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London Voodoo is a film of genre Thriller released in USA on 2 february 2004 with Sara Stewart
London Voodoo (2004)
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Add to a movie listLondon Voodoo is a 2004 film directed and written by Robert Pratten.
Synopsis
When ambitious analyst Lincoln Mathers (played by Doug Cockle) relocates his family from New York to London, his wife Sarah (Sara Stewart) discovers a new disturbing power and becomes hostage to an ancient spirit. As Mathers notices that the family is tearing apart and that his wife's behavior becomes more violent and erratic, he accepts that to save the woman he married he must take a leap of faith.Actors
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Suggestions of similar film to London Voodoo
There are 41 films with the same actors, 21251 with the same cinematographic genres (including 4327 with exactly the same 2 genres than London Voodoo), to have finally 70 suggestions of similar films.If you liked London Voodoo, you will probably like those similar films :
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Origin Suede
Genres Drama, Thriller, Crime
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In December 2002, Mikael Blomkvist, publisher of Millennium magazine, loses a libel case involving allegations he published about billionaire financier Hans-Erik Wennerström. He is sentenced to three months in prison and a hefty fine. Lisbeth Salander, a brilliant but damaged surveillance agent and hacker, is hired by Henrik Vanger, the patriarch of the wealthy Vanger family, to investigate Blomkvist. Vanger then hires Blomkvist to investigate the disappearance of his niece, Harriet, who vanished on Children's Day in 1966. Vanger believes that Harriet was murdered by a family member.
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With her new wealth, Lisbeth Salander (Noomi Rapace) purchases an apartment in Stockholm. On returning to Sweden after nearly a year living abroad, Salander reconnects with her former lover Miriam Wu (Yasmine Garbi) and offers her free use of her previous apartment in return for forwarding her mail. Later, Salander confronts her guardian, Nils Bjurman (Peter Andersson) after hacking into his mail and discovering he has an appointment booked with a tattoo removal specialist. Threatening him with his own gun, she warns him not to remove the tattoo that she etched on his abdomen as revenge for sexually abusing her, marking him as "a pervert, a rapist and a sadistic pig".
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Mike Regan (Pierce Brosnan) est un homme qui a tout : une belle épouse, une belle fille. Mais il se retrouve dans un jeu du chat et la souris mortel quand Ed Porter (James Frecheville) commence à guetter sa fille. Ce dernier utilise la technologie pour menacer sa famille, son entreprise et sa vie.
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Origin United-kingdom
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Origin USA
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From the press release: Dead to everything except painful pleasure, an unhappily married woman, Nancy, leaves her silent husband behind to meet a fellow broken soul in search of a final release. Louis is a quiet dispenser of pleasure, Nancy is the mechanism set to self-destruct. Beyond therapy, beyond medication, beyond feeling, Nancy is left with the only coping mechanism she ever knew, violence. Together, they journey through the darkest recesses of the human mind before finding solace in each other's arms. For Nancy, solace can only come from death, for Louis, it can only come from Nancy. Nancy's husband Albert is left with an empty house, filled with only the memory of his wife's unbearable loneliness and a final, endless understanding of how bleak life could be. The relationship between Louis and Nancy straddles the thin line between pleasure and pain, crossing over into a film that is as emotional as it is unnerving.
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, 1h55Directed by Henry-Alex Rubin
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Un groupe de personnes et leurs relations à Internet.
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, 1h57Directed by Thomas Vinterberg
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Le sous-marin nucléaire lanceur d'engins russe K-141 Koursk (Курск en russe) appartenait à la classe Projet 949A "Antei" ("Oscar II" pour l'OTAN). Ce navire récent (il avait été lancé en décembre 1994) et très performant illustrait la résurrection des forces navales russes après les années de déliquescence qui ont suivi la fin du régime soviétique. Le 12 août 2000, le Koursk fait naufrage en mer de Barents alors qu'il participe à d'importantes manœuvres de la Flotte du Nord. Lors de ces manœuvres, deux explosions successives sont en effet enregistrées mais personne n'en identifie l'origine, personne ne sait encore que cela provient d'un sous-marin et que tout l'avant du Koursk (de l'étrave au massif) a été entièrement ravagé alors qu'il était en plongée. Le Koursk a coulé aussitôt et repose désormais par 90 mètres de fond seulement (le sous-marin mesure 154 mètres de long). À bord, 23 marins réfugiés à l'arrière du sous-marin se débattent pour survivre. Les graves avaries subies par le bâtiment ne leur permettent pas de communiquer avec la surface ni d'émettre le moindre signal de détresse, si ce n'est des coups de marteau sur la coque. À terre, les familles font face aux obstacles et aux lourdeurs bureaucratiques qui compromettent le sauvetage, et l'absence de toute information fiable rend l'attente insupportable. Les jours passent sans que les autorités soient capables de donner des informations précises, et les opérations de sauvetage tardent à débuter. Dans le même temps les propositions d'aide venant de l'étranger sont déclinées. Après plusieurs jours d'atermoiements, de tentatives ratées pour arrimer un sous-marin de sauvetage au Koursk, il faut se rendre à l'évidence: il n'y a plus aucune chance de retrouver de survivants parmi les 118 membres d'équipage. Ce sont des plongeurs norvégiens qui réussissent les premiers à pénétrer à bord. Ce lourd bilan fait du naufrage du Koursk l'une des pires catastrophes touchant un navire de guerre en temps de paix. L'attitude des autorités civiles et navales, ainsi que la lenteur du déclenchement des opérations de secours et leur caractère calamiteux (maintenant les familles dans l'angoisse pendant de nombreux jours) ont choqué l'opinion publique bien au-delà des frontières de la Russie.
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