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Strike is a russe film of genre Drama directed by Sergueï Eisenstein with Grigori Alexandrov
Strike (1925)
Стачка
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Add to a movie listStrike (Russian: Стачка, translit. Stachka) is a 1925 silent film made in the Soviet Union by Sergei Eisenstein. It was Eisenstein's first full-length feature film, and he would go on to make The Battleship Potemkin later that year. It was acted by the Proletcult Theatre, and composed of six parts. It was in turn, intended to be one part of a seven-part series, entitled Towards Dictatorship (of the proletariat), that was left unfinished. Eisenstein's influential essay, Montage of Attractions was written between Strike's production and premiere.
The film depicts a strike in 1903 by the workers of a factory in pre-revolutionary Russia, and their subsequent suppression. The film is most famous for a sequence near the end in which the violent suppression of the strike is cross-cut with footage of cattle being slaughtered, although there are several other points in the movie where animals are used as metaphors for the conditions of various individuals. Another theme in the film is collectivism in opposition to individualism which was viewed as a convention of western film. Collective efforts and collectivization of characters were central to both Strike and Battleship Potemkin.
Synopsis
На заводе всё спокойно / At the factory all is quiet Using typography, the word "но" (but) is added to the title of the chapter which then animates and dissolves into an image of machinery in motion.Actors
Grigori Alexandrov
(Factory Foreman)
Anatoly Kuznetsov
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Suggestions of similar film to Strike
There are 2 films with the same actors, 18 films with the same director, 61834 with the same cinematographic genres, 8459 films with the same themes (including 42 films with the same 3 themes than Strike), to have finally 70 suggestions of similar films.If you liked Strike, you will probably like those similar films :
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, 1h51Directed by Stephen Frears
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Genres Drama, Biography, Historical
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À la fin de son règne, lors du Jubilé de 1887, on découvre la reine empêtrée par l'obséquiosité servile de son entourage. Affectivement, elle est seule depuis la mort de son mari trente ans plus tôt, ce que la scène introductive du banquet ne manque pas de souligner : les convives n'y paraissent que comme des pantins sans partager aucun affect ni propos avec la Reine. Lors de ce banquet, un seul invité se distingue : un des deux Indiens dépêchés par les autorités coloniales depuis la cité d'Agra pour présenter une pièce commémorative, et tenus par le protocole de ne jamais dévisager la Reine lorsqu'ils la lui montrent, ainsi que de se retirer le dos courbé à reculons tout le long du hall. Ce dernier ne respecte pas cette règle et tient un regard appuyé vers la Reine, laquelle ne manquera pas de le trouver beau ("handsome") en rapportant ultérieurement ses impressions auprès de son majordome. Elle réclame ensuite à nouveau sa présence, à la stupéfaction des valets.
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