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Arm in Arm Down the Street is a film of genre Drama directed by Juan Bustillo Oro with Marga López
Arm in Arm Down the Street (1956)
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Add to a movie listArm in Arm Down the Street (Spanish: Del brazo y por la calle) is a 1956 Mexican romantic drama film directed by Juan Bustillo Oro, based on a play by Armando Mook. It stars Marga López, Manuel Fábregas, and Carlos Ortigoza.
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Suggestions of similar film to Arm in Arm Down the Street
There are 10 films with the same actors, 14 films with the same director, 74890 with the same cinematographic genres (including 1256 with exactly the same 3 genres than Arm in Arm Down the Street), to have finally 70 suggestions of similar films.If you liked Arm in Arm Down the Street, you will probably like those similar films :
In the Times of Don Porfirio (1940)
Directed by Juan Bustillo Oro
Genres Drama, Comedy, Historical, Musical, Romance
Themes Musical films
Actors Fernando Soler, Marina Tamayo, Emilo Tuero Cubillas, Joaquín Pardavé, Dolores Camarillo, Aurora Walker
Rating67%
To the Sound of the Marimba (1940)
Directed by Juan Bustillo Oro
Genres Drama, Comedy, Musical
Themes Films about music and musicians
Actors Sara García, Dolores Camarillo, Emilo Tuero Cubillas, Fernando Soler, Marina Tamayo, Joaquín Pardavé
Rating76%
Mexico of my Memories (1944)
, 1h31Directed by Juan Bustillo Oro
Genres Drama, Historical, Musical
Themes Musical films
Actors Fernando Soler, Sofía Álvarez, Joaquín Pardavé, Luis Aldás, Antonio R. Frausto, Fernando Soto
Rating72%
Malditas sean las mujeres (1936)
Directed by Juan Bustillo Oro
Genres Drama, Comedy
Actors Sara García, Adriana Lamar, Ramón Pereda, René Cardona, Dolores Camarillo
El compadre Mendoza (1934)
Directed by Juan Bustillo Oro
Genres Drama, War, Historical
Themes Political films
Actors Alfredo del Diestro, Antonio R. Frausto, Emma Roldán, Miguel M. Delgado
Rating75%
This is the story of Rosalío Mendoza, a Mexican landowner during the Mexican Revolution of 1910. Rosalio survives by befriending both the army and the revolutionaries. Everyone is welcomed in his ranch but the situation becomes unbearable and Rosalio must choose whose side he is on.
Sandwiches Here! (1951)
, 1h51Directed by Juan Bustillo Oro
Genres Drama
Actors Sara García, Meche Barba, Luis Beristáin, Fernando Casanova, Lupe Carriles
Rating73%
This is the story of an elderly couple that had worked all their life making a modest living out of selling "Tortas". Everything they had they gave to their three children so they could have a better future. Thanks to their sacrifice, two of them were able to study abroad and now because of the social status they had accomplished, were too ashamed of their parents and denied knowing them. The third child, had become an alcoholic and his whereabouts were unknown to his parents.
When the Children are Gone (1941)
Directed by Juan Bustillo Oro
Genres Drama
Actors Sara García, Fernando Soler, Emilo Tuero Cubillas, Joaquín Pardavé, Marina Tamayo, Carlos López Moctezuma
Rating73%
You’re Missing the Point (1940)
, 1h52Directed by Juan Bustillo Oro
Genres Comedy
Actors Cantinflas, Joaquín Pardavé, Sara García, Sofía Álvarez, Dolores Camarillo, Antonio R. Frausto
Rating79%
Cantinflas is the boyfriend of Paz, the household maid of Cayetano Lastre. It is dinnertime and Cantinflas is waiting outside the mansion for Paz's whistle: a sign for Cantinflas to enter the kitchen to eat. This is because there is a dog in the front yard named "Bobby", and Paz's boss is unaware of Cantinflas's forays into the house. Though like other times Cantinflas goes straight in to eat, this time his girlfriend has a favor to ask him, that of killing the dog "Bobby" who has suffered a sudden onset of rabies and will not let Cayetano leave for an appointment. If he does not kill the dog, he does not get to eat. Cantinflas is nervous about the idea, but eventually kills him with a gun. However, inside the house, Cayetano plots a scheme to expose his wife Dolores del Paso's supposed "adultery" with her ex-boyfriend, Bobby Lechuga. Dolores is not in a relationship with Bobby Lechuga, but Cayetano's over-bearing jealousy leads him to think otherwise.
