In an unspecified future, Barbarella is assigned by the President of Earth to retrieve Doctor Durand Durand from the Tau Ceti region. Durand Durand is the inventor of the Positronic Ray, a weapon that Earth leaders fear will fall into the wrong hands. Barbarella crashes on the 16th planet of Tau Ceti and is soon knocked unconscious by two mysterious girls, who take Barbarella to the wreckage of a spaceship. Inside the wreckage, she is tied up and several children emerge from within the ship. They set out several dolls which have razor sharp teeth. As the dolls begin to bite her, Barbarella faints but is rescued by Mark Hand, the Catchman, who patrols the ice looking for errant children. While Hand takes her back to her ship, Barbarella offers to reward Mark and he suggests sex. She says that people on Earth no longer have penetrative intercourse but consume exaltation transference pills and press their palms together when their "psychocardiograms are in perfect harmony". Hand prefers the bed, and Barbarella agrees. Hand's vessel makes long loops around Barbarella's crashed vessel while the two have sex, and when it finally comes to a stop, Barbarella is blissfully humming. After Hand repairs her ship, Barbarella departs and promises to return, agreeing that doing things the old-fashioned way is occasionally best.
After meeting a general, war correspondent Dick Ennis (Robert Mitchum) is assigned to accompany US Army Rangers for the upcoming attempt to outflank the tough enemy defenses. The amphibious landing is unopposed, but the bumbling American general, Jack Lesley (Arthur Kennedy) is too cautious, preferring to fortify his beachhead before advancing inland. Ennis and a Ranger drive in a jeep through the countryside, discovering there are few Germans between the beachhead and Rome, but his information is ignored. As a result, the German commander, Kesselring (Wolfgang Preiss), has time to gather his forces and launch an effective counterattack.
As the film opens, Julie Kohler (Jeanne Moreau) tries to throw herself out of an upstairs window, but is stopped by her mother (Luce Fabiole). Julie is dressed in black and is obviously grief-stricken. In the next scene, she is more composed, telling her mother she is going on a long trip, and counting out five piles of money. She gets onto a train, but right afterwards steps down on the opposite side, hidden from onlookers.
After an armored car leaves the bank with ten-million dollars, it is attacked on route by Diabolik (John Phillip Law) who manages to steal the money and escape with his partner Eva Kant (Marisa Mell). Leaving the money in their underground hideout, Diabolik and Eva attend a press conference held by the Minister of the Interior which they disrupt by releasing laughing gas. Due to the high level of crime, the death penalty is brought back. The police cannot find Diabolik but gang leader Valmont (Adolfo Celi) suffers at their hands because of a clampdown due to Diabolik's actions. Realising things can get only worse because of Diabolik's crime spree, Valmont contacts Inspector Ginco (Michel Piccoli) and makes a bargain to catch Diabolik alive for the police. In his hideout, Diabolik decides to steal the famous Aksand emerald necklace for Eva's birthday from the Saint Just Castle. Valmont builds up an identikit picture of Eva and circulates it as a means of capturing Diabolik. Diabolik scales the walls of Saint Just Castle where he finds the police are waiting, Diabolik manages to steal the necklace by fooling the police officers with mirrors on the road and dummy decoys of himself.
The film has a strong mold satirical denounces the status of women in the sixties in Italy. Through five episodes, it is the manner in which it is considered to be the woman in modern society, that is, as a real witch.
Mersault's friend Sintès beats his girlfriend and is sued by her. At court Mersault testifies to his friend's advantage. Sintès is off the hook but now the girl's male relatives stalk Mersault. He shoots one of them and ends up in prison.
Un vieil homme, accompagné de son grand nigaud de fils, est agenouillé devant la tombe de son épouse, morte après avoir mangé des champignons empoisonnés. Aussitôt, ils se mettent à la recherche d'une femme pour remplacer cette mère et épouse. Avant tout, ils se mettent d'accord pour qu'elle ne soit pas rousse! Au bout d'un an, ils finissent par trouver une très jolie jeune femme, sourde et muette. Pour réunir plus d'argent et améliorer leur habitation (une pauvre baraque en zone industrielle), ils organisent un faux suicide de la jeune épousée, du sommet du Colisée. Malheureusement, celle-ci glisse sur une peau de banane et meurt réellement.
