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Suggestions of similar film to One Week
There are 350 films with the same actors, 176 films with the same director, 37035 with the same cinematographic genres, to have finally
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, 19minutes
Directed by Edward F. Cline,
Buster KeatonOrigin USAGenres ComedyThemes Prison filmsActors Buster Keaton,
Sybil Seely,
Joe Roberts,
Edward F. Cline,
Joe KeatonRating70%
Keaton goes from a golf game with his girlfriend to death-row in prison through a case of mistaken identity. In the film, Buster performs one of the most dangerous sight gags that he performed in vaudeville. In the words of Marie Dressler: Buster would "stand on a table in back of his father twirling a basketball tied to the end of a rope, while his father was trying to shave himself with a straight razor. And that ball kept getting closer and closer, all the sudden, BANG!", 18minutes
Directed by Edward F. Cline,
Buster KeatonOrigin USAGenres Comedy,
RomanceActors Buster Keaton,
Virginia Fox,
Sybil Seely,
Joe Roberts,
Joe Keaton,
Edward F. ClineRating75%
Buster Keaton and Virginia Fox play young lovers who live in tenements, the rear of which face each other, with backyards separated by a wooden fence. Their families feud over the lovers' relationship, resulting in much mayhem and slapstick., 19minutes
Directed by Edward F. Cline,
Buster KeatonOrigin USAGenres ComedyActors Buster Keaton,
Edward F. Cline,
Sybil Seely,
Joe Keaton,
Mary Astor,
Joe RobertsRating77%
Buster plays a farmhand who competes with Joe Roberts to win the love of the farmer's daughter (Sybil Seely). Running from a dog (played by Luke, Fatty Arbuckle's real-life pet), Buster falls into a hay thresher and ruins his clothes. Forced to borrow the clothes of a nearby scarecrow, Sybil believes Buster to be proposing as she stumbles upon him tying his shoe. The couple speed off on a motorcycle with Joe and the farmer (played by Buster's father, Joe) in hot pursuit. Scooping up a minister during the chase, they are married on the speeding motorcycle and splash into a stream at the climax of the ceremony and the film., 22minutes
Directed by Edward F. Cline,
Buster KeatonOrigin USAGenres Comedy,
FantasyThemes Films about music and musiciansActors Buster Keaton,
Virginia Fox,
Joe Roberts,
Edward F. Cline,
Sybil SeelyRating74%
The film is set up as a series of humorous tricks on the audience, with constant doubling, and in which things are rarely what they at first seem to be. It opens with Keaton attending a variety show. In this first sequence, Keaton plays beside him and remarks, "This fellow Keaton seems to be the whole show." This was a gibe at one of Keaton's contemporaries, Thomas Ince, who credited himself generously in his film productions. In interviews with Kevin Brownlow, Keaton claims he gave the director's credit to Cline mainly because he did not want to appear too Ince-like himself: "Having kidded things like that, I hesitated to put my own name on as a director and writer.", 17minutes
Directed by Edward F. Cline,
Buster KeatonOrigin USAGenres Comedy,
WesternActors Buster Keaton,
Sybil Seely,
Joe Roberts,
Edward F. Cline,
Freeman WoodRating64%
The film opens near the "last stop on the subway", a terminal in Alaska, which appears to be emerging from deep snow in the middle of nowhere. A tough-looking cowboy (Buster Keaton) emerges. He arrives at a small settlement, finding people gambling in a saloon. He tries to rob them by scaring them with the cutout of a poster of a man holding a gun, which he places at the window, as if it is he is an accomplice. He tells the gamblers to raise their hands in the air. Frightened, they hand over their cash, but soon they find out the truth when a drunk man falls over the cutout. Keaton is thrown out through the window., 1h3
Directed by Edward F. Cline,
Buster KeatonOrigin USAGenres Drama,
Comedy,
Romantic comedyThemes Mafia films,
La préhistoire,
Gangster filmsActors Buster Keaton,
Margaret Leahy,
Wallace Beery,
Joe Roberts,
Lillian Lawrence,
Lionel BelmoreRating69%
Three plots in three different historical periods—prehistoric times, ancient Rome, and modern times (the Roaring Twenties)—are intercut to prove the point that men's love for woman have not significantly changed throughout history. In all three plots, characters played by Buster Keaton and Wallace Beery compete for the attention of the same woman, played by Margaret Leahy. Each plot follows similar "arcs" in the story line in which Keaton's character works for his beloved's attention and eventually wins her over., 1h14
Directed by Buster Keaton,
John G. BlystoneOrigin USAGenres Drama,
Comedy,
Romantic comedy,
Romance,
WesternThemes Transport films,
Rail transport filmsActors Buster Keaton,
Joe Roberts,
Francis X. Bushman, Jr.,
Monte Collins,
Joe Keaton,
Natalie TalmadgeRating77%
The Canfield and McKay families have been feuding for so long, no one remembers the reason the feud started in the first place. One stormy night in 1810, after family patriarch John McKay falls victim to the feud, his wife decides her son Willie (the infant Buster Keaton Jr.) will not suffer the same fate. She moves to New York to live with her sister, who after the mother's death raises him without telling him of the feud., 20minutes
Directed by Edward F. Cline,
Buster KeatonOrigin USAGenres ComedyThemes Films about animals,
Seafaring films,
Transport filmsActors Buster Keaton,
Joe Roberts,
Virginia FoxRating67%
In order to escape from his life and his lost love, Keaton sets off on his small boat, Cupid, but runs into the whaling ship, The Love Nest. The whaler's merciless captain (Joe Roberts) throws crew members overboard for even the slightest offense., 22minutes
Directed by Edward F. Cline,
Buster KeatonOrigin USAGenres ComedyActors Buster Keaton,
Wallace Beery,
Monte Collins,
Joe Roberts,
Kate Price,
Tom WilsonRating65%
Le personnage principal, un homme plutôt fin (joué par Buster Keaton), se marie sur un quiproquo avec une Irlandaise imposante : la femme, voulant accuser à tort le protagoniste d'avoir brisé une vitre, le porte devant l'autel pour réparer les torts et demander justice. L'interlocuteur des deux personnages ne maîtrisant que la langue polonaise, il les marie. Se succèdent alors plusieurs scènes comiques naissant du fossé des mœurs qui sépare le mari de sa belle-famille. Lorsque les frères de la mariée pensent avoir découvert que le personnage principal est un riche héritier, leur attitude change du tout au tout et ils couvrent d'attentions le nouveau membre de la famille. Seulement, après avoir déménagé dans un gigantesque penthouse, il s'avère que le personnage de Buster Keaton ne dispose d'aucune ressource financière. Le film atteint son point culminant dans une sauvage et mouvementée course-poursuite qui se termine par la fuite du jeune marié dans un train à destination de Reno.