Comments
Suggestions of similar film to Wooden Bridge
There are 31 films with the same actors, 67944 with the same cinematographic genres (including 13359 with exactly the same 2 genres than
Wooden Bridge), to have finally
70 suggestions of similar films.
If you liked
Wooden Bridge, you will probably like those similar films :
, 1h44
Directed by Tahmineh MilaniOrigin IranGenres Drama,
Comedy,
RomanceActors Mahnāz Afshār,
Mohammad Reza Golzar,
Atila PesyaniRating52%
The film begins by showing a married couple Sayeh (Mahnaz Afshar) and her husband, Yousef (Mohammad Reza Golzar) who are both stubborn and spend a lot of their time trying to top the others latest outrageous adventure at getting even. Scene after scene we watch the quarreling couple play childish pranks on each other. The movie goes on with showing that Sayeh wants to seek divorce, but by mistake knocks on the door of a psychiatrist (Attila Pesyani) instead of a lawyer. She is soon discovered in the psychiatrist’s office by her husband, Yousef. The psychiatrist informs both that their problem is that they are not behaving maturely, so that they need to live apart from each other for a week. In a week they come back to the psychiatrist, and he tells them that they are trying to act out their “inner child.” He suggests that they need to talk with their inner child. They come back and see the psychiatrist who realizes that they have overcome their difficulties and coped with their “inner child."The couple change their minds about getting a divorce., 1h45
Origin IranGenres Drama,
Comedy-drama,
RomanceActors Mohammad-Reza Sharifinia,
Hedieh Tehrani,
Gohar Kheirandish,
Elham HamidiRating53%
Hadj Reza Enayat (Mohammad Reza Sharifinia) est un homme d'une éducation religieuse, marié et propriétaire d'une agence immobilière rencontre Donya (Hedieh Tehrani), une femme d'éducation moderne qui revient d'un long séjour à l'étranger pour refaire sa vie au pays. Elle est intéressée à acheter la vieille maison appartenant à Hadj Reza Enayat. Ce dernier lui propose de louer un des appartements qu'il a fait construire récemment en attendant de faire, si possible, un arrangement au sujet de la vieille maison. Genres Drama,
RomanceActors Katayoun Riahi,
Soraya Ghassemi,
Atila Pesyani,
Mohammad Reza Golzar,
Hanieh TavassoliRating59%
Mahine Mashreghi, professeur d’université, quitte son mari après 26 ans de vie commune. Setereh, sa fille, qui vit avec sa mère et qui considère son père comme un homme réactionnaire, tombe amoureuse de son camarade de classe Mani. Mais ce dernier préfère Mahine. Découvrant le dilemme amoureux, le père porte plainte au Comité des mœurs de l’université pour des relations non légitimes de sa femme et de sa fille avec Mani. Mahine et Setareh sont renvoyées de l’université. Mahine répondra à l’amour de Mani en acceptant sa demande en mariage. Le cœur brisé, Setareh se retourne vers son père. La fin tragique semble inévitable. Au bout de ses peines et dans une folie de désespoir, Setareh est amenée à mettre fin à la vie du nouveau couple, avec la carabine de son père au cours de leur soirée de noce. Directed by Masoud KimiaiOrigin IranGenres Drama,
Crime,
RomanceActors Ezatollah Entezami,
Khosrow Shakibai,
Leila Hatami,
Bahram Radan,
Merila ZareiRating50%
Mohsen (Poulad Kimiai), Foroozandeh (Leila Hatami) are two former couple.They and Sahand (Bahram Radan) who is their friend go to an Engineer manager's house to rob his safe. After that they go to Reza Maroufi (Ezzatollah Entezami), an old retired gangster to take a fake passport for Foroozandeh. Mohsen and Forozandeh struggle in the way and Foroozandeh returns to Tehran. Maroufi and Sahand also come back to Maroufi's house in Tehran and They see Foroozandeh that is injured by Mohsen ..... , 1h38
Directed by Bahram BeizaiOrigin IranGenres DramaActors Fatemah Motamed-Aria,
Homa Rousta,
Jamileh Sheykhi,
Atila Pesyani,
Karim Akbari MobarakehRating74%
Mahtab, la sœur de Mahrokh, est en route avec son mari et ses deux enfants de la région au bord de la mer Caspienne vers Téhéran pour rapporter le miroir précieux, héritage familial de la nouvelle mariée, à la noce. Sur la route, une villageoise les rejoint dans leur voyage. , 1h43
Directed by Reza MirkarimiOrigin IranGenres DramaActors Merila Zarei,
Farhad AslaniRating59%
Monsieur Aziz, père autoritaire et conservateur, mène une vie familiale sans incident dans une ville pétrolière du sud de l'Iran. Un jour, son équilibre est bouleversé par le comportement contestataire de sa fille, Setareh, qui préfère se rendre à Téhéran, pour participer à une fête d'adieu, plutôt que d'assister aux fiançailles de sa petite sœur., 1h50
Origin IranGenres Drama,
ComedyActors Khosrow Shakibai,
Hedieh Tehrani,
Jamshid Mashayekhi,
Jamileh Sheykhi,
Niku Kheradmand,
Afarin ObeysiRating67%
The film starts with a scene of a sitting room, empty of people, at some two minutes to 7 o'clock in the morning, and ends with a scene of the same empty room at some two minutes past 7 o'clock in the morning of some weeks later; this passage of time is accurately depicted by the brightness of the natural light that is reflected on the wall of a corridor, that leads to this sitting room, in the initial and final scenes. The meticulous attention that Taghvā'i has given to the accurate representation of even the most mundane aspects of the film would at first sight seem to be at odds with the fact that with the exception of the opening and closing scenes, in all other scenes where the clock on the wall of the sitting room is in sight, its pendulum is conspicuously motionless. The opening scene depicts some moments before the family starts a very active day (the day at which the two children of the family, Shangul and Mangul, have their first school-day after the summer school-holiday) and the closing scene, the end of a protracted Friday night, during which Jahāngir and Royā have spent an intellectually and emotionally exhausting night. The motionless pendulum suggests that the events in the intervening period have taken place out of time, or only in imagination. Although the work presented by Taghvā'i certainly qualifies as a surrealist art-form, this motionless pendulum serves as a more profound tool than a means that solely hints at surrealism. Taghvā'i conveys a number of unobtrusive verbal and visual messages to his viewers. Briefly, Taghvā'i and Ms Minoo Farsh'chi, the co-author of the film script, variously refer to the theory of eternal recurrence, as revived by e.g. Friedrich Nietzsche, with a strong emphasis on the importance of having a creative mind thereby to forge room for free will in at least an imaginative world.