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Ahmad Albab is a film of genre Comedy directed by P. Ramlee with P. Ramlee
Ahmad Albab (1968)
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Add to a movie listAhmad Albab is a 1968 Malaysian comedy-drama film directed by, written by and starring Malaysian artiste P. Ramlee about an arrogant and materialistic man who marries off his outspoken daughter to a poor villager to teach her a lesson. The story is in the style of traditional Malay folktales with an underlying moral message. The movie features real-life husband and wife P. Ramlee and Saloma acting opposite each other.
Synopsis
Mashood (AR Tompel) is a rich man who believes that happiness cannot exist without wealth, and that he has the power to control both. Mashood has three daughters: Zahara (Mariani) and Suhara (Mimi Loma) share his life philosophies, but Mastura (Saloma) does not and frequently clashes with their father. Mashood decides to prove his beliefs by marrying off Zahara and Suhara to two young men (Muharram and Safar) from wealthy families while Mastura is married off to a poor goat-herder named Syawal (P. Ramlee).Actors
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Suggestions of similar film to Ahmad Albab
There are 23 films with the same actors, 16 films with the same director, 40588 with the same cinematographic genres (including 2842 with exactly the same 2 genres than Ahmad Albab), 6250 films with the same themes, to have finally 70 suggestions of similar films.If you liked Ahmad Albab, you will probably like those similar films :
Labu and Labi (1962)
Directed by P. Ramlee
Genres Comedy, Musical, Romance
Themes Musical films, Buddy films
Actors P. Ramlee, Saloma, Datuk Aziz Sattar, Sarimah
Rating82%
Labu (Mohd. Zain) and Labi (P. Ramlee) are servants in the household of Haji Bakhil, a miserly old man with a loyal wife and a beautiful daughter (Mariani). Both Labu and Labi are constantly scolded, insulted and forced to do the traditional school punishment ketok-ketampi by the grouchy Haji Bakhil. The two bear the ill-treatment and continue working there without complaint because they are both secretly in love with his daughter, Manisah.
The Nitwit Movie Stars (1961)
Directed by P. Ramlee
Genres Comedy, Musical, Romance
Themes Musical films
Actors Datuk Aziz Sattar, P. Ramlee, Saloma, S. Shamsuddin
Rating74%
The "bujang lapok" trio of Ramli, Sudin and Ajis go to Jalan Ampas Studio in Singapore in response to an open call audition. During their audition, they drive director Ahmad Nisfu crazy by forgetting their scripts and improvising with their own lines. However, the studio boss likes their natural comedic talent and tells the director that the trio are to be signed on for an oncoming film. The three of them are themselves taken by surprise but are nonetheless pleased at the outcome.
Musang Berjanggut (1959)
Directed by P. Ramlee
Origin Singapore
Genres Comedy, Musical
Themes Musical films
Actors P. Ramlee
Rating76%
Tun Nila Utama, the adopted prince in the kingdom Pura Cendana, is told by the King that it is time for him to choose a bride. However, Tun Nila refuses to marry any of the women in the kingdom, claiming that they not true "females" because they have no honour. The King is angered by his claim and orders him to find a true woman, if such a person exists. Tun Nila accepts the command and swears that he will not return to Pura Chendana or shave any hair on his face until he finds her.
Laksamana Do Re Mi (1972)
Directed by P. Ramlee
Genres Comedy, Fantasy, Adventure, Musical
Themes Musical films
Actors P. Ramlee
Rating77%
The poor trio of best friends Do, Re and Mi live in a simple treehouse in the forest, where they work together collecting, cutting and selling firewood at the local marketplace.
Tiga Abdul (1964)
Directed by P. Ramlee
Genres Comedy, Musical
Themes Musical films
Actors P. Ramlee, Sarimah, S. Shamsuddin, Saloma
Rating71%
Ismet Ulam Raja is a wealthy businessman with three sons, Abdul Wahab, Abdul Wahib and Abdul Wahub. Abdul Wahab and Abdul Wahib are selfish and money-minded, running their individual businesses to success. Abdul Wahub, on the other hand, enjoys a simple life and owns a small music shop. When Ismet Ulam Raja has a heart attack on his birthday, Abdul Wahab and Abdul Wahib start plotting out how much wealth they are set to gain when their father dies. Abdul Wahub is appalled at their behaviour and tries to get their father to go to the hospital, although Ismet Ulam Raja is strongly against hospitals. Their father dies at home, and the two elder brothers immediately distribute their late father's vast wealth among the two of them while Abdul Wahub only inherits their father's house. Although Abdul Wahub is upset at this injustice, he accepts it as he is the youngest brother, and returns to his simple music business.
Rivals Three (1964)
Directed by P. Ramlee
Genres Comedy, Musical
Themes Musical films
Actors P. Ramlee, Sarimah, Saloma
Rating72%
Jamil (P. Ramlee) has been married for twelve years with Latifah (Zaharah Agus). They have no children because Latifah is barren, and Jamil feels that she is neglecting him. He decides to marry another woman, Hasnah (Jah Hj. Mahadi), without Latifah's knowledge. Latifah's father, Haji Latiff (Ahmad Nisfu), secretly blesses the second marriage.
