In a brief autumnal cold opening scene, Lady Constance Chatterley (Marina Hands) farewells a burly visitor of professional appearance who drives himself away from the manor house in a 1932 Peugeot. We then see the conclusion of a formal Christmas dinner, ironically accompanied by the ghostly music of the Danse macabre. The host, baronet Sir Clifford Chatterley, relates how he was wounded in World War I and returned paralyzed from the waist down. Though he is both sexually impotent and emotionally distant, Lady Constance tries to be a good wife to him, though their marriage is dreary and unhappy. One day Constance is tasked with going to the gamekeeper, Parkin, to request a brace of pheasants for the kitchen. She is aroused by the sight of Parkin bathing himself. Afterwards Constance falls into a depression where she can barely move or leave the house. One day, while walking in the grounds of her home and picking daffodils, Constance goes to Parkin's work cabin and rests there awhile. She asks Parkin for a key and though he initially appears reluctant to give her one, he eventually does. Constance begins going there every day to work side by side with Parkin.
Most of the characters in the film are not named.
A girl disguises herself as a boy to go attend the 2006 World Cup qualifying match between Iran and Bahrain. She travels by bus with a group of male fans, some of whom notice her gender, but do not tell anyone. At the stadium, she persuades a reluctant ticket tout to sell her a ticket; he only agrees to do so at an inflated price. The girl tries to slip through security, but she is spotted and arrested. She is put in a holding pen on the stadium roof with several other women who have also been caught; the pen is frustratingly close to a window onto the match, but the women are at the wrong angle to see it.
À Marseille, Lucie (Marie Gillain) vit avec Lucien (Emmanuel Mouret). Il veut devenir gendarme. Elle vend des maillots de bain sur la plage. L’orientation de Lucien va prendre un tournant inattendu provoquant quelques frottements dans leur couple.
Madeleine, 35 ans, célibataire et stérile, travaille comme retoucheuse et cherche l’homme de sa vie. La perte de son emploi, en lui laissant plus de temps pour elle-même, lui donne l’énergie pour s’ouvrir au monde et continuer à mener sa barque.