Search a film or person :
FacebookConnectionRegistration
Home > All films > Films Drama > The Marcellini Millions
The Marcellini Millions is a american film of genre Drama directed by Donald Crisp released in USA on 14 may 1917 with Helen Jerome Eddy

The Marcellini Millions (1917)

The Marcellini Millions
If you like this film, let us know!
Released in USA 14 may 1917
Length 50minutes
Directed by
OriginUSA
Genres Drama

The Marcellini Millions is a 1917 American drama silent film directed by Donald Crisp and written by George Beban and Edith M. Kennedy. The film stars George Beban, Helen Jerome Eddy, Pietro Sosso, Henry Woodward, Fred Huntley and Mae Gaston. The film was released on May 14, 1917, by Paramount Pictures.

A print is preserved in the Museum of Modern Art collection.

Actors

Helen Jerome Eddy

(Antoinetta Bartelli)George Beban

(Guido Bartelli)Fred Huntley

(Mr. Hargrave)Eugene Pallette

(Mr. Murray)Adele Farrington

(Mrs. Murray)
Trailer of The Marcellini Millions

Bluray, DVD

Streaming / VOD

Source : Wikidata

Comments


Leave comment :

Suggestions of similar film to The Marcellini Millions

There are 91 films with the same actors, 44 films with the same director, 61571 with the same cinematographic genres, to have finally 70 suggestions of similar films.

If you liked The Marcellini Millions, you will probably like those similar films :
Jules of the Strong Heart
Jules of the Strong Heart (1918)
, 50minutes
Directed by Donald Crisp
Origin USA
Actors George Beban, Helen Jerome Eddy, Raymond Hatton, Charles Ogle, Guy Oliver, Ernest Joy

As described in a film magazine, Jules Lemaire (Beban) comes to the lumbering country with an infant. He secures a position logging and the interest of Joy Farnsworth (Eddy), daughter of foreman Tom Farnsworth (Ogle). Big Jim Burgess (Oliver) becomes jealous of Jules and spreads false stories regarding the baby. A storm prevents the foreman from going to get the pay. This arouses the men and some want to attack Farnsworth. Jules offers to go get the money and Burgess goes along. Burgess leads Jules astray, and demands the note for the money, but Jules refuses to give it up. Burgess then tortures Jules, but is interrupted by the arrival of Joy and Herbert Sommerville (Neill), the latter having come for his baby. Burgess is captured, the money needed for the pay is secured, and the trio arrive just in time to save Farnsworth and his assistant from the wrath of the men. Sommerville takes his baby with him and Joy declares her love for Jules.
Lost in Transit
Lost in Transit (1917)
, 50minutes
Directed by Donald Crisp
Origin USA
Actors George Beban, Helen Jerome Eddy, Vera Lewis, Henry Arthur Barrows

As described in a film magazine, upon the death of his wife during the birth of his son, the wealthy Mr. Kendall (Barrows) places the child in a home and expresses a desire never to see his baby again. After two and one-half years of loneliness, however, he sends for the youngster. On the way home, the child is kidnapped from the carriage and the father and servants are mystified. In the meantime, Niccolo (Beban), an Italian junkman, finds a youngster among the rags of his cart and takes him home, intending on the following day to turn the child over to the police. He becomes attached to the little fellow and puts off going to the authorities. Another Italian, hearing of the Kendall reward, discloses that Niccolo has a baby concealed in his home and they take the child away upon the testimony of a grafting nurse. The death of a pickpocket, however, clears up the disappearance of the Kendall baby and the real Kendall heir is returned to his father, while Niccolo is allowed by a kindly judge to retain possession of his new ward.
The Runaway Bride
The Runaway Bride (1930)
, 1h9
Directed by Donald Crisp, James Anderson
Origin USA
Genres Drama, Crime
Themes Films based on plays
Actors Mary Astor, Lloyd Hughes, Paul Hurst, David Newell, Natalie Moorhead, Francis McDonald
Rating49% 2.47322.47322.47322.47322.4732
Mary Gray (Mary Astor) and Dick Mercer (David Newell) are racing to Atlantic City, where they intend to elope, since Mary's wealthy parents would never approve of the marriage. In Atlantic City, they arrive at the humble efficiency hotel room Mary has rented. Dick is not impressed, and would prefer they stay in a fancier hotel. An argument ensues, ending with Dick storming out, leaving Mary alone.