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Mejdidi is a film of genre Drama directed by Ajoy Kar with Tulsi Chakraborty

Mejdidi (1950)

Mejdidi
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Directed by
Genres Drama

Mej Didi is a 1950 Bengali film directed by Sabyasachi and produced by Kanan Devi.The film has bean music composed by Kalipada Sen.

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Trailer of Mejdidi

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Suggestions of similar film to Mejdidi

There are 28 films with the same actors, 3 films with the same director, 61095 with the same cinematographic genres, to have finally 70 suggestions of similar films.

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Genres Drama, Romance
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An amnesiac after a train accident, Alok Mukherjee (Uttam Kumar) is rescued on escaping from the asylum where he is admitted by doctor Roma Banerjee (Suchitra Sen) who takes him to her father's (Pahadi Sanyal) country house in a village called Palaspur. There, while treating him she falls for him and he for her. They marry but a second accident makes him recall his life as a rich businessman in Calcutta and forget the memories spent with Roma. Roma follows him to Calcutta and meets him there but he doesn't recognise her. He hires her as governess to his niece instead. Roma keeps trying to simulate Alok's memory but is looked at suspiciously by Lata, Alok's fiancee in Calcutta who thinks Roma is snatching Alok away from her and who complains to Alok's mother. The latter has Roma kicked out. Alok realizing she is from Palaspur and that is where he got back his memory goes there and regains his memory of times spent with Roma there. All's well that end well.
Seven Steps, 2h43
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Rating82% 4.1261954.1261954.1261954.1261954.126195
It is a love story with a twist set in Bengal in pre independent India (early 1940); the time when young Indian students were competing equally with British 'goras' in all fields whether it be education or sports. This was the time when barefooted Bengali football team defeated the booted British team to win the national football shield; this was the time when the ambitious and educated Calcutta students were matching their prowess in different fields of education with the British – be it law or medicine. It is in this time of rising nationalistic sentiments (1942 was when Gandhiji started the non violent Quit India movement) that Krishnendu (Uttam Kumar), a bright, young, athletic and Bengali Hindu youth falls in love with an equally talented and attractive but Christian Rina Brown (Suchitra Sen). Both of them were students at the Calcutta Medical College and they come close during their interaction in multitude of sports and cultural events (there is an interesting rendition of Othello within the movie; that portion of the movie was directed by Utpal Dutt). However their marriage is not on the cards due to the differences in religion (particularly opposed by Krishnendu's dad, a staunch, conservative Hindu) and they move each other ways only to clash unexpectedly again, later in life.
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Nutubehari, called Nutu, is a poor but educated social worker who sticks to his life's ideals and fights against the wealthy Zamindar for people's rights. He falls in love with Kalyani, the Zamindar's daughter. The enraged Zamindar has Nutu put in jail. When he gets out of jail, he finds Kalyani has been married off to someone else. Nutu marries Bimla, and starts a school in the village. He and Bimla have a son called Arun. Kalyani's husband dies and her in-laws throw her out of the house along with her infant daughter. She comes back to the village and takes shelter with Nutubehari who lets her run the school.
Street Singer, 2h15
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Bhulwa helps Manju escape from a burning orphanage and from the care of the tyrannical manager of the orphanage. The two street urchins go from village to village, singing and making money. Bhulwa’s big dream is to someday sing in a theatre in Calcutta. Several years later both are singing on the streets in Calcutta and Manju (Kanan Devi) is employed by a theatre to sing. Bhulwa (K. L. Saigal) encourages her through her nervousness and she becomes a popular singer. However her attitude towards servants and other people changes and Bhulwa is disappointed and tells her off. Bhulwa is still struggling but manages to get a chance to sing on the radio. Manju comes to know of his singing assignment when she listens to him sing on the radio. Feeling slighted she decides to sing Bhulwa’s song in a new style, the way the actor-manager Kailash wants. She leaves a message with the servant asking him to send Bhulwa to the theatre. Bhulwa gets drenched in the rain and is feverish but he goes to listen to Manju. On hearing the new tune given to his favourite song he gets aggressive on the stage and then leaves from there. Manju by now is repentant and decides to search for him. She asks the manager-actor Kailash to drive her and searches the roads by which both had travelled to come to the city. She spies Bhulwa in a boat which is being tossed around due to the wind and storm. The boat crashes against the banks. Manju rushes to Bhulwa and cradles his head on her lap. Kailash leaves them, while both look towards the road leading to the village.
Deep Jele Jaai, 2h12
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This is a story of a nurse in a psychiatric hospital, played by Suchitra Sen. Sen's character is a part of a team exploring new therapy for patients who have suffered emotional trauma. The approach taken by the team is to offer these individuals an emotional resort, which is where Sen's character plays her part. Her role is to act as a friend and a lover for the patient, but at the same time, refrain from any emotional involvement on her own part as her role is purely that of a nurse who is helping the patient recover. She has to repeatedly break the emotional attachments that she experiences because as a nurse, she is a part of therapy.