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Suggestions of similar film to The Dance of Death
There are 78 films with the same actors, 1 films with the same director, 4292 films with the same themes, to have finally
70 suggestions of similar films.
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The Dance of Death, you will probably like those similar films :
, 1h55
Directed by Richard Fleischer,
Sidney J. FurieOrigin USAGenres Drama,
Musical,
RomanceThemes Films about music and musicians,
Films about religion,
Théâtre,
Musical films,
Films about Jews and Judaism,
Films based on playsActors Laurence Olivier,
Neil Diamond,
Lucie Arnaz,
Catlin Adams,
Franklyn Ajaye,
Paul NicholasRating59%
In New York City, Jess Robin (Neil Diamond), whose real name is Yussel Rabinovitch, is an Orthodox Jewish cantor performing at the synagogue of his imperious father Cantor Rabinovitch (Laurence Olivier). Yussel is married to his childhood sweetheart Rivka (Catlin Adams) and has settled down to a life of religious devotion to the teaching of his faith; as a sideline, he writes songs for a black vocal quartet, "The Four Brothers". One night after Maariv, Yussel is recruited by the group to cover for one of the members who is in trouble with the law and must wear blackface and an Afro wig as it is a strictly all-black venue. The group performs "You Baby" and the engagement is a success, but an audience member (Ernie Hudson) notices that Yussel's hands are white, sparking a riot in which the band is arrested. Cantor Rabinovitch goes to the jail to bail them out but finds there is not a Yussel Rabinovitch there, only a Jess Robin. Yussel explains his use of a stage name, but his father informs him that his singing voice is to be used for God's purposes, not his own. Yussel/Jess decides to relent and do whatever his father wants, at least for now., 1h49
Directed by John BadhamOrigin United-kingdomGenres Drama,
Horror,
RomanceThemes Films about magic and magicians,
Théâtre,
Dracula films,
Vampires in film,
Films based on playsActors Frank Langella,
Laurence Olivier,
Donald Pleasence,
Kate Nelligan,
Sylvester McCoy,
Trevor EveRating64%
In Whitby, England in 1913, Count Dracula (Frank Langella) arrives from Transylvania via the ship Demeter one stormy night. A sickly Mina Van Helsing (Jan Francis), who is visiting her friend Lucy Seward (Kate Nelligan), discovers Dracula's body after his ship has run aground. The Count visits Mina and her friends at the household of Lucy's father, Dr. Jack Seward (Donald Pleasence), whose clifftop mansion also serves as the local asylum. At dinner, he proves to be a charming guest and leaves a strong impression on the hosts, Lucy especially. Less charmed by this handsome Romanian count is Jonathan Harker (Trevor Eve), Lucy's fiancé., 1h39
Directed by Brian G. HuttonOrigin United-kingdomGenres Thriller,
HorrorThemes Films based on playsActors Elizabeth Taylor,
Laurence Harvey,
Billie Whitelaw,
Linda Hayden,
Robert Lang,
Tony BrittonRating62%
Based on a play by Lucille Fletcher, Night Watch is a suspense thriller about a woman named Ellen Wheeler (Elizabeth Taylor), who one night, during a raging thunderstorm, frantically tells her husband John (Laurence Harvey) that from the living room window she has seen a murder being committed in the large old deserted house next door. John calls the police, but a search of the old house turns up nothing., 2h45
Directed by Stuart BurgeOrigin United-kingdomGenres DramaThemes Seafaring films,
Théâtre,
Transport films,
Films based on plays,
Films based on works by William ShakespeareActors Laurence Olivier,
Maggie Smith,
Frank Finlay,
Joyce Redman,
Derek Jacobi,
Sheila ReidRating69%
Trompé par Iago, Othello décide de tuer sa femme Desdémone., 2h41
Directed by Laurence OlivierOrigin United-kingdomGenres Drama,
HistoricalThemes Théâtre,
Political films,
Films based on plays,
Films based on works by William Shakespeare,
Films about royaltyActors Laurence Olivier,
Ralph Richardson,
Claire Bloom,
Cedric Hardwicke,
John Gielgud,
Laurence NaismithRating72%
King Edward IV of England (Sir Cedric Hardwicke) has been placed on the throne with the help of his brother, Richard, Duke of Gloucester (Sir Laurence Olivier). After Edward's coronation in the Great Hall with his brothers George and Richard watching, he leaves with his son. Richard contemplates the throne, before advancing towards the audience and then addressing them, delivering a speech that outlines his physical deformities, including a hunched back and a withered arm. He goes on to describe his jealousy over his brother's rise to power in contrast to his lowly position., 1h34
