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Marie Antoinette, the Love of a King is a film of genre Drama with Diana Karenne

Marie Antoinette, the Love of a King (1922)

Marie Antoinette, the Love of a King
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Marie Antoinette, the Love of a King (German: Marie Antoinette – Das Leben einer Königin) is a 1922 German silent historical drama film directed by Rudolf Meinert and starring Diana Karenne, Maria Reisenhofer and Gustav May. The film depicts the life of Marie Antoinette, Queen of France, during the years leading up to and during the French Revolution in which she was executed.

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Suggestions of similar film to Marie Antoinette, the Love of a King

There are 25 films with the same actors, 61896 with the same cinematographic genres (including 3978 with exactly the same 2 genres than Marie Antoinette, the Love of a King), 7815 films with the same themes (including 14 films with the same 3 themes than Marie Antoinette, the Love of a King), to have finally 70 suggestions of similar films.

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Genres Drama, Historical, Romance
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Rating72% 3.643933.643933.643933.643933.64393
In Vienna, 15-year-old Marie Antoinette (Norma Shearer) is informed by her mother, Empress Marie Therese of Austria (Alma Kruger), that Marie is to marry the future King of France, the Dauphin Louis XVI (Robert Morley). The young princess is excited to meet her future husband and live as a queen, but the Dauphin she married is actually a shy man, more at home with locksmithing than attending parties at the court at Versailles. After they are married, Marie tries desperately to please her husband, and after some trepidation, the Dauphin realizes he can trust Marie and tells her he cannot produce heirs. Without children to occupy her time and attention, Marie is bored and associates with the power-hungry Duc d'Orleans (Joseph Schildkraut), even though the Dauphin does not like him.
Farewell, My Queen, 1h40
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Rating61% 3.0954253.0954253.0954253.0954253.095425
In 1789, on the eve of the French Revolution, the court at the Palace of Versailles still live their routines, relatively unconcerned by the increasing turmoil in Paris a mere twenty miles away. The routines are seen through the eyes of the young Sidonie Laborde, who serves Queen Marie Antoinette.
Royal Affairs in Versailles, 2h45
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Jeanne de Saint-Rémy de Valois, orphaned at an early age, is determined to reclaim her royal title and the home taken from her family when she was a child. When she is rebuffed by Marie Antoinette and fails to achieve her goal through legal channels, she joins forces with the arrogant, well-connected gigolo Rétaux de Villette and her own wayward, womanizing husband Nicholas. They concoct a plan to earn her enough money to purchase the property.
Désirée
Désirée (1954)
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Directed by Henry Koster
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Les événements relatés dans les deux parties de La Révolution française sont nombreux. Les producteurs ont voulu relever le défi inédit de couvrir l’ensemble de la période révolutionnaire et donc tous ses principaux événements (ce qui en fait d'ailleurs un film pédagogique malgré son parti pris clairement dantoniste). L'œuvre passe cependant très vite sur la guerre de Vendée, qui n’est mentionnée que quatre fois, notamment par Robespierre et Desmoulins, qui dénonce le massacre d’ « un peuple entier ». Le film se termine sur l’exécution de Robespierre et Saint-Just en 1794 et omet d'évoquer la suite des événements. Toutefois, la Révolution française s'étend jusqu'en 1799, année du coup d'État de Napoléon Bonaparte.
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Ce film est une fresque historique qui porte sur la Révolution française, retraçant les premières années de cette période (1789-1793), en se focalisant notamment sur le rôle et la perception par ses contemporains du roi Louis XVI dans les tumultes qui secouent la France et qui amènent la fin de la société d'Ancien Régime. Le film donne à voir des figures historiques marquantes de ce moment, comme Robespierre, Marat, Desmoulins ou encore Danton, dans des séculaires États Généraux qui se muent en une toute jeune Assemblée nationale avant de se transformer en une révolutionnaire Assemblée constituante.
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Le film porte une vision des évènements de 1789-1793 et de leurs conséquences avec une bienveillante compassion pour la reine (Michèle Morgan), sensible, superbe dans sa splendeur et vulnérable dans son intimité, déchirée entre sa fidélité au roi (Jacques Morel) et sa passion pour Fersen (Richard Todd).
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