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Vidas marcadas is a film of genre Drama directed by Daniel Tinayre with Mecha Ortiz

Vidas marcadas (1942)

Vidas marcadas
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Directed by
Genres Drama,    Thriller,    Romance
Rating63% 3.167983.167983.167983.167983.16798

Vidas marcadas is a 1942 Argentine film.

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Trailer of Vidas marcadas

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Suggestions of similar film to Vidas marcadas

There are 110 films with the same actors, 17 films with the same director, 74901 with the same cinematographic genres (including 1256 with exactly the same 3 genres than Vidas marcadas), to have finally 70 suggestions of similar films.

If you liked Vidas marcadas, you will probably like those similar films :
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Genres Drama, Crime
Themes Films about sexuality, LGBT-related films, LGBT-related films, LGBT-related film, Lesbian-related films
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Rating69% 3.4782153.4782153.4782153.4782153.478215
Framed and convicted of a crime she did not commit, Flora, played by Fanny Navarro is sent to prison, where she meets Roberta, played by Golde Flami, who becomes her protector and lover.
Camino del infierno, 1h36
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Genres Drama
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Rating72% 3.628653.628653.628653.628653.62865
A melodramatic, psychological thriller, the film tells the story of a young wealthy widow, who is unhappy. She meets a Bohemian artist who marries her to escape the poverty of his family, but is stifled by her possessiveness and jealousy. The plot centers around a love triangle, which was bold for its time.
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Amelia Bence portrays a wealthy but weak and vulnerable old lady, mistreated by evil nephew Lopez Lagar. Enlisting the aid of Bence's evil unfaithful serving girl, Lagar poisons his elderly aunt, hoping to secure her substantial fortune without being accused of murder. But the villain and his confederate are foiled in their plans in the nick of time.
In Burning Darkness
Directed by Daniel Tinayre
Genres Drama
Actors Mirtha Legrand, Duilio Marzio, María Vaner, Leonardo Favio, Ignacio Quirós, Osvaldo Terranova

This conventional drama by director Daniel Tinayre handles a distinctive subject -- the onset of blindness in an adult -- and raises issues about the disability without diving far under the surface. The setting is an institution for the blind, and the featured protagonist is a man who rails against his misfortune, his energy and thinking distorted by a need to fight his blindness. Unhappy and unable to come to grips with his condition, he stirs a sympathetic chord in another blind inmate. She in turn, slowly enters into a relationship with him that starts to transform the ways he perceives himself and his blindness.