Bald: The Making of THX 1138 is a short film directed by George Lucas and released in 1971 to promote his first feature-length film, THX 1138, released the same year.
The film features a conversation between Lucas and Francis Ford Coppola, producer of THX 1138. They discuss Lucas' vision for the film, including his ideas about science fiction in general and in particular his concept of the "used future" which would famously feature in his film Star Wars. Intercut with this discussion is footage shot prior to the start of production of THX 1138 showing several of its actors having their heads shaved, a requirement for appearing in the film. In several cases the actors are shown being shaved in a public location. For example, Maggie McOmie is shaved outside the Palace of Fine Arts in San Francisco, while Robert Duvall watches a sporting event as his hair is cut off. Another actor, Marshall Efron, who would later play an insane man in the film, cut off his own hair and was filmed doing so in a bathtub.
The film is included as a bonus feature on the 2004 DVD release of The George Lucas Director's Cut of THX 1138.
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, 1h36 Directed byEleanor Coppola, George Hickenlooper OriginUSA GenresDocumentary ThemesFilms about films, Documentary films about business, Documentary films about the film industry, Political films, Documentary films about films ActorsFrancis Ford Coppola, Marlon Brando, John Milius, Eleanor Coppola, Orson Welles, Sofia Coppola Rating80% The title is derived from the source material for Apocalypse Now, the Joseph Conrad novella Heart of Darkness. Using behind-the-scenes footage, and narrated by Eleanor Coppola, it chronicles how production problems including bad weather, actors' health and other issues delayed the film, increasing costs and nearly destroying the life and career of Francis Ford Coppola. In 1990, Eleanor Coppola turned her material over to two young filmmakers, George Hickenlooper and Fax Bahr (co-creator of MADtv), who then shot new interviews with the original cast and crew and intercut them with her existing material. After a year of editing, Hickenlooper, Bahr, and Coppola debuted their film at the 1991 Cannes Film Festival to universal critical acclaim.