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Suggestions of similar film to The End of Suburbia: Oil Depletion and the Collapse of the American Dream
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The End of Suburbia: Oil Depletion and the Collapse of the American Dream, you will probably like those similar films :
, 1h30
Directed by Simon HiltonGenres DocumentaryThemes Environmental films,
Seafaring films,
Transport films,
Documentary films about environmental issues,
Documentary films about historical events,
Documentary films about nuclear technology,
Documentary films about technology,
Disaster films,
Films about earthquakesRating81%
The film spans from March 11, 2001 to September 19, 2011, starting with Noland's own experience in the Tōhoku Earthquake and tsunami, Fukushima Daiichi nuclear disaster followed by volunteer activities in Ofunato , 1h29
Origin United-kingdomGenres Drama,
DocumentaryThemes Environmental films,
Seafaring films,
Transport films,
Aviation films,
Documentary films about environmental issues,
Documentary films about war,
Documentary films about historical events,
Documentary films about nuclear technology,
Documentary films about technology,
Political films,
Documentary films about World War IIActors John Hurt,
Ed Bishop,
Katsumi Chō,
Naoko Mori,
Ian Shaw,
Shane RimmerRating76%
À 8h15 précises ce 6 août 1945, le monde a changé. 40.000 personnes trouvent instantanément la mort, mais ce sont bien 200.000 décès qui seront provoqués par l´explosion de la première bombe nucléaire sur Hiroshima, au Japon. Ce documentaire exceptionnel de 90 minutes n´est pas « Un énième film anti-guerre » déclare son réalisateur Paul Wilmshurst, « mais bien l´analyse neutre et objective d´une décision cruciale. Il ne s´agit pas d´être pro-américain ou pro-japonais, j´ai simplement voulu raconter la vérité. » Une vérité technologique, scientifique, militaire et politique qui se dessine dans les trois semaines précédant l´attaque, alors que le premier essai nucléaire vient de se dérouler dans le désert du Nouveau-Mexique, aux États-Unis. Le spectateur se retrouve alors dans la pièce où est prise la décision ultime, à bord de l´Enola Gay pendant son trajet fatidique, à l´intérieur de la bombe au moment de l´explosion, puis dans les rues dévastées d´Hiroshima., 1h20
Directed by Carlos RodríguezGenres DocumentaryThemes Environmental films,
Documentary films about environmental issues,
Documentary films about historical events,
Documentary films about nuclear technology,
Documentary films about technology,
Disaster filmsRating63%
The Spanish film crew led by Carlos Rodriguez is following the life stories of three children - Lidia Pidvalna, Anastasia Pavlenko, and Andriy Kovalchuk - whose lives were drastically changed after an explosion at the Chernobyl Nuclear Power Station on April 26, 1986. Through the documentary, the children and their families "living perilously close to the exclusion zone around the destroyed station recount their fears, dreams, fantasies, and hopes for the future." Each child holds a "Chernobyl certificate" which bestows access to government grants and aid and is a gruesome reminder of their existential reality., 18minutes
Origin USAGenres DocumentaryThemes Environmental films,
Documentary films about environmental issues,
Documentary films about historical events,
Documentary films about nuclear technology,
Documentary films about technology,
Disaster filmsRating69%
The beginning of the film starts with DeLeo, Bisson and Surkov driving through Kiev. This is introduced as the beginning of their journey to Pripyat, near the ground zero of Chernobyl. Once they reach the outpost outside the exclusion zone, we see that the area surrounding Pripyat is very deserted and dark. Once in the city, we see Surkov's old home, which he explains has been robbed of almost all its belongings due to looters. Yet there are still some mementos in the old apartment, including the wallpaper he and his mother put up, the training bars his father bought for him, an old rubber ball he claims was his favorite and a white horse poster plastered on the wall of his old bedroom. The pain he feels is evident. When he sees an old calendar on a door, he rips a large portion off, claiming "the year ended on April 26th". Outside the door of the apartment, he remarks how he wishes he could stay forever. He throws his old ball through the door and walks out of the apartment complex. The film ends with Surkov snapping some twigs in an old courtyard and then an image of the car they traveled in leaving the exclusion zone., 1h5
Origin FranceGenres DocumentaryThemes Environmental films,
La mondialisation,
Films about the labor movement,
Documentary films about business,
Documentary films about environmental issues,
Documentary films about technology,
Documentaire sur le monde du travail,
Disaster filmsRating75%
Using interviews and overlays of graphics and text, the film presents the current problems facing industrial agriculture. It explores why in the interviewees' view the current industrial model is not up to the task of feeding the world's people. According to the film every calorie of energy contained in a food source currently takes between 10 and 20 calories of crude oil in the production of fertilizers and transportation to produce, leading to a strong dependence of the cost of food on oil prices. As a result of peak oil and increasing oil prices this dependence will lead to ever increasing food prices. According to the film, this dependence already represents a significant weak-spot in the global food supply chain. Additionally, agriculture is already responsible for 40% of greenhouse gas emissions, contributing to climate change. Furthermore, the film argues that the overuse of inorganic fertilizers has been responsible for the loss of soil fertility and threatens the complete loss of usable soil within the next decades through soil erosion and sinking crop yields. These effects, according to the film, can only be partly mitigated by the increased use of those same fertilizers. The loss of workplaces, the concentration of land in the hands of a few (allegedly a farm closes every 23 minutes in France) as well as the dependence on large corporations are enumerated as side effects of the industrialisation of agriculture since the 1920s. Companies, such as Monsanto and Bayer, control everything from seed stock to fertilizers and the necessary chemical mixes for hybrid plants, thereby controlling the entire supply chain. The film argues that this development was supported through subsidies from the World Bank. Interviews with Vandana Shiva, the founder of the Transition Towns movement Rob Hopkins and various agricultural experts serve to argue this viewpoint. The dependence on crude oil is illustrated through the example of the wholesale food market in Rungis.