The Fairy Who Didn't Want to Be a Fairy Anymore is a Canadian musical comedy-drama short film directed by Laurie Lynd, which premiered at the 1992 Toronto International Film Festival before going into wider release in 1993. Made as an academic project while studying at the Canadian Film Centre, it won the Genie Award for Best Live Action Short Drama at the 14th Genie Awards.
An allegory for gender stereotypes and internalized homophobia, the film stars Daniel MacIvor as a fairy who approaches a surgical team (Holly Cole as the doctor and Micah Barnes as the nurse) to have his wings removed so that he can become a normal human being, after facing anti-fairy discrimination. Following a musical debate between the three, the doctor agrees to perform the surgery. As he leaves the clinic the now-wingless fairy is initially happy to be just like everyone else around him, but soon comes to regret his decision as he belatedly realizes the unique qualities and gifts, such as the ability to fly, that he has given up by pushing his identity into the closet.
Michael Kennard and John Turner, in character as the clown duo Mump and Smoot, also appear in the film, depicted as reading the story in the form of a book they have found on the sidewalk. MacIvor also wrote the film's screenplay.
The film also won the award for Best Short Film at the Seattle International Film Festival in 1993.
Several years after its original release, the film received a followup screening at the 1998 Toronto International Film Festival as part of a special program commemorating the 10th anniversary of the Canadian Film Centre. In 2007, Toronto's Inside Out Film and Video Festival screened both The Fairy and Lynd's earlier film RSVP, along with an excerpt from his highly anticipated but not yet completed feature film Breakfast with Scot.
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, 1h37 Directed byThomas Fitzgerald OriginCanada GenresDrama, Documentary, Historical ThemesFilms about sexuality, LGBT-related films, Documentaire sur l'homosexualité, LGBT-related films, LGBT-related film ActorsJoshua Peace, Daniel MacIvor, Joe Dallesandro, Jonathan Torrens, Thomas Fitzgerald, Bernard Robichaud Rating66% États-Unis, années 40. Dans une étonnante propriété se côtoient quantité d’hommes (presque) nus qui batifolent autour de la piscine. Ce décor, c’est celui dans lequel évolue Bob Mizer, fondateur de « The Athletic Model Guild », un magazine de photos où les hommes posent nus ou presque. Jack Lalane, Joe Dallessandro et Wayne Stanley, anciens modèles de Mizer, témoignent chacun à leur manière de leur expérience. Pour la plupart d’entre eux, Bob Mizer dotait la jeunesse américaine d’un bréviaire de la forme et de la santé sans aucune intention homoérotique. Des procès furent pourtant engagés et une chasse aux sorcières organisée contre ces photographes jugés scandaleux. Mêlant allégrement documents d’archives et scènes de fiction délirantes, ce documentaire est à la fois l’histoire d’un homme et celle d’une époque.
Alfonso (here played by Jean Franko) challenges his friends Ferrando and Guglielmo to the fidelity of their respective boyfriends, Dorino and Fiorino. Ferrando and Guglielmo insist their lovers are true, Alfonso sets out to test both. He takes his first stab at Dorino and summons Despino to help conquer Fiorino. Having lost their bets, Ferrando and Guglielmo surrender to Alfonso, who claims his prize.