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Let's Elope is a american film directed by John S. Robertson with Marguerite Clark

Let's Elope (1919)

Let's Elope
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Let's Elope is a lost 1919 American silent comedy film starring Marguerite Clark and directed by John S. Robertson. It was produced by Famous Players-Lasky and released through Paramount Pictures. The film is based on a play by Frederick J. Jackson.

Actors

Marguerite Clark

(Eloise Farrington)
Gaston Glass

(Darrell McKnight)
Trailer of Let's Elope

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Streaming / VOD

Source : Wikidata

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Suggestions of similar film to Let's Elope

There are 57 films with the same actors, 41 films with the same director, 4292 films with the same themes, to have finally 70 suggestions of similar films.

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Directed by John S. Robertson
Origin USA
Themes Films based on plays
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As described in a film magazine, Claudia Daingerfield (Clark) is the resourceful daughter of an old and invalid Southern aristocrat Mr. Daingerfield (Stevens). All that remains of his property is a fine old Virginian country house, barely maintained by Claudia, her sister Elizabeth (Kaye), her brothers Paul (Barker) and Charles (Hackett), and their African-American cook Mammy Jackson (Miller), who is still loyal to the household. When father goes North to consult a great physician, there is no money left when news comes that a costly operation must be performed. There is only one way this expense can be met, and that is by accepting an offer by Northerner Burton Crane (O'Brien) for temporary lease and occupation of the fine house for $3,000, though he insists on having only white servants. As a result, the members of the former high-born Southern family take the servant positions, with Claudia as cook, her sister Elizabeth as maid, and her brothers as a butler and general worker. Then ensues a comedy with the family performing domestic service to people less kind and appreciative, with Claudia struggling in an attempt to cook for the entire family until she is forced to call upon the services of Mammy Jackson and keep her out of sight with ingenious and amusing devices. Claudia bravely steers through this sea of trouble while fascinating the Northerners staying at the house. Burton Crane slowly falls in love with her and seriously thinks of taking her out of the kitchen, thinking she is a wonderful cook. He comes across a miniature of her, but when it disappears he accuses the older brother of stealing it and has him discharged. One by one the members of the family who took positions as servants are discharged until only Claudia remains. After a telegram arrives stating that her father has survived the dangerous operation causes Claudia to falter, and Burton discovers what has been going on. Recognizing her superb plunk, Burton asks her to become his wife.
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Baby Mine (1917)

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Origin USA
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Themes Films based on plays
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As summarized in an adaptation published in the September 1919 issue of Shadowlands, Betty Taradine, who lives in a British village near a army base, was abandoned by her husband for her spendthrift ways. She reports that he is dead to obtain insurance money. Later, British officer Captain Peter Rymill is assigned to be billeted at her house, but he turns out to be her husband living under an assumed name. There are various romantic triangles involving other villagers, and the identity of the missing husband and existence of the marriage is revealed after a dinner with the guests gathered in the widow's bedroom.
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Scared by the war, Oliver Bashforth (Richard Barthelmess) moves into a lonely cottage in search of solitude. He meets Laura Pennington (May McAvoy), a plain, lonely, and unattractive woman, and marries her, primarily to escape from his energetic sister, Ethel (Florence Short). In their unhappy marriage they allow their ugliness to suppress romance, but their mutual admiration grows and becomes love, manifested by recognition of inner beauty and faith that their children will possess the physical perfection denied them.