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Suggestions of similar film to Standing in the Shadows of Motown
There are 25 films with the same actors, 14553 with the same cinematographic genres (including 691 with exactly the same 2 genres than
Standing in the Shadows of Motown), 8313 films with the same themes (including 836 films with the same 4 themes than
Standing in the Shadows of Motown), to have finally
70 suggestions of similar films.
If you liked
Standing in the Shadows of Motown, you will probably like those similar films :
Origin USAGenres Musical theatre,
Documentary,
MusicalThemes Films about music and musicians,
Documentary films about music and musicians,
Documentaire sur une personnalité,
Musical filmsActors Bill Bailey,
Herb Jeffries,
Count Basie,
Nat King Cole,
Mantan Moreland,
Nipsey RussellRating68%
Rhythm and Blues Revue est une émission de variétés sans intrigue, l'une des nombreuses compilées pour une exposition théâtrale à partir des courts-métrages conçus pour la télévision produits par Snader et Studio Telescriptions, avec des segments d'hôtes nouvellement filmés par Willie Bryant. À l'origine, 86 minutes, la version "courte" disponible sur les collections du domaine public et les sites Web manque une bobine , 1h
Origin USAGenres Documentary,
MusicalThemes Films about music and musicians,
Documentary films about music and musicians,
Documentaire sur une personnalité,
Musical filmsActors Britney Spears,
Madonna,
Russell Brand,
Chris Brown,
Paris Hilton,
RihannaRating74%
Britney Spears is an American singer, songwriter, dancer, actress, and occasional author. The documentary reveals Spears's most intimate moments in the span of 60 days, from the beginning of her much publicized meltdown, until how she returned to the music spotlight. She also reflects on past decisions, saying "I'm a smart person... What the hell was I thinking?!" For the Record includes footage from her appearance at the 2008 MTV Video Music Awards, going into the recording studio, to the video shoots of her singles "Womanizer" and "Circus"—songs off her sixth studio album, Circus—to rehearsals, and press tours. Madonna also makes a special appearance and commentary. Spears talks about past relationships. She explains that going through her first break-up, with boyfriend Justin Timberlake, in the spotlight was no easy task for a teenage girl. She felt that all the publicity made it even more difficult and confusing for her to move on at such a young age and so she began to act out. Her break-up with husband and father of her two sons, Kevin Federline, was even worse she explains. This loss took an even greater toll on her and once again all the paparazzi attention did not help., 1h36
Directed by Lasse HallströmOrigin AustralieGenres Drama,
Comedy,
Documentary,
MusicalThemes Seafaring films,
Films about music and musicians,
Transport films,
Documentary films about music and musicians,
Documentaire sur une personnalité,
Musical filmsActors Benny Andersson,
Björn Ulvaeus,
Robert Hughes,
Tom Oliver,
Richard NortonRating64%
The film has a very thin plot which is no more than a vehicle to link together the concert footage. It concerns the adventures of Ashley Wallace (Robert Hughes), a naïve DJ on Radio 2TW, who normally presents a through-the-night country and western-themed show. In spite of this, he is sent by the station's boss (Bruce Barry) to get an in-depth interview ("Not an interview, a dialogue", demands his boss) with the group, which is to be aired on the day ABBA leave Australia. Needless to say, Ashley, who has never done an interview before, singularly fails, mainly because he has forgotten to pack his press card, although the fact that he is unable to buy a ticket doesn't help matters either. Armed with his trusty reel-to-reel tape recorder, Ashley is forced to follow the group all over Australia, beginning in Sydney, and then travelling, in order, to Perth, Adelaide, and Melbourne, experiencing repeated run-ins with the group's very protective bodyguard (Tom Oliver), as well as his increasingly exasperated boss. Throughout the movie, we see Ashley interviewing members of the public, asking them if and why they like ABBA. Almost all the comments are positive, but he interviews a man who is driven mad by his ABBA-obsessed twelve-year-old, and another girl who thinks ABBA are over-the-top.