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Suggestions of similar film to The Pit, the Pendulum and Hope
There are 18 films with the same director, 14202 with the same cinematographic genres (including 176 with exactly the same 2 genres than
The Pit, the Pendulum and Hope), to have finally
70 suggestions of similar films.
If you liked
The Pit, the Pendulum and Hope, you will probably like those similar films :
, 1h49
Directed by Jan ŠvankmajerOrigin Republique tchequeGenres Drama,
Comedy,
Fantasy,
Horror,
AnimationActors Klara Issova,
Zuzana Kronerová,
Jana OľhováRating71%
Film de semi animation complètement déjanté que nous propose Jan Švankmajer. On nous y présente un homme qui fait d’étranges rêves et qui consultera une psychanalyste pour tenter de les interpréter. Ces rêves lui permettent de côtoyer un homme qui lui ressemble, mais en plus jeune, et une jeune femme qu’il aimerait bien rencontrer dans le monde réel. D’ailleurs, à un certain point, le rêve et la réalité ne se confondent-ils pas? Il y a aussi cette maladie d’acheter des billets de loterie en pensant qu’il va gagner une fortune.., 1h24
Directed by Jan ŠvankmajerOrigin TchecoslovaquieGenres Science fiction,
Fantastic,
Comedy,
Fantasy,
Adventure,
Horror,
AnimationThemes Films about animals,
Inspiré de l'univers des contes et légendes,
Films about magic and magicians,
Monde imaginaire,
Films about cats,
Mise en scène d'un lapin ou d'un lièvre,
Films based on Alice in Wonderland,
Children's films,
Mise en scène d'un mammifèreActors Anne Consigny,
Camilla Power,
Martin ProvostRating73%
Alice appears to be in her own bedroom, when a taxidermically stuffed rabbit comes to life and breaks out of its glass case. Alice follows the rabbit through the drawer of a desk into a cavern. She subsequently falls through a bucket and seemingly down an elevator shaft. Wonderland itself is a mix of drab household-like areas with incongruous relationships of space and size. The Queen's execution sentences are carried out by the White Rabbit with a pair of scissors. At the film's end, Alice wakes in her room, discovers that the rabbit is still missing from his glass case, and finds a secret compartment where he keeps scissors. She ponders whether or not she will cut his head off. The film is ambiguous about whether this room is Alice's real world or "Wonderland"., 1h37
Directed by Jan ŠvankmajerOrigin Republique tchequeGenres Drama,
Science fiction,
Thriller,
Fantastic,
Fantasy,
Horror,
AnimationThemes Films based on playsActors Petr Čepek,
Jan Kraus,
Andrew Sachs,
Jiří SuchýRating73%
The story commences on the streets of Prague on a grey morning with commuters bustling about. We are introduced to the figure of an Everyman, played by Petr Čepek, a colourless figure emerging from a metro station. On his way home, the man encounters two men handing out flyers. It is a map of the city with a location marked in. He shrugs and discards it, returning to his lodging. As he opens the door, a black cockerel runs out. The man sits down to eat, cutting himself a slice of bread. He discovers an egg concealed inside the loaf. He cracks it open but it is empty. Suddenly the lights go out and the wind rises. Objects are thrown about the room. The commotion ceases; the man goes to the window and looks down to where the two men from earlier are staring up at him. One of them holds the cockerel. The man closes the blind and returns to the table, where he finds the map and, using his own map of the city, traces out the location marked., 2h12
Directed by Jan ŠvankmajerOrigin Republique tchequeGenres Drama,
Science fiction,
Comedy,
Comedy-drama,
Horror comedy,
Fantasy,
Horror,
AnimationThemes Films about magic and magicians,
Comedy horror films,
Children's filmsActors Jan Hartl,
Tomáš Hanák,
Jiří Macháček,
Jiří LábusRating72%
Karel Horák (Jan Hartl) and Božena Horáková (Veronika Žilková) are a childless couple and for medical reasons are doomed to remain so. While on vacation with their neighbors at a house in the country, Karel decides to buy the house at the suggestion of his neighbor. When he is fixing up the house, he digs up a tree stump that looks vaguely like a baby. He spends the rest of the evening cleaning it up and then presents it to his wife. She names the stump Otík and starts to treat it like a real baby. She then works out a plan to fake her pregnancy and becoming more and more impatient she speeds up the process and 'gives birth' one month early., 12minutes
