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Suggestions of similar film to Broadway
There are 200 films with the same actors, 17 films with the same director, 19934 with the same cinematographic genres (including 206 with exactly the same 2 genres than
Broadway), 10692 films with the same themes (including 140 films with the same 4 themes than
Broadway), to have finally
70 suggestions of similar films.
If you liked
Broadway, you will probably like those similar films :
, 1h45
Directed by Paul FejosOrigin USAGenres Comedy,
Musical,
AnimationThemes Films about music and musicians,
Jazz films,
Musical filmsActors John Boles,
Laura La Plante,
Jeanette Loff,
Bing Crosby,
Glenn Tryon,
William T. KentRating66%
Évocation à travers des séquences musicales magiques de l'importance du jazz dans la musique américaine des années 30. Entre spectacle de music-hall, animation et comédie musicale classique., 1h23
Directed by Paul Fejos,
John S. RobertsonOrigin USAGenres Drama,
War,
Musical,
RomanceThemes Musical filmsActors Laura La Plante,
John Boles,
Sam De Grasse,
James A. Marcus,
Lionel Belmore,
Stuart HolmesRating69%
, 1h36
Directed by Paul Fejos,
Claude HeymannOrigin FranceGenres ComedyThemes Théâtre,
Films based on playsActors Andrée Spinelly,
André Luguet,
Suzet Maïs,
Pauline Carton,
Julien Carette,
Anthony GildèsRating51%
Maud Jennings, une jeune Américaine qui voyage en France, a un coup de cœur pour Gilbert Latour qu'elle essaie à tout prix de séduire. Mais Gilbert Latour est marié et amoureux de sa femme..., 2h9
Directed by Harry A. PollardOrigin USAGenres Drama,
Musical,
RomanceThemes Théâtre,
Musical films,
Films based on plays,
Films based on musicalsActors Laura La Plante,
Joseph Schildkraut,
Emily Fitzroy,
Otis Harlan,
Stepin Fetchit,
Alma RubensRating60%
The eighteen-year-old Magnolia meets, falls in love with, and elopes with riverboat gambler Gaylord Ravenal., 2h32
Directed by Robert Wise,
Jerome RobbinsOrigin USAGenres Drama,
Musical theatre,
Musical,
Crime,
RomanceThemes Dance films,
Films about music and musicians,
Théâtre,
Musical films,
Romeo and Juliet,
Films based on plays,
Films based on musicals,
Films based on works by William Shakespeare,
Gangster filmsActors Natalie Wood,
Richard Beymer,
Russ Tamblyn,
Marni Nixon,
Rita Moreno,
George ChakirisRating75%
In the West Side's Lincoln Square neighborhood in Manhattan, there is tension between an Anglo gang, the Jets, led by Riff, and a Puerto Rican gang of immigrants, the Sharks, led by Bernardo. After a brawl erupts ("Prologue"), Lieutenant Schrank and Officer Krupke arrive and break it up, warning both gangs to cease fighting or pay. Despite the warning, the Jets decide to challenge the Sharks to a rumble for neighborhood control at an upcoming dance., 1h42
Directed by Ernst Lubitsch,
Otto Brower,
Rowland V. Lee,
Dorothy Arzner,
Victor Schertzinger,
Frank Tuttle,
A. Edward Sutherland,
Edmund Goulding,
Victor Heerman,
Lothar MendesOrigin USAGenres Comedy,
MusicalThemes Films about music and musicians,
Musical filmsActors Jean Arthur,
Richard Arlen,
Clara Bow,
Evelyn Brent,
Mary Brian,
Nancy CarrollRating58%
Plusieurs épisodes de music-hall mis en scène par 11 réalisateurs hollywoodiens., 1h30
Directed by Paul FejosOrigin USAGenres Drama,
Comedy,
RomanceActors Barbara Kent,
Glenn Tryon,
Eddie Phillips,
Andy Devine,
Edgar Dearing,
Fred EsmeltonRating76%
In New York, Mary is a telephone operator who lives alone and is lonely. Jim is a factory worker who lives alone and is lonely. Each decides to go to the beach (presumably Coney Island) and both are captivated with each other, eventually realizing, moreover, that they really do like each other. Having gone from loneliness to finding love, enjoying the company of each other and having fun, they are – due to exigent circumstances and hundreds of visitors to the beach that day – both separated from the other. Only knowing each other's first name, and having only a small photo of each other, Jim and Mary are desperate to find each other. Will these two lonesome individuals who have discovered their love for each other., 1h34
Directed by Peter BrookOrigin United-kingdomGenres Historical,
Musical,
CrimeThemes Films about music and musicians,
Théâtre,
Musical films,
