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Balak Dhruv (1974)

Balak Dhruv
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Balak Dhruv is a 1974 Bollywood drama film directed by Himmat Dave.

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Suggestions of similar film to Balak Dhruv

There are 121 films with the same actors, 3589 films with the same themes (including 106 films with the same 2 themes than Balak Dhruv), to have finally 70 suggestions of similar films.

If you liked Balak Dhruv, you will probably like those similar films :
The Doings of Lord Krishna, 2h11
Genres Drama, Adventure
Themes Films based on mythology, Films about religion
Actors Sachin, Jayshree Gadkar, Sapru, Tun tun (Uma Devi Khatri), Tabassum, Bhagwan Dada

Raja Kansa (Sapru) has been told by an oracle that he will be killed by the eighth male child born to his sister Devaki (Padmarani). He has Devaki and her husband Vasudeva imprisoned, and kills off all the children born to them. When the eight child, a boy, is born Vasudev manages to leave him with Nanda and Yashoda who become his foster parents. The film shows some miracles with the ogress and serpents. It also focuses on Radha (an older married woman) and Krishna's love story. The film ends with a wrestling match between the boy Krishna and a wrestler, which Krishna wins and his killing of Raja Kansa. Krishna frees his parents from the prison.
Jai Santoshi Maa, 2h10
Genres Drama
Themes Films based on mythology, Films about religion
Actors Kanan Kaushal, Bharat Bhushan, Anita Guha, Mahipal Singh, Leela Mishra
Rating63% 3.1912553.1912553.1912553.1912553.191255
The film opens in Dev Lok or "the world of the gods," a Hindu heaven located above the clouds, where we witness the "birth" of Santoshi Ma as the daughter of Ganesha, the elephant headed god of good beginnings, and his two wives Riddhi and Siddhi ("prosperity" and "success"). A key role is played by the immortal sage Narada, a devotee of Vishnu, and a cosmic busybody who regularly intervenes to advance the film's two parallel plots, which concern both human beings and gods. We soon meet the maiden Satyavati (Kanan Kaushal), Santoshi Ma's greatest earthly devotee, leading a group of women in an aarti (song and ceremony of worship) to the goddess. This first song, "Main To Arti Utaru", "I perform Mother Santoshi's arti," exemplifies through its camerawork the experience of darshan —of "seeing" and being seen by a deity in the reciprocal act of "visual communion" that is central to Hindu worship.
Shri Ganesh Mahima
Themes Films based on mythology, Films about religion
Actors Meena Kumari, Mahipal Singh

Ganesha curses Chandra (Moon) for his vanity when he laughs at him. On asking forgiveness the curse is changed so that the effect occurs only on the auspicious day of Ganesh Chaturthi. Anyone looking at the moon will fall prey to false charges. Lord Krishna (Mahipal) looks at the moon and is accused of having stolen the Syamantaka Mani by Satrajit whose daughter Satyabhama (Meena Kumari) is keen on marrying Krishna. The film follows the fight between Lord Krishna and Jambavan for twenty-one days, with the recovery of the jewel and his marriage to Satyabhama.
Hanuman Patal Vijay, 2h19
Themes Films based on mythology, Films about religion
Actors Meena Kumari, Mahipal Singh

The story is about Hanuman and his confrontations with The King of Patal, Ahiravan and his brother Mahiravan who have been asked by Ravan to kill Ram and Lakshman. The film follows Hanuman’s encounter with Makari the daughter of the sea who wants to marry him, but instead through the swallowing of a bead of his sweat she gives birth to Makardhwaj who guards the gates of Patal (Hell) where Ram and Lakshman are taken when kidnapped. Hanuman gets the better of Makardhwaj and rescues Ram and Lakshman. A major battle ensues and Ahiravan and Mahiravan are killed, but somehow they keep regenerating. Hanuman manages to find out the secret of their regeneration and puts a stop to it with the help of Ahiravan’s wife Chandrasena.
Jhansi Ki Rani, 2h28
Directed by Sohrab Merwanji Modi
Genres Drama, Historical
Themes Films based on mythology, Films about religion
Actors Mahipal Singh, Shobhna Shilotri Samarth, Mehtab

The Asura King Hiranyakashipu, having been granted the boon of immortality by Brahma, projects himself as Supreme Being, even beyond Vishnu, whom he wants to avenge for killing his brother Hirnayaksha. After years of penance Brahma grants Hiranyakashipu his boon where he asks not to be killed by man or animal, on earth or space, inside the house or outside, and neither at dawn or at night. In his arrogance he aims for filicide when his son Prahlada rejects him as the supreme power, worshipping only Vishnu as the true God. He makes several attempts at killing Prahlad, one of them by burning him on the pyre. Prahlad is inadvertently saved when Holika's, (sister of Hiranyakashipu) fire-proof veil lands on him and Holika gets burnt instead. Hiranyakashipu is further angered when Prahlad, on being asked if Vishnu exists in the pillar of the palace too, answers He is everywhere. Hiranyakashipu smashes the pillar and a half man half lion form appears. It is Narsimha (Vishnu’s Avatar). The enraged Narsimha stands on the threshold and places the King on his thighs. It is twilight time indicating neither day nor night making Hiranyakashipu no longer invincible. With his talons he rips Hiranyakashipu’s abdomen apart, thereby killing him. Before leaving he installs Prahlad as the new King.