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Filming 'The Trial' is a film of genre Documentary directed by Orson Welles released in USA on 1 february 1981 with Orson Welles

Filming 'The Trial' (1981)

Filming 'The Trial'
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Released in USA 1 february 1981
Directed by
Rating73% 3.6554153.6554153.6554153.6554153.655415

Filming 'The Trial' est un film documentaire inachevé d'Orson Welles, dont la réalisation date de 1981. Le film se concentre sur la production de son film de 1962, Le Procès.

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Source : Wikidata

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Suggestions of similar film to Filming 'The Trial'

There are 93 films with the same actors, 39 films with the same director, 8953 with the same cinematographic genres, to have finally 70 suggestions of similar films.

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Filming Othello begins with Welles standing behind a moviola. He directly addresses the camera and announces: "This is to be a conversation, certainly not anything so formal as a lecture, and what we're going to talk about is Othello, Shakespeare's play and the film I made of it." Welles initially conducts a monologue where he recalls the events that lead up to the creation of Othello and some of the problems that plagued the production. As the film progresses, he switches to a conversation in a restaurant between himself and two of the film’s co-stars, Micheal MacLiammoir (who played Iago) and Hilton Edwards (who played Brabantio). The three men talk at length about the making of Othello. Welles then resumes his monologue from his position behind the moviola. He then runs footage on the moviola of a question and answer session he conducted during a 1977 screening of Othello in Boston. Welles concludes the film in his position as a monologuist, proclaiming: "There are too many regrets, there are too many things I wish I could have done over again. If it wasn't a memory, if it was a project for the future, talking about Othello would have been nothing but delight. After all, promises are more fun than explanations. In all my heart, I wish that I wasn't looking back on Othello, but looking forward to it. That Othello would be one hell of a picture. Goodnight.
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In an opening scene before the credits an assassin, Banat, is seen preparing a gun while a gramophone skips as it plays. The story that follows is the narrative of a letter from Howard Graham, an American armaments engineer, to his wife Stephanie. While journeying to the Soviet port of Batumi to return to the United States to complete his business with the Turkish Navy, Graham and his wife stop in Istanbul and are met by Kopeikin, a Turkish employee of Graham's company, who under the pretense of discussing business, takes Graham to a nightclub to introduce him to dancer Josette Maretl and her partner Gogo. When Banat tries to kill Graham during a magic act, he shoots the magician instead, and Graham is brought to the headquarters of the Turkish secret police for questioning. Colonel Haki of the secret police warns Graham that German agents are trying to kill him to delay the re-arming of Turkish ships. He shows Graham a photograph of Banat, whom he says was hired by a Nazi agent named Muller, and orders Graham to travel secretly to Batumi aboard a tramp steamer instead of by train. Haki assures him that he will personally see that Stephanie gets to their hotel in Batumi ahead of him.