Tsuribaka Nisshi 2 (釣りバカ日誌 2) is a 1989 Japanese film directed by Tomio Kuriyama. It was released on 30 September 1989. It is the second film in the Tsuribaka Nisshi series.
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Tsuribaka NisshiFilm series
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Special
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Hana no O-Edo no Tsuribaka Nisshi
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, 2h23 Directed byYoshishige Yoshida OriginJapon GenresDrama ActorsYūsaku Matsuda, Rentarō Mikuni, Yūko Tanaka, Eri Ishida, Nagare Hagiwara, Masato Furuoya Rating68% Dans le Japon médiéval, Onimaru, jeune vagabond, est adopté par la famille des Yamabe, prêtres chargés d'apaiser la colère de la Montagne de Feu. Mais Onimaru bouleverse les hiérarchies et défie les rites séculaires de la région. Il s'éprend de Kinu, mais celle-ci meurt. Dès lors, Onimaru plonge dans une cruauté qui n'a d'égal que l'amour qu'il continue de porter à la défunte...
, 2h20 Directed byShōhei Imamura, Taku Shinjō OriginJapon GenresDrama, Crime ThemesSerial killer films ActorsKen Ogata, Mayumi Ogawa, Rentarō Mikuni, Mitsuko Baishō, Taiji Tonoyama, Kazuko Shirakawa Rating76% The film's story is told in a series of flashbacks. In the opening scenes, Iwao Enokizu (Ken Ogata), is a prisoner of the police. A huge crowd of journalists and an angry mob greets him as he enters a cell. The police quiz him but he refuses to answer. The story goes back to the initial murders. Enokizu tricks and then kills two men and steals a large sum of money. He puts on a suit and disappears. Enokizu travels to another city. At the train station, he asks a taxi driver to take him to an inn where he can get a prostitute. Enokizu is sexually insatiable. He tells the innkeeper, a woman called Haru (Mayumi Ogawa), that he is a professor at Kyoto University. The police, searching for Enokizu, put out bulletins with his face on television. The prostitute thinks the professor is Enokizu, but she is told not to go to the police because of her job.
, 2h12 Directed byKazuhiko Hasegawa OriginJapon GenresDrama, Thriller, Crime ActorsMieko Harada, Etsuko Ichihara, Ryōhei Uchida, Kazuko Shirakawa, Kaori Momoi, Kazuhiko Hasegawa Rating67% Jun Saiki tient en gérance un bar appartenant à son père près de l'aéroport de Narita dont la construction se termine malgré la forte résistance au projet de la part d'opposants. Il travaille aux côtés de Keiko, sa petite amie mais ses parents désapprouvent cette relation. Alors qu'il retourne récupérer sa voiture au garage de son père, une énième dispute éclate au sujet de Keiko. Son père qui a engagé un détective privé lui apprend que Keiko aurait été violée par l'amant de sa mère. La dispute tourne au drame, Jun tue son père d'un coup de couteau puis sa mère revenue de faire les courses. Jun et Keiko font disparaitre les corps en mer depuis une jetée et prennent la fuite.
, 1h40 Directed byMasahiro Shinoda GenresDrama, Historical ActorsShima Iwashita, Rentarō Mikuni, Jun Hamamura, Masao Kusakari, Yoshi Katō Rating69% In an unnamed forest, a group of women with white-painted faces and robes wander to a ritual site. One of the women, Himiko, the shaman and translator of the Sun God, lies on the ground while another holds a bronze mirror up which reflects the sun's light. Himiko starts to convulse and moan, imitating an orgasm which symbolizes the Sun God penetrating her body. We see several different tribes, one of the Land People, and one of the Mountain People. The Mountain People are a raggedy, unsightly group, all conjoined together by a single rope, and donned with haunting makeup consisting of heavy paint, cobwebs and strings. They wander around the mountain like insects, twitching and in almost no control of their own limbs and muscles. A lone traveler appears, named Takehiko, from the far side of the mountain and enters the forest.