Films about capital punishment,
Films based on plays,
Films based on operasActors Laurence Olivier,
Dorothy Tutin,
Hugh Griffith,
George Rose,
Stuart Burge,
Stanley HollowayRating60%
In the 1700s, a beggar is tossed into London's Newgate jail, along with a pile of papers upon which his unfinished opera is scribbled. The beggar boasts to the other prisoners that his opera, unlike others of the day, is about a real person, the dashing highwayman Captain Macheath, who, dressed in a red coat, holds off the world with a pistol in each hand, seduces women with five notes of a tune, and generally leaps from misfortune. To the beggar's disappointment, the other prisoners point out that his hero Macheath is among them, in irons and behind bars, and Macheath, who is scheduled to be executed the next morning, admits that there is "no arguing with reality." Taking the first page of the opera, Macheath begins singing, and the beggar, encouraged by Macheath's good voice, urges him to continue, until the following story, the beggar's opera, is sung for the prison inmates: While riding to London, feeling merry and free, Macheath robs a carriage, and steals a kiss and a locket from a maiden. Later, in London, Macheath's wife, Polly Peachum, pines for him. Polly's parents, shopkeepers Mr. Peachum and his wife, are scandalized to learn from their employee Filch that Polly has secretly married the highwayman. To make the best of the situation, as they are always eager to make money, they urge her to lure Macheath into a trap and collect the reward for his capture. Meanwhile, outside of town, Macheath encounters a carriage ridden by Newgate's jailor Mr. Lockit, Lockit's daughter Lucy and Mrs. Trapes, whom Lockit is wooing. Lucy, who met Macheath when he was once imprisoned, scolds him for taking her virtue without making good on his promise to wed. When Macheath rides off, Mrs. Trapes suggests that Lucy betray him for the reward and give the money to her father. Later, during a tryst in a hayloft, Polly warns Macheath that her parents are mounting an ambush. Macheath escapes with Polly's help after a swashbuckling fight, then hides in a back room of a tavern, where he is unable to resist socializing with the prostitutes, whom he considers friends. However, prostitute Jenny Diver has been bribed by Peachum and Lockit to betray him, and with the help of her colleagues, Macheath is soon captured. From his jail cell, Macheath urges Lucy to steal the jail keys and set him free, promising to marry her in return, but then Polly shows up and he is forced to introduce the women to each other. During the night, Lucy steals the keys and releases him, but later Polly sneaks back and, finding Macheath gone from the cell, screams in anguish without thinking, thus drawing attention to his escape. Meanwhile, Macheath disguises himself in the stolen cape and gloves of a lord and slips into a gaming house to avoid making good his promise to unite with Lucy. However, the proprietor recognizes the cape and alerts Lockit and Peachum about the impostor wearing it. Back at the jail, Polly is accused of freeing Macheath and is locked in Lucy's room, where Lucy, after losing track of Macheath, attempts to drug her. When they hear the recaptured Macheath being returned to prison, Lucy and Polly proceed to Macheath's cell and demand that he choose between them. He refuses, as he will soon be hanged and sees no reason to disappoint either of them. The next morning, riding atop his coffin as it is carted through the streets to the gallows, Macheath waves farewell to the friendly crowd that has gathered to see him off. At the gallows, after kissing both Lucy and Polly goodbye, Macheath is blindfolded and awaits his fate, and the opera comes to its incomplete end. The real Macheath, who is still in the jail, protests that he should not have to hang twice. After pondering the complaint, the beggar agrees and yells for Macheath's reprieve. The rest of the prisoners join in the chant and mob the turnkey, who comes to investigate the ruckus, allowing Macheath to escape. The highwayman steals a horse from the cart containing his coffin and when safely out of London, sings that his freedom has been returned because of a beggar's opera.