The Pacific Film Unit was established in Wellington, New Zealand in 1948 by ex-National Film Unit staff Alun Falconer and Roger Mirams. At this time most films produced in New Zealand were documentaries made by the government’s National Film Unit. In 1950 John O'Shea joined; Falconer left to pursue a career in China; and the company changed its name to Pacific Film Productions Ltd.
The first feature film was Broken Barrier (1952), which O'Shea produced and directed with Roger Mirams. In 1956 Mirams moved to Australia, and started a branch of the company in Sydney, though he later formed his own company Roger Mirams Productions.
The company had an office in Courtenay Place, Wellington in 1960, and was the New Zealand representative for British Movietone News and Fox Australian Movietone News. In 1969 the company had a staff of 15, the facility was in Kilbirnie and the office in Lower Hutt, and the company also represented Hearst Metrotone News and BBC Television. Associated companies were Pacific Television Ltd. and Pacific Films Ltd.
John O'Shea was active from 1940 to 1970, and he produced numerous short films as well as the three New Zealand feature films made in that period: Broken Barrier (1952) with Roger Mirams, Runaway (1964), and Don't Let It Get You (1966).
Pacific Films produced scores of road safety dramas, rugby tests, documentaries and commercials (O’Shea).
A far-right candidate is elected to the French presidency, sparking riots in Paris. Hoping to escape Paris but needing cash, Alex (Aurélien Wiik), Tom (David Saracino), Farid (Chems Dahmani), the pregnant Yasmine (Karina Testa), and her brother Sami (Adel Bencherif) take advantage of the chaos to pull off a robbery. Sami is shot and the group splits up: Alex and Yasmine take Sami to a hospital, and Tom and Farid take the money to a family-run inn near the border. Innkeepers Gilberte (Estelle Lefébure) and Klaudia (Amélie Daure) claim their rooms are free and seduce the two men.
The film centres around a barn that is used by a group of children as a meeting place for singing practice. When the owner of the property comes into financial difficulty and considers selling the barn, one of the children comes up with an idea to raise money. The children dye sheep on his property and market the coloured wool as a naturally occurring phenomenon.
A failed, recluse director, Max, moves from New York City to a small seaside town after his wife's death. He struggles with his parental role over his son. Eddie, meanwhile, is becoming increasingly involved in the not-so-underground culture of drugs, promiscuous sex, and gang violence that lies there.