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The Man from London is a hongrois film of genre Drama directed by Béla Tarr released in USA on 27 may 2009 with Tilda Swinton
The Man from London (2008)
A Londoni férfi
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Add to a movie listThe Man from London (Hungarian: A londoni férfi) is a 2007 film by Hungarian director Béla Tarr. It is an adaptation by Tarr and his collaborator-friend László Krasznahorkai of the 1934 French language novel L'Homme de Londres by prolific Belgian writer Georges Simenon. The film was co-directed by editor Ágnes Hranitzky, and features an international ensemble cast including Czech actor Miroslav Krobot, Tilda Swinton, and Hungarian actors János Derzsi and István Lénárt. The plot follows Maloin, a nondescript railway worker who recovers a briefcase containing a significant amount of money from the scene of a murder to which he is the only witness. Wracked by guilt and fear of being discovered, Maloin sinks into despondence and frustration, which leads to acrimony in his household. Meanwhile, an English police detective investigates the disappearance of the money and the unscrupulous characters connected to the crime.
The French, German and Hungarian co-production of the film was fraught with difficulty and obstacles. The first of these was the suicide in February 2005, days before shooting was due to begin, of the film's French producer, Humbert Balsan. As the original financing of the film collapsed, the remaining producers managed to secure stop-gap funding which allowed them to shoot nine days of footage on the expensive Corsican sets, until they were shut down through legal action by the local subcontractor. After many expressions of support from European film organisations, production companies and government bodies, a new co-production contract was signed in July 2005 with a revised budget and shooting schedule. It then emerged that all rights to the film had been ceded to a French bank under the original production agreement, and only after further changes in the film's backers was a deal struck with the bank to allow shooting to resume in March 2006, over a year later than had been originally envisaged.
The Man from London was the first of Tarr's films to premiere in competition at the Cannes Film Festival, but despite being highly anticipated, it won no prize. The French distributor blamed this on poor dubbing and a late showing, though the press were put off by the film's extended shots and leaden pace. After being re-dubbed, it was shown on the international film festival circuit. The critical reception to the film was divided; though reviewers spoke in glowing terms of the formidable cinematography and meticulous composition, they denounced the film's lack of compelling plot or characters and the tedium and alienation of the viewing experience. Though the director's preceding films, Sátántangó (1994) and Werckmeister Harmonies (2000), had been acclaimed as masterpieces, critics concurred that The Man from London fell short. Variety reviewer Derek Elley commented that the film was unlikely to reconcile the division between viewers of Tarr's films who find the director to be "either a visionary genius or a crashing bore".
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Synopsis
The film concerns a middle-aged railway pointsman, Maloin (Miroslav Krobot), who lives in a decrepit apartment in a port town with his highly-strung wife Camélia (Tilda Swinton) and his daughter Henriette (Erika Bók). One night while in his viewing tower at the port's rail terminus, Maloin witnesses a fight on the dockside. One of the shady combatants is knocked into the water along with the briefcase he carries; when the other flees the dark quayside, Maloin makes a clandestine descent from the tower and retrieves the briefcase, which he finds full of sodden English banknotes. Maloin conceals the money and tells no-one of what he has seen. The next morning, he visits a tavern where he plays chess with the barkeep (Gyula Pauer). On his way home, he stops by the butcher's where his daughter works, and finds to his indignation that they have her washing the floor. Later, from the window of his apartment, he notices Brown (János Derzsi) watching him from below. At dinner, Maloin is increasingly irascible, addressing Henriette brusquely and arguing with Camélia. Meanwhile Brown searches the water at the dock's edge without success before noticing the watchtower overlooking the quayside, and Maloin within.Actors
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Suggestions of similar film to The Man from London
There are 73 films with the same actors, 11 films with the same director, 72015 with the same cinematographic genres (including 3910 with exactly the same 3 genres than The Man from London), to have finally 70 suggestions of similar films.If you liked The Man from London, you will probably like those similar films :
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Genres Drama
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Rating76%
"In Turin on 3rd January, 1889, Friedrich Nietzsche steps out of the doorway of number six, Via Carlo Alberto. Not far from him, the driver of a hansom cab is having trouble with a stubborn horse. Despite all his urging, the horse refuses to move, whereupon the driver loses his patience and takes his whip to it. Nietzsche comes up to the throng and puts an end to the brutal scene, throwing his arms around the horse’s neck, sobbing. His landlord takes him home, he lies motionless and silent for two days on a divan until he mutters the obligatory last words, 'Mutter, ich bin dumm!' ['Mother, I am stupid!' in German] and lives for another ten years, silent and demented, cared for by his mother and sisters. We do not know what happened to the horse.
