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Films with theme "Documentary films about films", sorted by revenue
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, 1h37Origin USA
Genres Documentary
Themes Films about films, Documentary films about business, Documentary films about the film industry, Documentary films about films
Actors Fairuza Balk, Richard Stanley, Robert Shaye, Michael Gingold, Edward R. Pressman, Marco Hofschneider
In Lost Soul Gregory looks at the filming of The Island of Dr. Moreau, specifically the period during which director Richard Stanley spent on the project. Stanley was brought on to the project early but was fired only a few days after principal photography began and was replaced by John Frankenheimer. The documentary looks into Stanley's vision for the film, as he had spent years working on the movie's script and had intended for Bruce Willis to star as Edward, a role that was later given to Val Kilmer- a move that Stanley viewed as a mistake. Lost Soul features interviews with several people involved with the movie's production and focuses on various aspects of the film, including numerous changes to the script and reports that Kilmer was difficult to deal with on set.
Birth of the Living Dead (2013)
, 1h16Origin USA
Genres Documentary
Themes Films about films, Medical-themed films, Post-apocalyptic films, Films set in the future, Documentary films about business, Documentary films about the film industry, Zombie films, Films about viral outbreaks, Documentary films about films, Disaster films
Actors George A. Romero, Gale Anne Hurd, Larry Fessenden
Rob Kuhns interviews a range of authors, critics, and filmmakers about the impact, legacy, and enduring popularity of Night of the Living Dead. Romero describes the film's background, production, and distribution, including how it accidentally fell into the public domain. Fessenden describes Night of the Living Dead 's aspects of postmodernist film, including an early commentary on horror films inside of a horror film – Johnny's taunting of his sister, Barbra, in the opening graveyard scene. Hurd cites the film as an influence on her own work as executive producer of The Walking Dead. Mitchell, among other things, describes how the film presents a strong Black male as the protagonist of a film without resorting to racial commentary. The final scene, in which Duane Jones' character, Ben, is killed by a posse is compared to historical footage of 1960s lynch mobs and police brutality, and scenes of violent zombie attacks are compared to footage from Vietnam broadcast on television.