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Unni is a film directed by G. Aravindan with Shankar Panicker

Unni (1989)

Unni
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Pachakkuthira is a 1999 Malayalam-language Indian children's feature film directed by Manilal, starring Sajitha Madathil in lead role.

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Suggestions of similar film to Unni

There are 259 films with the same actors, 11 films with the same director, to have finally 70 suggestions of similar films.

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The Dispossessed
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The film takes place in Calcutta, 1971. The story begins with rehabilitation official Venu (Mohanlal) coming to Calcutta in one of his regular visits to shift about 35 to 40 refugee families to the Andaman Islands. The current rehabilitation plan is that only those who fall under the category of schedule caste farmers. People in Andaman, too, are not happy about taking in refugees. All the refugees have been staying in Permanent Liability Camp in Rana ghat, West Bengal for the past two decades. Experiencing the shattered lives of poor displaced people deeply hurts Venu in his silent moments alone in his small lodge room frequently finds himself lost in the thoughts about the lives of the refuge seekers he meets during the day. Living an oppressed life, their only hope being the occasional promises of land, cattle, and other grants by the bureaucratic state.
And There Was a Village..., 1h52
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The time is the mid-fifties, when the Indian states were being reorganised. The place is a remote village in Kerala. There is a palpable hum of excitement as the village Panchayath, led by the Brahmin landlord, is determined to bring the benefits of electricity to this backward place.
Chidambaram
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Shankaran (Bharath Gopi) works as the Office Superintendent in a vast government farm situated in the hilly areas on the border of Kerala and Tamil Nadu. His colleague Jacob (Mohan Das) is the Field Supervisor and a work addict. The two men are poles apart in their characters. Jacob is a down-to-earth and rather commonplace sort of person, whose social pride does not conflict with his easy-going attitude to morality. Shankaran, on the other hand, is a mild-mannered loner. He has an easy, friendly relationship with the workers. Muniyandi (Sreenivasan), a worker in the farm, is a timid god-fearing man. His job is to look after the cattle. One day he confesses to Shankaran that he is going to his village to get married. When he asks Jacob for leave, Jacob brusquely tells him that he must be back immediately after the wedding. But Shankaran invites him to have a drink with him in his room. Hoping that God will not notice this minor aberration. Muniyandi says a quick prayer before taking a few swigs of rum equally quickly. Then he settles down on the floor and starts singing in the praise of the Lord. The embarrassed Shankaran has to help him to his quarters.
Twilight
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The protagonist of the film is a young artist (Balachandran Chullikkad) who lives with his father, a radical friend, a Sportsman and a music-loving young woman. His world collapses when his father dies, the radical friend leaves him, the sportsman friend gets injured in an accident and has to give up sports and her family takes the woman away to another city. The final shot shows him curled up in foetal position in his cell in a mental asylum.
Esthappan
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The film is a Pied Piper-like figment of Malabar’s folklore about a partly mythic and partly real magician called Kummatty (bogeyman). Kummatty materialises from nature one day to mingle with and weave a spell of carefree abandon around the children of the village. Kummatty travels from place to place and entertains children with dancing, singing and performing magic. At one such performance at a village, Kummatty starts to mingle with and weave a spell of carefree abandon around the children of the village. He turns a group of children into animals. But one boy, who was changed into a dog, is chased away and misses the moment Kummatty changed the children back to their human form. The dog-boy has to wait a year until Kummatty returns to the village to get back his human form. All ends well and Kummatty melts back into nature.
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Besides a long glittering river some men raise a pole. A tent balloons up. Where there was wide sand and the sound of water lapping, there is now a truck, chairs, hoops, stools, ropes, goats, a lioness, a pair of fat girls, some bicycles, and an old man with a philosopher's dignity, putting on white paste.
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The film begins with the journey of Rama and Lakshmana to kill Shambuka – the shudra who performs penance – but Shambuka's wife pleads for his life, and he is spared. Rama and Lakshmana return to Ayodhya to face Urmila, the spirited wife of Lakshmana. Rama replies to her reproaches for abandoning Sita in the Dandakaranya forests, through which they have just journeyed, that the husband of Sita is only a servant of the people of Ayodhya.