Neither Blood Nor Sand (Spanish: Ni sangre, ni arena) is a 1941 Mexican comedy film directed by Alejandro Galindo and starring Cantinflas, Susana Guízar and Elvia Salcedo. It was intended as a parody of the big-budget Hollywood film Blood and Sand, which portrays the world of bullfighting.
It was Cantinflas' second full feature film, and its popularity cemented his rising success. He did not get on well with the film's director, but bonded with his assistant Miguel M. Delgado who became his favourite director and directed many of his films. Cantinflas rapidly followed the film with another success, The Unknown Policeman.
The film's sets were designed by the art director Jorge Fernandez.
, 1h52 Directed byJuan Bustillo Oro GenresComedy ActorsCantinflas, Joaquín Pardavé, Sara García, Sofía Álvarez, Dolores Camarillo, Antonio R. Frausto Rating79% Cantinflas is the boyfriend of Paz, the household maid of Cayetano Lastre. It is dinnertime and Cantinflas is waiting outside the mansion for Paz's whistle: a sign for Cantinflas to enter the kitchen to eat. This is because there is a dog in the front yard named "Bobby", and Paz's boss is unaware of Cantinflas's forays into the house. Though like other times Cantinflas goes straight in to eat, this time his girlfriend has a favor to ask him, that of killing the dog "Bobby" who has suffered a sudden onset of rabies and will not let Cayetano leave for an appointment. If he does not kill the dog, he does not get to eat. Cantinflas is nervous about the idea, but eventually kills him with a gun. However, inside the house, Cayetano plots a scheme to expose his wife Dolores del Paso's supposed "adultery" with her ex-boyfriend, Bobby Lechuga. Dolores is not in a relationship with Bobby Lechuga, but Cayetano's over-bearing jealousy leads him to think otherwise.
, 1h40 Directed byMiguel M. Delgado GenresDrama, Comedy ActorsCantinflas, Ángel Garasa, Pedro Damián, Socorro Avelar Rating66% Mateo Melgarejo (played by Mario Moreno "Cantinflas") is a notary public and scribe for the illiterate people of Santo Domingo, a neighborhood north of Mexico City's Zócalo. A squatter friend asks for his help in negotiating with the land census bureau to regularize a land title. After a great deal of frustration with the government bureaucracy, he writes a letter to the cabinet minister, earning an audience with him. The minister hires Melgarejo to reform the bureau, and the appointee proceeds to lecture the officials on their duties in a democratic society. At the end, he gives up the post, returning to Santo Domingo to help its poor residents.