Directed by Jan ŠvankmajerOrigin TchecoslovaquieGenres Comedy,
Fantasy,
AnimationRating80%
The animation is divided into three sections. "Eternal conversation" (Dialog věcný) shows Arcimboldo-like heads gradually reducing each other to bland copies; "Passionate discourse" (Dialog vášnivý) shows a clay man and woman who dissolve into one another sexually, then quarrel and reduce themselves to a frenzied, boiling pulp; and "Exhaustive discussion" (Dialogu vyčerpávajícím) consists of two elderly clay heads who extrude various objects on their tongues (toothbrush and toothpaste; shoe and shoelaces, etc.) and intertwine them in various combinations., 1h15
Directed by Jan ŠvankmajerOrigin Republique tchequeGenres Drama,
Comedy,
AnimationThemes Films about sexuality,
Erotic filmsActors Jiří LábusRating72%
In Prague, Mr. Pivonka, an unmarried man, buys some pornography from his local newsagent, Mr. Kula, and returns home. A postwoman, Mrs. Malková gives him a letter which reads "On Sunday" in cut-out letters. In secret, she then rolls pieces of bread into little balls and carries them in her satchel. Pivonka asks his neighbour, Mrs. Loubalová, to slaughter a chicken for him. Using the leftover feathers and papier-mâché made from the pornography, he constructs a chicken head and fabricates wings made from umbrellas. Meanwhile, police captain Beltinsky buys rolling pins and pan lids from the same shop that sells Pivonka's umbrellas. Using these items, plus stolen pieces of fur and sharp things, Beltinsky constructs unusual objects in his workshop. His wife, a newsreader named Beltinska, feels neglected and buys some live carp. She is unaware that Kula is in love with her image and has constructed a machine rigged to stroke and masturbate him when she is on television. Pivonka and Loubalová construct life-size effigies of each other.Directed by Jan ŠvankmajerGenres Comedy,
Fantasy,
AnimationRating69%
A knife chops two slices off a chunk of fresh meat. The first slice, using a nearby spoon as a hand mirror, admires itself. Similar admiration is expressed by the second slice, which slaps the first slice on its 'rear', causing it to cry out and retreat coyly behind a tea-towel. The second slice switches on the radio, and persuades its companion to dance 'cheek to cheek' to the sound of an old 1920s recording. One slice jumps into a plate of flour and teasingly 'splashes' the other. Soon, the two slices are writhing ecstatically in the flour. Their passion is short-lived, however, as almost immediately afterwards they are skewered and fried. , 18minutes
Directed by Jan ŠvankmajerGenres Comedy,
AnimationThemes Sports films,
Association football filmsRating73%
Le film se base sur le visionnage d'un match de foot par un homme dans une pièce abondamment décorée de posters et différents objets liés à l'univers du football. Le film consiste en une succession d'images archives montrant les réactions de supporters durant un match et d'images animées surréalistes. L'acteur qui joue le spectateur derrière son poste de télévision joue aussi l'arbitre, les joueurs, les médecins et les croque-morts dans les passages surréalistes. Le film suit une certaine mécanique propre au cinéma de Švankmajer : une série de photos de joueurs colorés montées de manière énergique avec en fond des commentaires de présentateurs brouillés, puis une chorégraphie jouée par les joueurs avec le ballon, puis la destruction d'un ou plusieurs joueurs. Švankmajer s'amuse à détruire des portraits de glaise à l'image du spectateur de toutes les manières imaginables (visage arraché par une ventouse, démolition à coups de marteau, tête passée au hachoir, etc.). Le score du match progresse à mesure que les joueurs sont détruits. Les joueurs ainsi anéantis sont mis sur des brancards puis dans des cercueils aux couleurs de leur équipe, qui intègreront également les séquences surréalistes. On voit les réactions du public passionné en archive et le spectateur souvent montré en train de manger ou boire.