À la fin de la guerre de Sécession, deux hommes fuient avec un important butin. L'un d'eux est capturé. Libéré cinq ans plus tard, il est attaqué par les sbires de son ancien complice, devenu un riche propriétaire. Il apprend que sa femme est morte et que son fils vagabonde. Il mènera sa vengeance à bien.
Having massacred an Indian village, outlaw Duncan finds his men falling victim to a solitary rider, Navajo Joe. Joe saves three prostitutes who have overheard Duncan plot with Lynne, the town doctor, to steal a train full of money belonging to the bank. Joe steals the train back from Duncan's gang. He asks the townspeople of Esperanza to pay him to protect them from Duncan, making an offer of "I want a dollar a head from every man in this town for every bandit I kill". The townspeople reject him, as they "don't make bargains with Indians." Lynne's wife Honor persuades them otherwise. Joe sets a trap for Duncan but is caught and tortured; Lynne and Honor are killed. Rescued by an old man from the saloon, Joe again steals the train and eradicates Duncan's gang. There is then a showdown in an Indian cemetery, where Joe reclaims the pendant which Duncan stole from his wife when he murdered her. As Joe turns, Duncan shoots Joe with a hidden gun. Injured, Joe grabs a tomahawk and throws it, hitting Duncan square in the forehead. With Duncan dead, Joe sends his horse back to town, carrying the Bank's money.
The film consists of five main sections: The Creation, Adam and Eve, Cain and Abel, Noah's Ark, and the story of Abraham. There are also a pair of shorter sections, one recounting the building of the Tower of Babel, and the other the destruction of Sodom and Gomorrah. The sections vary greatly in tone. The story of Abraham is somber and reverential, while that of Noah repeatedly focuses on his love of all animals—herbivorous and carnivorous or omnivorous. Cats (including lions) drink milk, with Noah's relationship with the animals being depicted harmoniously. It was originally conceived as the first in a series of films retelling the entire Old Testament, but these sequels were never made.
Ferdinand Griffon (Jean-Paul Belmondo) is unhappily married and has been recently fired from his job at a TV broadcasting company. After attending a mindless party full of shallow discussions in Paris, he feels a need to escape and decides to run away with his baby-sitter, an ex-girlfriend, Marianne Renoir (Anna Karina), leaving his wife and children and bourgeois lifestyle. Following Marianne into her apartment and finding a corpse, Ferdinand soon discovers that Marianne is being chased by OAS gangsters, two of whom they barely escape.
The Tiger is sent to oversee the excavation of a sunken ship. While busy to retrieve the gold tresure in it, he is constantly thwarted by international enemies. Among them is an old Nazi named Hans von Wunchendorf who dreams of world domination. He hides behind the codename "The Orchid" and needs the treasure to sustain a worldwide network of exiled former comrades. Once sanified by the gold his organisation plans to realise the endsieg after all.
L'Immortelle is set in Istanbul. The narrative does not run strict in chronological order, but rather uses extensive flashbacks, "memory editing," and dreamlike fantasy sequences which border on the surreal to tell its story. The characters are Turkish apart from the Man, who does not understand the native language. Thus, only the French dialogue is translated in the English subtitles for the film; the Turkish dialogue remains a mystery to western audiences, and to the Man, as well.
Giovanni Alberti, a small building contractor in the years of boom, is heavily in debt because of his poor skills in business but above all because of its high standard of living, which he strives to maintain at all costs, even pressured by his beautiful and frivolous wife Silvia (Gianna Maria Canale), whom he loves deeply. After Giovanni, who was unable to repay a large loan, called for financial support to family and friends getting alleged derogatory waste (his mother is the only person who would be willing to help him, but she is not rich enough to do it), suddenly the wife of a rich manufacturer, Mrs. Bausetti, gives him a private appointment advancing an attractive deal. Giovanni even suspect that the elderly lady wishes to be his lover, but in fact Mrs. Bausetti, used to getting all that she wants with her money and her cold, dismissive and seemingly conciliatory manner, wants Giovanni to sell a cornea to her husband, who long before had been blinded in one eye by an accident with quicklime. They could afford to, the woman calmly explains, so not worth the cornea implant of a dead stranger, but it is preferable to propose such an arrangement, though obviously illegal, to a young and healthy man in need of money.