In the Pride Lands of Africa, a lion rules over the animals as king. The birth of King Mufasa and Queen Sarabi's son Simba creates envy and resentment in Mufasa's younger brother, Scar, who knows his nephew now replaces him as heir to the throne. After Simba has grown into a young cub, Mufasa gives him a tour of the Pride Lands, teaching him the responsibilities of being a king and the circle of life. Later that day, Scar tricks Simba and his best friend Nala into exploring a forbidden elephant graveyard, despite the protests of Mufasa's hornbill majordomo Zazu. At the graveyard, three spotted hyenas named Shenzi, Banzai and Ed attack the cubs before Mufasa, alerted by Zazu, rescues them and forgives Simba for his actions. That night, the hyenas, who are allied with Scar, plot with him to kill Mufasa and Simba.
Six months after the events of the first film, Neo and Trinity are now lovers. Morpheus receives a message from Captain Niobe of the Logos calling an emergency meeting of all of Zion's ships. Zion has confirmed the last transmission of the Osiris: an army of Sentinels is tunneling towards Zion and will reach it within 72 hours. Commander Lock orders all ships to return to Zion to prepare for the onslaught, but Morpheus asks one ship to remain in order to contact the Oracle. The Caduceus receives a message from the Oracle, and the Nebuchadnezzar ventures out so Neo can contact her. One of the Caduceus crew, Bane, encounters Agent Smith, who takes over Bane's avatar. Smith then uses this avatar to leave the Matrix, gaining control of Bane's real body.
An infamous hacker called Trinity (Carrie-Anne Moss) is cornered in an abandoned hotel by police. She easily overpowers and escapes from them, but a group of sinister black-suited Agents with superhuman abilities lead the police in a rooftop pursuit after her. Upon picking up a ringing phone in a telephone booth, she vanishes without a trace.
Neo and Bane lie unconscious in the medical bay of the ship Hammer. Meanwhile, Neo finds his digital self trapped in a virtual subway station—-named, "Mobil Ave.", "mobil", being an anagram for "limbo"-a transition zone between the Matrix and the Machine City. In that subway station, he meets a "family" of programs, including a girl named Sati, whose father tells Neo the subway is controlled by the Trainman, an exiled program loyal to the Merovingian. When Neo tries to board a train with the family, the Trainman refuses and overpowers him.
Adam Ewing, an American lawyer, has come to the Chatham Islands to conclude a business arrangement with Reverend Horrox and his father-in-law. While in Horrox's plantation, he witnesses the whipping of a Moriori slave, Autua, who later stows away on the ship. Autua confronts Ewing and convinces him to advocate for Autua to join the crew as a free man. Dr Henry Goose slowly poisons Ewing, claiming it to be the cure for a parasitic worm, to steal Ewing's valuables. As Goose administers the fatal dose, Autua saves Ewing. Returning to the United States, Ewing and his wife Tilda denounce her father's complicity in slavery and leave to join the abolition movement.
U.S. Army Private Witt (Jim Caviezel) goes AWOL from his unit and lives among the easy-going and seemingly carefree Melanesian natives in the South Pacific. He is found and imprisoned on a troop carrier by his company First Sergeant, Welsh (Sean Penn), who notices Witt's indifference to the war. The men of C Company, 1st Battalion, 27th Infantry Regiment, 25th Infantry Division have been brought to Guadalcanal as reinforcements in the campaign to secure Henderson Field and seize the island from the Japanese. As they wait in the holds of a Navy transport, they contemplate their lives and the impending invasion. On deck, battalion commander Lieutenant Colonel Tall (Nick Nolte) talks with his commanding officer, Brigadier General Quintard (John Travolta) about the invasion and its importance. Tall's voice-over reveals that he has been passed over for promotion and this battle may be his last chance to command a victorious operation.
In an African desert millions of years ago, a tribe of man-apes is driven from their water hole by a rival tribe. They wake to find a featureless black monolith has appeared before them. One man-ape realizes how to use a bone as a tool and weapon; the tribe kills the leader of their rivals and reclaims the water hole.
The plot-summaries of the shorts are listed below in the order that they run in the DVD release, which is not the chronological order. Chronologically, the order would be:
The film begins with a quotation from the Book of Job: "Where were you when I laid the foundations of the Earth?... When the morning stars sang together, and all the sons of God shouted for joy?"
Set in New Jersey during the Great Depression, the film tells the story of Cecilia, a clumsy waitress who goes to the movies to escape her bleak life and loveless, abusive marriage to Monk, whom she has attempted to leave on numerous occasions.
The film opens on the birthday of Alexander (Erland Josephson), an actor who gave up the stage to work as a journalist, critic, and lecturer on aesthetics. He lives in a beautiful house with his actress wife Adelaide (Susan Fleetwood), stepdaughter Marta (Filippa Franzén), and young son, "Little Man", who is temporarily mute due to a throat operation. Alexander and Little Man plant a tree by the sea-side, when Alexander's friend Otto, a part-time postman, delivers a birthday card to him. When Otto asks, Alexander mentions that his relationship with God is "nonexistent". After Otto leaves, Adelaide and Victor, a medical doctor and a close family friend who performed Little Man's operation, arrive at the scene and offer to take Alexander and Little Man home in Victor's car. However, Alexander prefers to stay behind and talk to his son. In his monologue, Alexander first recounts how he and Adelaide found this lovely house near the sea by accident, and how they fell in love with the house and surroundings, but then enters a bitter tirade against the state of modern man. As Tarkovsky wrote, Alexander is weary of "the pressures of change, the discord in his family, and his instinctive sense of the threat posed by the relentless march of technology"; in fact, he has "grown to hate the emptiness of human speech".
As the film opens Eichmann has been captured in South America. It is revealed that he escaped there via the "rat line" and with forged papers. Arendt, now a professor in New York, volunteers to write about the trial for The New Yorker and is given the assignment. Observing the trial, she is impressed by how ordinary and mediocre Eichmann appears. She had expected someone scary, a monster, and he does not seem to be that. In a cafe conversation in which the Faust story is raised it is mentioned that Eichmann is not in any way a Mephisto (the devil). Returning to New York, Arendt has massive piles of transcripts to go through. Her husband has a brain aneurysm, almost dying, and causing her further delay. She continues to struggle with how Eichmann rationalized his behavior through platitudes about bureaucratic loyalty, and that he was just doing his job. When her material is finally published, it immediately creates enormous controversy, resulting in angry phone calls and a falling out from her old friend, Hans Jonas.
Nathalie, mariée et mère de deux enfants déjà adultes, enseigne la philosophie avec implication et passion. Sa mère très âgée se fait de plus en plus possessive. Quand son mari lui annonce qu'il a rencontré une autre femme et qu'il part s'installer avec elle, elle voit sa vie sous un autre jour...
In pre-Revolutionary France, Voltaire champions the oppressed commoners and tries to warn King Louis XV (Reginald Owen) about the growing unrest among his subjects. The writer has a powerful ally in Madame Pompadour (Doris Kenyon), Louis' mistress, but the Count de Sarnac (Alan Mowbray) opposes him for his own ends.
La vie de Georges Gurdjieff, de sa jeunesse jusqu'à ses voyages initiatiques à la recherche de la Sagesse. On suit sa quête spirituelle en Asie centrale, notamment à Boukhara, et dans le désert de Gobi, où il découvre différentes disciplines comme la musique et la danse lui permettant encore de progresser.