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Yaara Silly Silly is a film with Paoli Dam

Yaara Silly Silly (2015)

Yaara Silly Silly
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Length 1h47
Rating55% 2.7601452.7601452.7601452.7601452.760145

Yaara Silly Silly is a romantic film directed by Subhash Sehgal which portrays a two-night relationship between a prostitute & her customer.

Actors

Paoli Dam
Parambrata Chatterjee
Vidya Malvade
Trailer of Yaara Silly Silly

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Streaming / VOD

Source : Wikidata

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Suggestions of similar film to Yaara Silly Silly

There are 61 films with the same actors, to have finally 61 suggestions of similar films.

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Animesh Mitra is simpleton who arrives at Calcutta from Jalpaiguri, during hostile times (1967), to study at the Scottish Church College. He is scheduled to take refuge at the residence of his father’s friend Mr. Debabrata, but he accidentally gets shot in the limb and ends up at the Calcutta Medical College. Eventually things move on and Animesh develops a deep friendship with Debabrata’s daughter Neela. He takes admission in the B.A classes of Scottish Church College on Bengali Literature and ultimately becomes intertwined with the unresting times of the youth intellect.
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Non-resident Bengali Radhika (Bipasha Basu) marries the thespian poet Indranil Mitra (Prosenjit Chatterjee) to settle in Kolkata. While Indranil continues his surveillance of the surreal world of words, rhythms, rhymes and imaginations Radhika single-handedly pulls out the private and public aspects of conjugal life. Radhika gets wholesome support from their housemaid Priyobala Das (also called Nondor ma). While the apparently irresponsible and introverted Indranil does one menace after other (like quitting his job after getting an award), Radhika stands like a rock to make the family financially sound.
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Rabindranath Tagore’s elder brother Jyotirindranath Tagore, a Western educated bright young man from the 19th century Bengal met the octogenarian Lalan Fakir and drew a portrait of the poet saint in the former houseboat afloat on the Padma river. Jyotirindranath, an urban intellectual exchange views with the man of native wisdom. Their exchange of ideas forms the cinematic narrative of this film. The narrative is a saga of the life and time of Lalan Fakir and his liberal sect who lived a life of high order in an otherwise superstitious 19th century Indian society. Lalan inherited the best of the liberal and enlightened tradition of Hinduism, Buddhism and Islam to develop a philosophy of life which is extremely secular and tolerant. Thus became an easy prey for the fundamentalists from the Hindu and the Muslim institutions. They were the parallel stream flowing freely in the heart of rural Bengal when men like Tagore were germinating ideas of the Bengal Renaissance. The love and compassion of Lalan is relevant more than ever in today’s world of intolerance and hate.
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