Directed by Peter BrookOrigin United-kingdomGenres Historical,
Musical,
CrimeThemes Films about music and musicians,
Théâtre,
Musical films,
Films about capital punishment,
Films based on plays,
Films based on operasActors Laurence Olivier,
Dorothy Tutin,
Hugh Griffith,
George Rose,
Stuart Burge,
Stanley HollowayRating60%
In the 1700s, a beggar is tossed into London's Newgate jail, along with a pile of papers upon which his unfinished opera is scribbled. The beggar boasts to the other prisoners that his opera, unlike others of the day, is about a real person, the dashing highwayman Captain Macheath, who, dressed in a red coat, holds off the world with a pistol in each hand, seduces women with five notes of a tune, and generally leaps from misfortune. To the beggar's disappointment, the other prisoners point out that his hero Macheath is among them, in irons and behind bars, and Macheath, who is scheduled to be executed the next morning, admits that there is "no arguing with reality." Taking the first page of the opera, Macheath begins singing, and the beggar, encouraged by Macheath's good voice, urges him to continue, until the following story, the beggar's opera, is sung for the prison inmates: While riding to London, feeling merry and free, Macheath robs a carriage, and steals a kiss and a locket from a maiden. Later, in London, Macheath's wife, Polly Peachum, pines for him. Polly's parents, shopkeepers Mr. Peachum and his wife, are scandalized to learn from their employee Filch that Polly has secretly married the highwayman. To make the best of the situation, as they are always eager to make money, they urge her to lure Macheath into a trap and collect the reward for his capture. Meanwhile, outside of town, Macheath encounters a carriage ridden by Newgate's jailor Mr. Lockit, Lockit's daughter Lucy and Mrs. Trapes, whom Lockit is wooing. Lucy, who met Macheath when he was once imprisoned, scolds him for taking her virtue without making good on his promise to wed. When Macheath rides off, Mrs. Trapes suggests that Lucy betray him for the reward and give the money to her father. Later, during a tryst in a hayloft, Polly warns Macheath that her parents are mounting an ambush. Macheath escapes with Polly's help after a swashbuckling fight, then hides in a back room of a tavern, where he is unable to resist socializing with the prostitutes, whom he considers friends. However, prostitute Jenny Diver has been bribed by Peachum and Lockit to betray him, and with the help of her colleagues, Macheath is soon captured. From his jail cell, Macheath urges Lucy to steal the jail keys and set him free, promising to marry her in return, but then Polly shows up and he is forced to introduce the women to each other. During the night, Lucy steals the keys and releases him, but later Polly sneaks back and, finding Macheath gone from the cell, screams in anguish without thinking, thus drawing attention to his escape. Meanwhile, Macheath disguises himself in the stolen cape and gloves of a lord and slips into a gaming house to avoid making good his promise to unite with Lucy. However, the proprietor recognizes the cape and alerts Lockit and Peachum about the impostor wearing it. Back at the jail, Polly is accused of freeing Macheath and is locked in Lucy's room, where Lucy, after losing track of Macheath, attempts to drug her. When they hear the recaptured Macheath being returned to prison, Lucy and Polly proceed to Macheath's cell and demand that he choose between them. He refuses, as he will soon be hanged and sees no reason to disappoint either of them. The next morning, riding atop his coffin as it is carted through the streets to the gallows, Macheath waves farewell to the friendly crowd that has gathered to see him off. At the gallows, after kissing both Lucy and Polly goodbye, Macheath is blindfolded and awaits his fate, and the opera comes to its incomplete end. The real Macheath, who is still in the jail, protests that he should not have to hang twice. After pondering the complaint, the beggar agrees and yells for Macheath's reprieve. The rest of the prisoners join in the chant and mob the turnkey, who comes to investigate the ruckus, allowing Macheath to escape. The highwayman steals a horse from the cart containing his coffin and when safely out of London, sings that his freedom has been returned because of a beggar's opera.