Nasib Si Labu Labi (1963)
Directed by P. Ramlee
Genres Comedy, Musical
Themes Musical films, Buddy films
Actors P. Ramlee, S. Shamsuddin, Datuk Aziz Sattar, Saloma
Rating78%
Set sometime after the events of the previous film, Haji Bakhil's wife has died. Haji Bakhil is alone and depressed, but eventually meets a beautiful young woman named Murni, who is a teacher at a school for orphans. Haji Bakhil spends some time pursuing her, and his attention is apparently not unwelcome.
Sourness and Sweetness (1965)
Directed by P. Ramlee
Genres Comedy, Musical, Romance
Themes Musical films
Actors P. Ramlee
Rating76%
The story takes place in Kuala Lumpur in 1965. This story is about a teacher, Sha'ari who is also a musician at night. When caught sleeping in class, Sha'ari promised not to perform at night clubs again on weekday nights. Later, a young woman named Norkiah rents the room next to his. Norkiah works at a night club with her friend, played by Mariani, as a dancer. Sha'ari and Norkiah frequently quarrel and annoy each other. One day, while on a bus, Sha'ari helps Norkiah to retrieve her stolen purse. They fall in love with each other. Norkiah lies to Sha'ari, telling him that she works as a teacher at a cooking school at night.By that time, Norkiah has already started singing at the club where she was working. One day, Norkiah's mother and brother came to visit her. Sha'ari ignores the old woman and her young son.While Norkiah, unknown to Sha'ari as his own irritating neighbour, is forced to take her mother and brother out shopping, thus, unable to meet Sha'ari as promised. Later, when Norkiah gets home, she tries to dry her clothes by hanging them on a pole which crosses over to Sha'ari's room. Sha'ari gets fed up and pushes the pole down. Norkiah gets even by drenching him with a pail of water. Sha'ari climbs up the wall to give her a piece of his mind only to find out that Norkiah is the woman that he has fallen in love with. They get married. Sha'ari proposes that Norkiah quits her job, but she could not due to her contract. One night, Sha'ari receives an invitation to perform at the club where he used to work. There, somebody suggested that he sings with a female night club singer called Norkiah Hanum. Curious, Sha'ari goes to the other club only to find out that his wife is a singer and not a teacher as she had claimed. Sha'ari gets upset and starts to build a wall separating their rooms like they used to. Norkiah tries to apologise, but he insults her by calling her a cabaret singer of low class. Norkiah's friends try to trick Sha'ari into believing that Norkiah is now divorcing Sha'ari and having an affair with her colleague, Rashid, played by Mahmud June. Sha'ari kicks Norkiah's door open only to find that Norkiah is alone with a tape recorder. He apologises and they get back together again. The story ends with Sha'ari promoted as a headmaster of his school and has five pairs of twins with Norkiah.
Directed by P. Ramlee
Origin Singapore
Genres Comedy, Musical
Themes Musical films
Actors P. Ramlee, S. Shamsuddin, Datuk Aziz Sattar
Rating69%
The films follows Pak Belalang, a lazy man who loathes hard work. He has a young son named Belalang, who is smarter and more hardworking than his father. During his way home from work one day, Belalang encounters two thieves, Badan and Nyawa, who were just on their way back from stealing two cows. Using his wits, he scares them away and takes the cows back with him. He tells his father about it who panics and tells him to return the cows to their rightful owners. Belalang retorts that without knowing who they were, they couldn't do the right thing even if they wanted to. He then suggests that he would go to the mayor's house to seek out the rightful owners who would presumably go to report the loss of their cows to the mayor. Belalang could then tell them to come and see Pak Belalang who could pretend to be psychic and tell them the cows' whereabouts. Pak Belalang agrees and all goes as planned with a reward in place for both of them.
Ali Baba in Burlesque (1961)
Directed by P. Ramlee
Origin Singapore
Genres Comedy, Fantasy, Musical
Themes Musical films
Actors Datuk Aziz Sattar, P. Ramlee, S. Shamsuddin, Sarimah
Rating77%
Ali Baba (Aziz Sattar) is a poor man who cannot succeed in life. He constantly sends his wife to his brother Kassim Baba's house to borrow flour so they can eat, but the stingy Kassim Baba (S. Shamsuddin) is frustrated at his brother and constantly reminds his wife, Aloyah, of Ali Baba's uselessness. When Aloyah comes to ask for flour for the umpteenth time, Kassim Baba loses his temper and lashes out at her sending her home in tears. She blames Ali Baba for putting her in the situation and blames him for not making an effort to seek a job. Ali Baba finally relents and goes out into the woods to gather firewood where he chances upon a group of 40 thieves marching through the woods carrying loot and treasures. He hides in a tree and watches their leader (P. Ramlee) stand in front of a cave and sings a verse of seemingly nonsensical words (niat ingsun matek aji semar ngising, actually a Javanese language poem) which causes an entrance to the cave to open. Ali Baba waits until the thieves have all left the cave before coming out of the tree and using the magic words to open the cave. Inside, he discovers a variety of riches and wealth, but only takes a box of gold coins.