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Mohabbat Ke Ansu is a film directed by Premankur Atorthy with Kundan Lal Saigal
Mohabbat Ke Ansu (1931)
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Directed by Premankur Atorthy
Mohabbat Ke Ansu (Tears of Love) is a 1932 social romantic Urdu film made in India. It was directed by Premankur Atorthy for New Theatres Ltd. Calcutta.. The music for the film was directed by R. C. Boral. The film starred K. L. Saigal in his debut role with Akthari Muradabadi, Mahajabeen, Ansari and Sadiq. According to reports the film was not successful however Nevile claims that the "debut was successful beyond expectations" as it led to Saigal acting in several New Theatres films.
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Suggestions of similar film to Mohabbat Ke Ansu
There are 30 films with the same actors, 18 films with the same director, to have finally 44 suggestions of similar films.If you liked Mohabbat Ke Ansu, you will probably like those similar films :
A Living Corpse (1932)
, 2h8Directed by Premankur Atorthy
Genres Horror
Actors Kundan Lal Saigal, Pahari Sanyal
Yahudi Ki Ladki (1932)
, 2h17Directed by Premankur Atorthy
Themes Films set in Africa
Actors Kundan Lal Saigal, Pahari Sanyal, Rattan Bai, Ghulam Mohammed
Prince Ezra (Nawab) is a Jewish merchant persecuted by the Romans, especially the Roman Priest Brutus. Ezra lives with his seven-year-old son Yameen. One day while playing with his catapult, Yameen manages to unintentionally hit the Priest Brutus as he’s walking past. The boy is taken prisoner and no imploring can change Brutus’ punishment. He has the boy thrown to the animals. Elias, Ezra’s devoted slave kidnaps Brutus’ young daughter Decia and brings her to a grief-stricken Ezra for revenge. Unable to harm her and missing Yameen, Ezra brings Decia up as his daughter and names her Hannah.
Karwan-E-Hayat (1935)
, 2h2Directed by Premankur Atorthy
Actors Kundan Lal Saigal, Shyama, Pahari Sanyal, Rattan Bai, Thanjavur Ranganayaki Rajakumari
Pervez K. L. Saigal, heir to the throne of Kascand flees from his kingdom when he finds that his mother (Shyama Zutshi) along with the Wazir (Gul Hamid), has arranged his marriage with the princess (Rajkumari) of Bijapore. Tikkim, wants to marry the princess and he has her kidnapped by the qypsies. Pervez during his escape meets some qypsies who have the kidnapped princess with them. He joins the gypsies and travels with them as a commoner. Zarina (Rattan Bai) one of the gypsy girl falls in love with Pervez. Pervez and the princess find out the truth about each other and fall in love. Together, they defeat the villain Tikkim.
Dena Paona (1931)
Directed by Premankur Atorthy
Genres Drama
Actors Bhanu Bandyopadhyay, Uttam Kumar
Rating65%
Jibananda is a drunkard zamindar. Ekkari is his companion in all his sinful deeds and greed for money. Sorashi is the priestess in the local Chandi temple and the ex-wife of Jibananda. She is adamant and responsible, but stubborn and honest. She has immense influence in certain sections of local society. When he was young, he married her. Then she was known as Alaka. During extreme debanchery and toture Jibananda realised Sorashi is actually her ex-wife Alaka. Aalka also identifies Jibananda. Sorashi was forced to stay whole night in the drunk Jibananda's house. It created a ripple amongst the local villagers when they come to know about this incidence. But Sorashi gave a legal statement to the police and magistate that she went to the zamindar's house villingly. Jibananda was freed from all offences due to this statement. But the village leaders were very strict to their decision. Sanbeswar Shiromani Mr Chowdhury, Janardan Bapu decided not to asssign the responsibility of a priestess of the temple to Sorashi any more. Nirmal, son-in-law of Sabeswar Shiromani, is very impressed by the attitude and intelligence of Sorashi. Probably he is in love with her. Nirmal's wife understands Nirmal's intention through she has a high regard for Sorashi also. In the meantime for no reason Jibananda goes against Sorashi. He wants to get near her. But as Sorashi opposes this Jibananda gets angry and tries to evict her from her shelter. Sagan and his team wait for Sorashi's order to fight against jibananda. But Sorashi is totally dispassionate. She leaves the temple. But the end mightly Jibananda realises his faulto and surrenders to Sorashi.