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The Decalogue (TV series) is a polonais film of genre Drama directed by Krzysztof Kieślowski with Krystyna Janda

The Decalogue (TV series) (1988)

Dekalog

The Decalogue (TV series)
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Length 1h
OriginPologne
Genres Drama
Rating88% 4.449514.449514.449514.449514.44951

The Decalogue (Polish: Dekalog, [dɛˈkalɔk]) is a 1989 Polish television drama series directed by Krzysztof Kieślowski and co-written by Kieślowski with Krzysztof Piesiewicz, with music by Zbigniew Preisner. It consists of ten one-hour films, inspired by the Ten Commandments. Each short film explores one or several moral or ethical issues faced by characters living in modern Poland.

The series is Kieślowski's most acclaimed work, has been said to be "the best dramatic work ever done specifically for television" and has won numerous international awards, though it was not widely released outside Europe until the late 1990s. Filmmaker Stanley Kubrick wrote an admiring foreword to the published screenplay in 1991.

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Suggestions of similar film to The Decalogue (TV series)

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The episode focuses on two people: an elderly doctor (Aleksander Bardini), who lives alone in the ubiquitous Dekalog apartment block and works in a local hospital; and Dorota Geller (Krystyna Janda), a violinist with the Philharmonic Orchestra, who is in her 30s and lives in the same building.
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The film begins with Piotr Balicki (Krzysztof Globisz), a young and idealistic lawyer who is about to take the bar exam. Jacek Łazar (Mirosław Baka) is a 20-year-old man, coming from the countryside. He wanders the streets of Warsaw and has apparently nothing to do. He keeps asking about a taxi stand but the first one he finds is very busy. Waldemar Rekowski (Jan Tesarz), a middle-aged taxicab driver, overweight, cruel-looking, lives in the Dekalog apartment block. He enjoys the freedom of his profession, with a wage and the power to ignore people whom he does not want to take in his taxi, as well as ogling young ladies.
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Nineteen-year-old Tomek (Olaf Lubaszenko) is living in an apartment complex in Warsaw with his godmother—staying in her son's room while he's away. Raised in an orphanage, the shy Tomek has few friends and works as a postal clerk. Tomek has been spying on a beautiful older woman, Magda (Grazyna Szapolowska), who lives in an adjacent apartment complex. Using a telescope, he watches her every night performing mundane tasks, working on her artwork, and entertaining men. To get closer to her, he slips fake postal notices in her mailbox for a nonexistent money order at his post office. He also calls her anonymously to hear her voice. Tomek's obsession is focused more on her everyday activities rather than her sex life; when he sees her becoming sexual with men, he trains the telescope away and does not watch.
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