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Po Mo Knock Knock is a film directed by Greg Pak

Po Mo Knock Knock (1999)

Po Mo Knock Knock
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Po Mo Knock Knock is a 1999 experimental comedy short film written by David Ball and directed by Greg Pak. It is performed by Ball and other members of the New York City improv comedy troupe, The Pollyannas, Bill Stiles and Vin Knight. The title of the film refers to its subject, PostModern knock knock jokes. The film itself is a parody of postmodernism and of postmodern experimental film, through its use of irony, internal contradictions, references to Jacques Derrida, and the Godardian use of title cards.

Po Mo Knock Knock has shown at a large number of Asian American and LGB film festivals.

Synopsis

Two lovers, Knock Knock (Ball) and Who's There (Stiles) confront their difficulties communicating with each other by telling knock knock jokes. Rather than being puns, as knock knock jokes in the usual sense, the jokes are intended to invoke a sense of postmodern thought, for example, "Knock knock", "Who's there?", "Not only not no one, not even not he" (a parody of "Postmodernism is not only what it is not, it's not even not that", apparently heard by one of Ball's friends in a literary theory class).

Trailer of Po Mo Knock Knock

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Source : Wikidata

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Suggestions of similar film to Po Mo Knock Knock

There are 1 films with the same director, to have finally 1 suggestions of similar films.

If you liked Po Mo Knock Knock, you will probably like those similar films :
Robot Stories, 1h25
Directed by Greg Pak
Origin USA
Genres Drama, Science fiction, Comedy-drama, Romance, Comic science fiction
Themes Comedy science fiction films, Robot films
Actors Tamlyn Tomita, James Saito, Tim Kang, Sab Shimono, Greg Pak, Cindy Cheung
Rating59% 2.994572.994572.994572.994572.99457
My Robot Baby A young Marsha hides in the closet from her parents' fighting due to a mistake she has made. Marsha apologizes when her mother finds her in the closet; her mother tells Marsha to never fall in love, get married, and have children. Twenty-five years later, Marsha is married to Ray and they are looking towards adopting a child. After going to an adoption clinic, they apply for an adoption trial where they take care of a robotic baby before they can adopt a human child. Marsha begins to struggle when she is alone to take care of the robot baby, as she becomes flustered with what to do when the baby cries. Marsha brings the robot baby to her father, a handyman, and sees if he can tamper with the electronics of the robot. However, Marsha’s father worries that the doctors of the adoption clinic will detect the alteration of the robot. Nonetheless, Marsha persists on getting the baby reprogrammed and leaves the baby to her father while Marsha goes to work. As Marsha comes home to the robot baby now automated, she attempts to talk to the baby. However, the robot baby goes berserk and attacks Marsha. Marsha finds the robot baby in the closet, then remembers her young self hiding in the closet as her own mother was angry. Marsha then cries and is able to hug her robot baby, finding closure to her past.