I Like Killing Flies is a 2004 documentary film produced, directed, filmed, and edited by Matt Mahurin. It documents Shopsins restaurant in New York City's Greenwich Village and its owner and head cook, Kenny Shopsin. In 2002 and 2003, Mahurin followed Shopsin in his final year at the location he ran for over 30 years. Throughout the film, Shopsin offers what he calls "half-baked" philosophy, peppered with profanities.
In the first half, Shopsin opens his eatery for the day and talks about his kitchen, his business, his employees, and his customers. We meet the regulars and friends who eat some of the 900 eclectic dishes he prepares, and we learn the rules of the restaurant: all customers must eat, parties of five or more are unwelcome, and anyone who irritates the owner will be swiftly shown the door. Shopsin's wife and children, all of whom work at the restaurant, weigh in on what it's like to work for this eccentric and occasionally hot-tempered man.
In the film's second half, Shopsin loses his lease and is forced to move his establishment to a larger location on nearby Carmine Street. Family, friends, and customers all pitch in to help with the move. Everything must go, from hundreds of knick-knacks and supplies to an alarmingly rickety stove. The reopening is a resounding success. The epilogue grants the audience one last glimpse of Shopsin's life the following year, and it is revealed that Shopsin's wife has died, but he seems not to have changed at all.
Shopsin, who has been profiled in The New Yorker by Calvin Trillin, wrote a 2008 book with Carolynn Carreño entitled Eat Me: The Food and Philosophy of Kenny Shopsin.
Suggestions of similar film to I Like Killing Flies
There are 8961 with the same cinematographic genres, 997 films with the same themes (including 54 films with the same 2 themes than I Like Killing Flies), to have finally 70 suggestions of similar films.
If you liked I Like Killing Flies, you will probably like those similar films :
, 11minutes Directed byHerman Hoffman OriginUSA GenresDocumentary ThemesDocumentary films about business, Documentary films about the film industry, Documentary films about cities ActorsFreddie Bartholomew, Frank Capra, William H. Daniels, Clark Gable, Betty Ross Clarke, Myrna Loy Rating60% The film starts with a brief reprise of the previous film, before cutting to the Metro-Goldwyn-Mayer Studios in Culver City, California where assistant cameraman Bill Reilly picks up the film from the lab for Marie Antoinette (1938) which he passes on to cameraman William H. Daniels. Behind the scenes footage shows W.S. Van Dyke directing a scene between Norma Shearer and Robert Morley before the negative is taken to the lab to be developed, dried and polished by lab technician John M. Nickolaus. The test strips are then read and delivered to the print room for printing. A tram takes the viewer on a quick tour of the studio complete with behind the scenes footage of George B. Seitz directing Judge Hardy's Children (1938), Freddie Bartholomew training with elephants for the then unproduced Kim, Luise Rainer doing a costume test for The Toy Wife (1938), and candid footage of Clark Gable, Myrna Loy and Spencer Tracy. The film concludes with a montage from trailers for coming MGM pictures and footage of Louis B. Mayer, Frank Capra, Luise Rainer and Louise Tracy at the 10th Academy Awards banquet.
, 11minutes OriginUSA GenresDocumentary ThemesDocumentary films about business, Documentary films about the film industry, Documentary films about cities ActorsJeanette MacDonald, Nelson Eddy, Clark Gable, Greer Garson, W. S. Van Dyke, Hedy Lamarr Rating55% The film starts with a brief introduction to the work of Thomas A. Edison and a clip from William K.L. Dickson's Dickson Experimental Sound Film (c. 1894). Douglas Shearer then presents a behind the scenes look at the filming of W.S. Van Dyke's Bitter Sweet (1940) featuring Jeanette MacDonald and Nelson Eddy to explain how the sound is recorded. A scene from King Vidor's Comrade X (1940) featuring Clark Gable and Hedy Lamarr is used to demonstrate the final result. The film concludes with a montage from trailers for coming MGM pictures and a Technicolor screen test of Greer Garson for Mervyn LeRoy's Blossoms in the Dust (1941).