessive work in theatre. In the stage, Giulia debuted under direction of Antunes Filho, in the Shakespeare's play Romeo and Juliet, in São Paulo, in 1984.

With Antunes Filho's company she travelled in a long tour by Australia, Europe, U.S. and Israel. After it dissolved, she travelled to Paris, where she found Peter Brook, who motivated her to go on with her stage career.

In January 1987, back to Brazil, Giulia joined the cast of the Jean Racine play Phèdre, invited by actress Fernanda Montenegro. In October of the same year, she debuted in TV, with a huge success.

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Source : Wikidata

Filmography of Giulia Gam (4 films)

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Actress

Federal Bank Heist
Origin Bresil
Genres Drama, Thriller, Crime
Themes Heist films
Actors Eriberto Leão, Milhem Cortaz, Lima Duarte, Giulia Gam, Cássio Gabus Mendes, Tonico Pereira
Roles Telma Monteiro
Rating59% 2.9607152.9607152.9607152.9607152.960715
In 2005, high-ranked criminal Barão (Milhem Cortaz) and his wife Carla (Hermila Guedes) are planning the heist that inspired the film - they need to dig a tunnel linking a house to the Banco Central's vault in Fortaleza, where they'll steal millions of reais. To accomplish their objective, they assemble a group of eight other criminals: Mineiro (Eriberto Leão), the couple's right-hand and chief of the band when Barão's not around; Doutor (Tonico Pereira), a communist civil engineer; Tatu (Gero Camilo), the chief of the brickies; Caetano (Fábio Lago), Saulo (Créo Kellab), Décio (Juliano Cazarré) and Firmino (Cadu Fávero), all brickies; and Léo (Heitor Martinez), head of security and an ex-police officer, expelled due to corruption.
Chico Xavier, 2h5
Directed by Daniel Filho
Origin Bresil
Genres Drama, Biography
Themes Films about religion
Actors Nelson Xavier, Christiane Torloni, Letícia Sabatella, Giulia Gam, Giovanna Antonelli, Tony Ramos
Roles Rita
Rating70% 3.5470953.5470953.5470953.5470953.547095
Le film est une adaptation cinématographique de la vie de Chico Xavier (1910-2002) et relate les troubles liés à sa médiumnité ainsi que ses activités philanthropiques et les conséquences de sa notoriété au Brésil.
High Art
High Art (1991)
, 1h44
Directed by Walter Salles
Origin Bresil
Genres Drama, Thriller, Romance
Actors Peter Coyote, Tchéky Karyo, Amanda Pays, Raul Cortez, Tonico Pereira, Paulo José
Roles Gisela Martins
Rating59% 2.9954752.9954752.9954752.9954752.995475
Peter Mandrake (Coyote), an American photographer in Brazil, is preparing an in loco essay for his new book, about the "Train Surfers" (groups of boys who court danger "surfing" on the roof of the trains) in the city of Rio de Janeiro. A local call girl he is friends with is murdered, and when the police can make no progress Mandrake decides to investigate himself. Subsequently, two hired thugs break into his apartment demanding a disk, and, when he doesn't produce it because he can't do so, they rape his girlfriend and stab him, leaving him to die. Vowing revenge, Mandrake enlists the help of Hermes (Karyo), a professional knife fighter who owes Mandrake a debt, to teach him the art of knife fighting. The obsession this develops into causes Mandrake's girlfriend to leave him, wanting the whole thing to simply go away, but Mandrake refuses to let go.