Lully (Boris Terral) starts to gain the favour of the 14-year-old King Louis in 1653 by giving him specially designed shoes for Ballet de la Nuit. His subsequent rise draws hostility from the old cadres of the court, particularly the royal composer Cambert (Johan Leysen). However, following Cardinal Mazarin's death, Louis (Benoît Magimel) installs himself in full power as the king in 1661 and he is now at stake with the religious establishment created and controlled by his mother Anne of Austria (Colette Emmanuelle) at the Palais-Royal. On the other hand, Lully's animosity with Cambert comes to a novel dimension after Cambert's mistress Madeleine Lambert (Cécile Bois), the daughter of Michel Lambert, marries Lully in 1662. Lully and another Versailles favourite Molière (Tchéky Karyo) are keen to further disarm the old court but they get to understand their limits when conflict becomes more manifest at events such as staging (and consequent ban) of Tartuffe in 1664. Meanwhile, the passing years bring an end to Lully's position as the king's dance teacher and choreographer and he also has to face the emotional tensions growing with his wife's niece Julie (Claire Keim), which will culminate at the gala of Cambert's Pomone in 1671.
Histoire d'amour entre deux personnages, histoire d'une femme du peuple qui réussit grâce à ses liaisons avec des hommes de pouvoirs à s'élever dans la société révolutionnaire française. Madame du Barry arrive notamment à intégrer la cour de Louis XV et à devenir la favorite de celui-ci. L'amour déçu, présent dans tout le film, est le moteur de l'action révolutionnaire.
Sous la Restauration, des demi-soldes, restés fidèles à l'empereur, tentent de rétablir sur le trône de France Napoléon II. Le complot échouera à cause d'une liaison amoureuse entre le colonel de Montander et Lise Dorian…
In pre-Revolutionary France, Voltaire champions the oppressed commoners and tries to warn King Louis XV (Reginald Owen) about the growing unrest among his subjects. The writer has a powerful ally in Madame Pompadour (Doris Kenyon), Louis' mistress, but the Count de Sarnac (Alan Mowbray) opposes him for his own ends.
L'ascension de Madame du Barry à travers les couloirs et les boudoirs de Versailles jusqu'à la chambre du roi Louis XV. Les frasques de la courtisane agaceront bien vite la Reine Marie Antoinette (jouée par Anita Louise) qui bannira la du Barry de la cour.
Félix Raffut, un châtelain périgourdin affolé par l'invasion allemande, effectue l'exode de sa famille et de son mobilier vers des lieux supposés hospitaliers.
In Vienna, 15-year-old Marie Antoinette (Norma Shearer) is informed by her mother, Empress Marie Therese of Austria (Alma Kruger), that Marie is to marry the future King of France, the Dauphin Louis XVI (Robert Morley). The young princess is excited to meet her future husband and live as a queen, but the Dauphin she married is actually a shy man, more at home with locksmithing than attending parties at the court at Versailles. After they are married, Marie tries desperately to please her husband, and after some trepidation, the Dauphin realizes he can trust Marie and tells her he cannot produce heirs. Without children to occupy her time and attention, Marie is bored and associates with the power-hungry Duc d'Orleans (Joseph Schildkraut), even though the Dauphin does not like him.
The story begins with an ageing, alcoholic woman (Vivien Leigh) being clapped into debtors' prison in the slums of Calais. In a husky, despairing, whiskey-soaked voice, the former Lady Hamilton narrates the story of her life to her skeptical fellow inmates. In one of the early scenes that launches the flashback, Emma, well past her prime, looks into a mirror and remembers "the face I knew before," the face of the young, lovely girl who captured the imagination of artists - most notably George Romney and Joshua Reynolds.
In German-occupied Paris, an announcer reports during a blackout that the Second Front has begun, with British forces invading the Continent, and that five Royal Air Force fighters have been shot down. The downed pilots split up and make their way to Paris to try to arrange their escape back to England. On the way, they break into a tavern in search of civilian clothes. When a German soldier shows up for a drink, Squadron Leader Paul Lavallier (Paul Henreid), a member of the Free French, knocks him out and takes his money. In Paris, Paul contacts an old teacher of his, Father Antoine (Thomas Mitchell), who agrees to hide the reunited men in the sewers underneath his cathedral.