Autumn Almanac (1984)
, 2h25Directed by Béla Tarr
Origin Hongrie
Genres Drama
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In a grim, claustrophobic apartment owned by a rich elderly woman, the inhabitants desperately try to relate to each other as they go about their bleak lives revealing their darkest secrets, fears, obsessions and hostilities. They include besides her, her son, her nurse, her nurse's discontented lover, and a new lodger.
Satantango (1994)
, 7h30Directed by Béla Tarr
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Rating81%
In a desolate village, after the collapse of a collective farm, Futaki (Miklós Székely B.) is having an affair with Mrs. Schmidt (Éva Almássy Albert), as he is awakened at dawn by the ringing of church bells, even though the nearest church had been destroyed long ago. Mr. Schmidt (László Lugossy) conspires with a group of co-workers to steal the villagers' money and flee to another part of the country. Futaki ambushes Schmidt and discovers his plans, after which he demands to become part of the scheme—all of this being watched by a lonely drunk man known as the Doctor (Peter Berling), who writes the events down in a notebook. However, the conspiracy is terminated when rumors spread across the village that the charismatic and manipulative Irimiás (Mihály Vig), a former co-worker who had been presumed dead, is returning. Meanwhile, Irimiás and his friend Petrina (Putyi Horváth) make a secret deal with a Hungarian military officer somewhere else that involves his return to the village and manipulation of its community.
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Rating73%
It is early October, 1944. Saul Ausländer (Géza Röhrig), a Hungarian-Jewish prisoner in Auschwitz works as a Sonderkommando member, burning the dead. One day he finds the body of a boy he takes for his son. He tries to salvage the body from the flames, and find a rabbi to arrange a clandestine burial. Meanwhile other members of the Sonderkommando learn about their impending extermination, rise up and destroy the crematorium. Saul keeps focused on his own plan to pay the last honours to a son he never could take care of before.
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Rating75%
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Family Nest (1979)
, 1h48Directed by Béla Tarr
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Genres Drama
Rating72%
The film follows a young couple as they live in apartment of the husband's parents, as well as the wife's efforts to find new housing.
The Outsider (1981)
, 2h26Directed by Béla Tarr
Origin Hongrie
Genres Drama
Rating63%
La descente aux enfers d'un être asocial et alcoolique.
Sunset (2018)
, 2h22Directed by László Nemes
Origin Hongrie
Genres Drama, Historical
Actors Susanne Wuest, Vlad Ivanov, Levente Molnar, Mónika Balsai, Urs Rechn, Sándor Zsótér
Rating61%
Budapest, Belle Époque pour la monarchie austro-hongroise et certaine noblesse, prestigieuse et décadente, été étouffant.
The Prefab People (1982)
, 1h42Directed by Béla Tarr
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Le quotidien d'un couple qui s'aime chaque jour un peu moins...
Visions of Europe (2004)
Directed by Tony Gatlif, Fatih Akın, Lars von Trier, Peter Greenaway, Aki Kaurismäki, Béla Tarr, Šarūnas Bartas, Martin Šulík, Francesca Comencini, Małgorzata Szumowska, Teresa Villaverde, Barbara Albert, Stijn Coninx, Christoffer Boe, Theo van Gogh, Laila Pakalniņa, Jan Troell, Damjan Kozole, Miguel Hermoso, Constantínos Giánnaris, Andy Bausch, Aisling Walsh
Origin Irlande
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