Tomasz apprend qu'il a une maladie mortelle. Il demande son ex-femme Anna de financer son opération à Paris. Mais il est déjà trop tard pour guérir. Il n'est lui reste qu'attendre la mort et trouver quelqu'un qui aiderait de comprendre et accepter l'évanescence.
In Warsaw, a student only known as the "Italian" (Polish: Włoszka, played by Iwona Petry) is on the search for an apartment. The Italian, who is beautiful and a free spirit, is originally from the countryside. During her search she meets anthropology professor Michał (Bogusław Linda), who is renting her an apartment that was occupied by his brother. The business is concluded by a violent sex scene between the two in the empty apartment.
Dans la Pologne proche de la sortie du communisme, des responsables de la censure et du Parti entrent en dialogue avec les personnages présents sur l’écran du cinéma Liberté, notamment dans des scènes de La Rose pourpre du Caire de Woody Allen, où un personnage quitte l'écran pour aller dans la salle. On est dans une construction à multiples degrés de films dans le film... et de rapports entre spectateurs (simples ou ayant un rôle de censure) avec une œuvre cinématographique.
Au cours de la période la plus sombre du régime communiste en Pologne, deux frères de 11 et 14 ans, Jedrek et Grzes, vivent au quotidien les difficultés de leurs parents, miséreux et tourmentés par les autorités polonaises. Un jour, accompagné d'une camarade de classe, ils décident de se cacher sous un camion afin d’émigrer clandestinement à l'Ouest. Après maintes péripéties sur le trajet, ils échappent à la police et atteignent le Danemark. Ils sont accueillis par des autorités danoises rigides, qui les mettent dans un camp de réfugiés et attendent s'ils décident de les déporter.
Nineteen-year-old Tomek (Olaf Lubaszenko) is living in an apartment complex in Warsaw with his godmother—staying in her son's room while he's away. Raised in an orphanage, the shy Tomek has few friends and works as a postal clerk. Tomek has been spying on a beautiful older woman, Magda (Grazyna Szapolowska), who lives in an adjacent apartment complex. Using a telescope, he watches her every night performing mundane tasks, working on her artwork, and entertaining men. To get closer to her, he slips fake postal notices in her mailbox for a nonexistent money order at his post office. He also calls her anonymously to hear her voice. Tomek's obsession is focused more on her everyday activities rather than her sex life; when he sees her becoming sexual with men, he trains the telescope away and does not watch.
Waldemar Rekowski (Jan Tesarz) is a middle-aged taxicab driver in Warsaw who enjoys his profession and the freedom it affords. His concern for turning a profit leads him to ignore some potential fares in favor of others. An overweight and crude man, Waldemar also enjoys staring at young women.
A group of astronauts leaves Earth to find freedom, and their spaceship crashes on an unnamed Earth-like planet. The astronauts, equipped with video-recorders, reach a seashore, where they build a village. After many years, only one member of the crew, Jerzy, is still alive, watching the growth of a new society, whose religion is based on mythical tales of an expedition from the Earth. The first off-Earth generation calls him the Old Man, treating him as a demi-God. The Old Man leaves them and before his death sends his video diary back to Earth in a rocket. A space researcher named Marek (Andrzej Seweryn) receives the video diary and travels to the planet. When he arrives, he is welcomed by the cast of priests as the Messiah, who can release them from the captivity of the Szerns, indigenous occupants of the planet. Shortly afterwards, Marek organizes an army and enters the city of the Szerns. Meanwhile, the priests start to believe that Marek was an outcast from the Earth, rather than a messiah who came to fulfill the religious prophecy.
A Polish translator, Ulla (Grażyna Szapołowska), grieves for her recently deceased lawyer husband. As she copes with her loss, the family of her husband's last client, Darek Stach, contacts her in need of legal documents and advice. Ulla struggles with caring for her son, and alternately trying to remember and to forget her husband, while Darek struggles to come to terms with his imprisonment for political dissidence. Ulla's husband's ghost observes these events, occasionally becoming visible to Ulla and Darek.
Ouest de la Pologne, 1946. Emilia et sa mère invalide tentent de survivre dans une terre dévastée, autrefois allemande avant d'être intégrée à la Pologne. Emilia rencontre Norman, soldat américain, venu là pour enquêter sur des crimes de guerre. C'est bientôt l'amour, mais le temps est compté et Norman est rappelé à Berlin. Pour permettre à sa fille de suivre son amant, la vieille femme décide de se laisser mourir.
Premier jour de la Première Guerre mondiale. Des hassidim, venant en charrettes d’une petite ville de Galicie sont accueillis par le vieux Tag, esprit frondeur, et sa famille dans son auberge (austeria signifie auberge). En carrosse, arrive une Juive fréquentant les milieux aisés de Vienne. Elle fuit et essaie de persuader l’aubergiste de venir avec elle. Il refuse et reste avec sa belle-fille et sa petite-fille qui craignent un pogrom. La servante ukrainienne Jewdocha informe que les Cosaques approchent (nous sommes à proximité de la frontière russe). Une bataille se déroule non loin de l'auberge. D'autres fuyards qui étaient passés auparavant reviennent finalement s'abriter à l'auberge le soir. Parmi eux, le jeune Bum qui porte dans ses bras le corps de sa bien-aimée Asia. Les parents d'Asia et de Bum sont là aussi. Un tzadik (« juste » en hébreu) de Zydaczewo s'arrête lui aussi à l'auberge. Les hassidim se mettent à danser.
Tonia (Krystyna Janda) is a cabaret singer in post-World War II Poland towards the end of the life of Soviet leader Joseph Stalin. After she performs for soldiers, she is arrested without being told why, and placed in a political military prison to be interrogated. Over a course of some years, she is humiliated and tortured by prison officials into confessing to crimes she did not commit. After failing to sign a document detailing a false confession, she is taken to the prison shower block and locked into a small cage between the floors. The water is turned on and the room is slowly flooded. She is released at the last moment and told to sign the confession form again, which she continues to refuse to do. While in prison, she demands that she sees her husband. One day he visits the prison, but is told by the officials of her alleged infidelities prior to her arrest, and he tells her that he doesn't want to see her again. She unsuccessfully attempts suicide. She develops a romantic relationship with an officer, one of the interrogating prison officials, whom she tells of the absurdity of the system he believes in. She becomes pregnant by him and, like other female inmates, is forced to give up her child for adoption, before eventually being released and reunited with her child. The officer secures her release and her ability to reclaim their child and then commits suicide.