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Hanuman Vijay is a film of genre Fantasy directed by Babubhai Mistry with Kanan Kaushal

Hanuman Vijay (1974)

Hanuman Vijay
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Directed by
Genres Fantasy
Rating71% 3.551753.551753.551753.551753.55175

Hanuman Vijay is a 1974 Bollywood fantasy film directed by Babubhai Mistri.

Actors

Kanan Kaushal
Sujatha
Raaj Kumar
Trailer of Hanuman Vijay

Bluray, DVD

Streaming / VOD

Source : Wikidata

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Suggestions of similar film to Hanuman Vijay

There are 105 films with the same actors, 12 films with the same director, 6106 with the same cinematographic genres, 3589 films with the same themes (including 106 films with the same 2 themes than Hanuman Vijay), to have finally 70 suggestions of similar films.

If you liked Hanuman Vijay, you will probably like those similar films :
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, 2h43
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Genres Drama, Fantasy, Action, Adventure
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Le film reprend les principaux épisodes de l'épopée, à savoir la lutte entre les cinq frères Pandava et les cent frères Kaurava, sans pouvoir en relater les origines ni tous les détails.
Hanuman, The Worshipper of Lord Rama
Hanuman, The Worshipper of Lord Rama (1948)

Genres Drama, Fantasy, Action, Adventure, Historical, Musical
Themes Films based on mythology, Films about religion
Rating24% 1.219631.219631.219631.219631.21963
Ravana (Niranjan Sharma) orders Maricha to turn into a deer to entice Sita (Sona Chatterjee) with the notion of kidnapping her. Rama (Trilok Kapoor), Lakshman (Prabhash Joshi) and Sita are in the Panchavati forest for their fourteen year exile. Espying the golden deer sent by Ravana to lure Rama away, Sita asks Rama to get it. On hearing a cry of pain she sends Lakshman after his brother thinking he’s hurt. Ravan comes in the guise of a hermit begging alms and makes Sita step over the Lakshman Rekha (line), Lakshman had drawn around their cottage for her safety, asking her not to step beyond it. In their search for Sita, Ram and Lakshman meet Hanuman (S. N. Tripathi) whom they help in the fight between Sugriva and Bali. Hanuman then helps in finding Sita. He goes through several challenges in his devotion to Ram. Hanuman becomes a major factor in the battle between Rama and Ravana resulting in the victory of Rama and Shri Ram’s subsequent return to Ayodhya.
Ramayana: The Legend of Prince Rama
Ramayana: The Legend of Prince Rama (1997)
, 2h28
Genres Fantasy, Action, Adventure, Animation
Themes Films about music and musicians, Films based on mythology, Poésie, Films about religion, Musical films, Mythologie hindoue, Adaptation d'un poème
Actors Shatrughan Sinha, Amrish Puri, Namrata Sawhney, Noël Godin, James Earl Jones, Rahul Bose
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After a brief introduction to some of the main characters of the story, the beginning sees a group of Rishis, led by Vishvamitra, performing a Yajna in a forest not far from Ayodhya, the Capital of the Kingdom of Kosala. This Yajna, like several before it, is interrupted and destroyed by a group of flying demons led by Ravana's relation Maricha. After seeing yet another Yajna destroyed, a despondent Vishvamitra appeals to Lord Vishnu for salvation. Vishnu appears in a spiritual blaze of light, informing him of his saviour- Prince Rama of Ayodhya, first-born of King Dasharatha. Vishvamitra travels to Ayodhya to meet the King and requests him to offer Rama's services to help destroy the demons in the forests. Although the Solar Dynasty King is reluctant at first to send the young lad, he is reassured by the resident Rishi that no harm will come to him and even encouraged to send his third son Lakshmana as an accompaniment.
Saraswathi Sabatham
Saraswathi Sabatham (1966)
, 2h28
Genres Fantasy
Themes Films based on mythology, Films about religion
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Saraswati Sabatham tells the story of a dispute between three goddesses over which has the best power. Narada (Sivaji Ganesan), a sage and celestial troublemaker, begins the fight by visiting Saraswati (Savitri), the Goddess of knowledge, and purposely annoys Her by saying that wealth is more important and abundant. Saraswati angrily said that She will prove that Her power, knowledge is more important. Narada then goes to Vaikuntha to see Lakshmi (Devika), the Goddess of wealth, and also annoys Her by saying that education is more abundant and is the best. Lakshmi also retorted that She will prove that Her power of wealth is more important. Narada finally goes to Mount Kailas, seeking Parvati(Padmini), the goddess of power and strength and annoys Her too, saying that wealth and knowledge is more important. Parvati too stressed that She will prove that Her power of strength is more important.
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, 1h22
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The film uses a pared-down adaptation of the legend that retains many of its finer details while adopting a perspective sympathetic towards Sita; in the director's words, the film is "a tale of truth, justice and a woman’s cry for equal treatment."