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Les Armateurs

Les Armateurs
Les Armateurs participated in 17 films (as a production or realisation company).
Among thoses, 6 have good markets following the box office.

Here are the best films classified by number of entries :

Production

Animal Kingdom: Let's Go Ape, 1h53
Directed by Jamel Debbouze, Frédéric Fougea
Origin France
Genres Comedy, Adventure, Animation
Themes La préhistoire
Actors Jamel Debbouze, Enzo Ratsito, Arié Elmaleh, Youssef Hajdi, Louis de Funès, Patrice Thibaud

Édouard est le fils aîné du roi des simiens. Mais en raison de son aspect chétif, il est rejeté par sa tribu à sa naissance. Il grandit donc loin des siens. Auprès de Ian, qui devient son ami, il découvre le feu, la chasse, l’habitat moderne, l’amour et même… l’espoir… Généreux, il ira jusqu'à mener son peuple avec éclat et humour vers la véritable humanité.
The Triplets of Belleville, 1h18
Directed by Sylvain Chomet
Origin Belgique
Genres Drama, Comedy, Adventure, Animation
Themes Feminist films, Sports films, Vieillesse, Cycling films, Political films, Children's films
Actors Matthieu Chedid, Suzy Falk, Jean-Claude Donda, Michel Robin

The story focuses on Madame Souza, an elderly woman raising her young grandson, Champion. Souza notices her grandson is sad and lonely, hinted as due to the loss of his parents, so she first tries to get him interested in the piano. When this fails, she buys him a puppy named Bruno to cheer him up. Although he is initially happy, he quickly becomes melancholic once again. After discovering that Champion has a keen interest in road bicycle racing, because it is implied that Champion's deceased parents were bicyclists, she buys him a tricycle. Years later, Champion becomes a professional cyclist with Souza as his coach.
Ernest & Celestine, 1h20
Directed by Stéphane Aubier, Vincent Patar, Benjamin Renner
Origin Belgique
Genres Drama, Comedy, Adventure, Animation
Themes Films about animals, Films about racism, Mise en scène d'un ours, Mise en scène d'un rongeur, Mise en scène d'une souris, Children's films, Mise en scène d'un mammifère
Actors Lambert Wilson, Patrice Melennec, Forest Whitaker, Brigitte Virtudes, Mackenzie Foy, Dominique Collignon-Maurin

Celestine is a young mouse who lives in the underground world of rodents. At the orphanage where she lives, the caretaker known as the Gray One tells scary stories about the evil nature of the bears that live in the outside world, though Celestine doubts they are entirely true. She loves to draw but must soon study dentistry, since that's what all rodents do, and to prepare, she must travel above ground to collect bear cubs' lost teeth from underneath pillows. On one such occasion, the cub's family catches Celestine in the act and chase her into a trash can where she is trapped and spends the night. The next morning, a destitute and starving bear named Ernest discovers Celestine and attempts to eat her. Celestine convinces him to let her go by helping him break into the basement of a candy shop, where he can eat his fill. He is soon caught by the store's owner, however, and arrested. Celestine, who is behind on her quota of collected teeth, agrees to free him from the police wagon if he will help her break into and rob the teeth from the office of the store owner's wife, who happens to be a dentist.
Kirikou and the Sorceress, 1h11
Directed by Michel Ocelot
Origin France
Genres Fantasy, Adventure, Animation
Themes Films set in Africa, Films about animals, Feminist films, Films about magic and magicians, Films based on mythology, Film d'animation mettant en scène un animal, Witches in film, Political films, Children's films, Mythologie d'Afrique de l'Ouest
Actors Ryūnosuke Kamiki, Maimouna N'Diaye, Robert Liensol, William Nadylam, Sébastien Hébrant, Rémi Bichet

In a little village somewhere in West Africa, a boy named Kirikou is born in a spectacular way. But he's not a normal boy, since he can speak and walk immediately after being born. He is also very determined. His mother tells him that an evil sorceress has dried up their spring and devoured all the males of the village except for one. Hence the tiny Kirikou decides to accompany the last warrior, his uncle, to visit the sorceress. Kirikou tricks the sorceress and saves his uncle, by waiting inside his uncle's hat, and pretending that it was magic. He saved the children from being kidnapped by the sorceress' boat, which sped off towards Karaba, and saved them later again from the sorceress' tree, which closed it branches, and once again sped off towards Karaba. Next, he bursts the monster who was drinking all the village's water. He then travels to ask his wise old grandfather about the sorceress, and faces many obstacles in the process. The grandfather finds that Kirikou is always asking questions, which is a good thing. The grandfather tells him that she is evil because she suffers: bad men put a poisoned thorn in her back. On the way to Karaba, Kirikou makes friends, who each in turn, give him presents, after he saves them from the skunk. Kirikou manages to trick the sorceress and removes the thorn, he also manages to take the gold, and return it to the rightful owners. The sorceress is cured. She kisses Kirikou and he becomes an adult. Love reigns. When they arrive back at the village, no one believes that the sorceress is cured, and only do they believe Kirikou, when a procession of drummers arrive. It turns out Karaba did not eat them, just turned them into watchmen, and other obedient objects.
Kirikou and the Wild Beasts, 1h15
Directed by Michel Ocelot
Origin France
Genres Fantasy, Adventure, Animation
Themes Films set in Africa, Films about animals, Feminist films, Films about magic and magicians, Films based on mythology, Film d'animation mettant en scène un animal, Mise en scène d'une girafe, Witches in film, Political films, Children's films, Mise en scène d'un mammifère, Mythologie d'Afrique de l'Ouest, Mise en scène d'une plante
Actors Robert Liensol, Pascal Nzonzi, Marie-Philomène Nga, Emil Abossolo M'Bo, Gwenaël Sommier, Michel Elias

The film is a sub-story to Kirikou and the Sorceress rather than a straight sequel. The movie is set while Kirikou is still a child and Karaba is still a sorceress. Like Princes et princesses and Les Contes de la nuit, it is an anthology film comprising several episodic stories, each of them describing Kirikou's interactions with a different animals. It is however unique among Michel Ocelot's films, not only in that it is co-directed by Bénédicte Galup (who has previously worked with him as an animator) but also for each of the stories being written by a different person (in all other cases, Ocelot has been the sole writer and director of his films).
Kirikou and the Men and Women, 1h28
Directed by Michel Ocelot
Origin France
Genres Fantasy, Adventure, Animation
Themes Films set in Africa, Feminist films, Films about magic and magicians, Films based on mythology, Witches in film, Political films, Children's films, Mythologie d'Afrique de l'Ouest
Actors Sabine Pakora, Pascal Nzonzi

Sur le même principe que Kirikou et les Bêtes sauvages, Kirikou et les Hommes et les Femmes regroupe cinq aventures de Kirikou enfant indépendantes les unes des autres et racontées par le grand-père de Kirikou. Ces aventures se déroulent pendant les événements de Kirikou et la Sorcière, au temps où le village est toujours terrorisé par la sorcière Karaba et ses fétiches animés. Tandis que Kirikou et les Bêtes sauvages mettait en avant des animaux, Kirikou et les Hommes et les Femmes se concentre sur les relations des villageois entre eux ou avec les étrangers de passage.