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Father is a french film of genre Drama directed by Alain Cavalier with Vincent Lindon
Father (2011)
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Add to a movie listPater is a 2011 French drama film directed by Alain Cavalier. It premiered In Competition on 17 May at the 2011 Cannes Film Festival.
^ Smith, Ian Hayden (2012). International Film Guide 2012. p. 117. ISBN 978-1908215017.
^ "Festival de Cannes: Official Selection". Cannes. Retrieved 2011-04-15.
^ "Cannes film festival 2011: The full lineup". guardian.co.uk (London). 14 April 2011. Retrieved 2011-04-15.
Synopsis
Cavalier and Lindon play versions of themselves, starting work on a film in which they will play the president of the republic and a politician who will be prime minister, respectively.Actors
Vincent Lindon
(Vincent Lindon)
Alain Cavalier
(Alain Cavalier)
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Suggestions of similar film to Father
There are 61 films with the same actors, 22 films with the same director, 87205 with the same cinematographic genres (including 11867 with exactly the same 2 genres than Father), to have finally 70 suggestions of similar films.If you liked Father, you will probably like those similar films :
Directed by Alain Cavalier
Origin France
Genres Drama, Documentary
Actors Alain Cavalier
Rating59%
Emmanuèle Bernheim et Alain Cavalier sont liés par trente ans d’amitié. Ils préparent un film d’après le livre autobiographique de la romancière : Tout s’est bien passé. Elle y raconte comment son père lui a demandé « d’en finir » à la suite d’un accident cardio-vasculaire. Cavalier lui propose de tenir son propre rôle et que lui, soit son père. Un matin d’hiver, Emmanuèle téléphone à Alain ; il faudra retarder le tournage jusqu’au printemps, elle est opérée d’urgence.
, 1h17Directed by Alain Cavalier
Origin France
Genres Drama
Actors Alain Cavalier, Xavier Saint-Macary
Rating72%
Une voix off parle de femmes connues dans le passé, et puis un homme apparaît : les bandelettes qui entourent sa tête ne laissent voir que ses yeux. Le visage masqué, il décide de s'enfermer peu à peu dans une pièce close qu'il peint en noir.
Vies (2000)
, 1h27Directed by Alain Cavalier
Origin France
Genres Documentary
Actors Alain Cavalier
Rating67%
Alain Cavalier filme quatre amis : Yves Pouliquen, un chirurgien spécialiste des yeux qui fait sa dernière opération à l’Hôtel Dieu; Jean-Louis Faure, sculpteur qui prépare une exposition d’œuvres insolites; Michel Labelle, boucher qui partage sa vie professionnelle entre abattoirs et places de marché; Françoise Widhoff, assistante d'Orson Welles pendant deux ans.
Irene (2009)
, 1h25Directed by Alain Cavalier
Origin France
Actors Alain Cavalier
Rating67%
Alain Cavalier lui-même, en relisant ses journaux intimes de 1970, 1971 et 1972, se rappelle sa compagne Irène Tunc, morte accidentellement en 1972.
Le filmeur (2005)
, 1h37Directed by Alain Cavalier
Origin France
Genres Documentary
Themes Documentaire sur une personnalité, Autobiographical documentary films
Actors Camille de Casabianca, Alain Cavalier
Rating65%
À partir de son journal intime filmé en vidéo entre 1994 et 2005, Alain Cavalier nous invite avec humour et sensibilité à une méditation sur la vieillesse, la vie, la mort... Instants de vie, éclats d’images, il compose une mosaïque où le spectateur est invité à trouver sa place par-lui-même.
The Unvanquished (1964)
, 1h54Directed by Alain Cavalier
Origin France
Genres Drama, Crime
Themes Films set in Africa, French war films, La colonisation française, Films about terrorism, Algerian War films, Political films, Histoire de France
Actors Alain Delon, Lea Massari, Georges Géret, Maurice Garrel, Robert Castel, Robert Bazil
Rating69%
Thomas Vlassenroot, a citizen of Luxembourg, after his divorce, decides to enlist in the French Foreign Legion. He is posted to Algeria but during the 1961 uprising he becomes disllusioned and deserts.
Heartbeat (1968)
, 1h45Directed by Jean-François Stévenin, Alain Cavalier
Origin France
Genres Drama, Comedy-drama, Romantic comedy, Romance
Actors Catherine Deneuve, Michel Piccoli, Roger Van Hool, Irène Tunc, Jacques Sereys, Amidou
Rating63%
A woman and a poor artist begin an affair and eventually move in together, but the woman cannot get used to his life, his working-class existence. She leaves her lover to return to her relationship with a man of means. Ostensibly, she is rejecting her lover because she feels stifled by his position in society. But the class differences are metaphor for the quality of the love, with a woman deciding to be with a man who loves her for who she is rather than as an object of affection, merely the focus of a selfish love. She wants to be with the one who doesn't ask her to change.
Un étrange voyage (1981)
, 1h40Directed by Alain Cavalier, Patrick Dewolf
Origin France
Genres Drama
Themes Transport films, Rail transport films
Actors Jean Rochefort, Camille de Casabianca, Arlette Bonnard, Dominique Besnehard, Patrick Depeyrrat, Roland Amstutz
Rating67%
A man walks a length of railroad track, looking for his elderly mother whom he believes fell from the train at some point. He brings his daughter along.
Therese (1986)
, 1h34Directed by Alain Cavalier
Origin France
Genres Drama
Themes Films about religion
Actors Catherine Mouchet, Hélène Alexandridis, Mona Heftre, Jean Pélégri, Edmond Levy
Rating72%
Like two of her older sisters before her, Thérèse Martin is determined to become a Carmelite nun even though she is officially too young to enter the order. Thérèse's stubborn piety wins through, and her love affair with Jesus transfigures her short life. Alain Cavalier's account of Thérèse's joy in her vocation is based on her spiritual autobiography, The Story of a Soul.
Libera Me (1993)
, 1h15Directed by Alain Cavalier
Origin France
Genres Drama
Actors Louis Becker, Françoise Christophe
Rating66%
Dans ce film, vous verrez un mouchoir de femme noué au poignet d'un homme, une tête de cochon bien rasée, des adolescents plus inventifs que leurs aînés pour lutter contre l'oppression... Mais vous n'aurez à entendre aucun dialogue. Les mots ne préparent pas, n'accompagnent pas, ne commentent pas l'action. Il ne s'agit pas d'un film muet, mais seulement de ne retenir pour le spectacle cinématographique que les moments de la vie où l'on ne parle pas. Le spectateur y trouvera peut-être une plus grande liberté d'interprétation et, nous l'espérons, un plaisir particulier.