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Strike is a russe film of genre Drama directed by Sergueï Eisenstein with Grigori Alexandrov
Strike (1925)
Стачка
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Add to a movie listStrike (Russian: Стачка, translit. Stachka) is a 1925 silent film made in the Soviet Union by Sergei Eisenstein. It was Eisenstein's first full-length feature film, and he would go on to make The Battleship Potemkin later that year. It was acted by the Proletcult Theatre, and composed of six parts. It was in turn, intended to be one part of a seven-part series, entitled Towards Dictatorship (of the proletariat), that was left unfinished. Eisenstein's influential essay, Montage of Attractions was written between Strike's production and premiere.
The film depicts a strike in 1903 by the workers of a factory in pre-revolutionary Russia, and their subsequent suppression. The film is most famous for a sequence near the end in which the violent suppression of the strike is cross-cut with footage of cattle being slaughtered, although there are several other points in the movie where animals are used as metaphors for the conditions of various individuals. Another theme in the film is collectivism in opposition to individualism which was viewed as a convention of western film. Collective efforts and collectivization of characters were central to both Strike and Battleship Potemkin.
Synopsis
На заводе всё спокойно / At the factory all is quiet Using typography, the word "но" (but) is added to the title of the chapter which then animates and dissolves into an image of machinery in motion.Actors
Grigori Alexandrov
(Factory Foreman)
Anatoly Kuznetsov
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Suggestions of similar film to Strike
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Klim Yarko rentre en Ukraine par le train après son service militaire effectué dans une unité blindée. Il avoue aux camarades qui voyagent avec lui ne pas savoir où s'installer, car sans famille il n'est attendu par personne. Il a toutefois une idée. Dans une gazette, il est tombé sur la photo de Mariana Bajan qui dirige une brigade de tractoristes dans un kolkhoze. Il se rend donc à ce kolkhoze à la tombée de la nuit. En chemin, il découvre Mariana qui vient de faire une chute de moto. Il lui porte secours et rentre avec elle au village. Les jeunes gens sympathisent. Klim en tant que bon mécanicien est très bien accueilli par le directeur du kolkhoze Kirill Petrovitch. Toutefois il ne sait pas que, pour repousser les prétendants à son cœur, Mariana avait demandé à l'un des kolkhoziens, un certain Nazar Douma, de se présenter comme son fiancé. Celui-ci prend son rôle très au sérieux et, un matin, essaye de chasser Klim comme les autres. Klim décide de partir, mais à la suite d'un concours de circonstances il devient brigadier de l'unité concurrente de Mariana et chef de Nazar. Nazar n'est pas bien noté par Kirill Petrovitch qui demande à Klim d'améliorer la discipline et le rendement de sa brigade, pour que le fiancé de Mariana devienne un kolkhozien modèle digne de la main de leur meilleure travailleuse. Klim réussit cette mission, mais alors que Kirill Petrovitch évoque dans son bureau la préparation du mariage, il envoie valser les meubles et se met à hurler que ni Nazar ni aucun autre ne se mettra entre lui et sa bien-aimée. Kirill Petrovitch n'en paraît nullement perturbé, il est prêt à donner sa bénédiction à tous les amoureux pourvu qu'ils soient de parfaits tractoristes. Le film se termine par la scène du grand mariage où tout le monde chante des chansons patriotiques et lève son verre vers le portrait du camarade Staline.
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