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Raoul, Vicomte de Chagny
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Among thoses, 2 have good markets following the box office.
Here are the best films classified by number of entries :
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The Phantom of the Opera (2004)
, 2h23Directed by Joel Schumacher
Origin USA
Genres Drama, Thriller, Musical theatre, Musical, Romance
Themes Films about music and musicians, Théâtre, Ghost films, Musical films, Films based on plays, Films based on musicals
Actors Gerard Butler, Emmy Rossum, Patrick Wilson, Miranda Richardson, Minnie Driver, Simon Callow
Rating72%
In the year 1919, the Opéra Populaire holds a public auction to clear the theatre's vaults. The Vicomte de Chagny purchases a papier-mâché music box in the shape of a monkey and eyes it sadly as Madame Giry, an aged woman dressed in black, watches him. The auctioneer then presents a shattered chandelier as the next item up for bid, explaining that it once played a key role in "the strange affair of the Phantom of the Opéra." As the chandelier is displayed for all to see, it flickers to life and slowly ascends to its original place in the rafters as the audience is transported back in time to the year 1870.
Phantom of the Opera (1943)
, 1h32Directed by Arthur Lubin
Origin USA
Genres Drama, Horror, Musical, Romance
Themes Films about music and musicians, Ghost films, Musical films
Actors Nelson Eddy, Susanna Foster, Claude Rains, Edgar Barrier, Frank Puglia, Fritz Leiber
Rating63%
Erique Claudin (Claude Rains) had been a violinist at the Paris Opera House for twenty years. However he has been losing the use of the fingers of his left hand, which affects his violin-playing. He is dismissed because of this, the conductor of the opera house assuming that he has enough money to support himself. This is not the case however, for Claudin has spent it all by anonymously funding the music lessons of Christine Dubois (Susanna Foster), a young soprano whom Claudin has secretly fallen in love with. In a desperate attempt to gain money, Claudin tries to get a concerto he has written published. After submitting it and not hearing a response, he becomes worried and returns to the publishers, Maurice Pleyel & Georgette Desjardins, to ask about it. No one there knows what happened to it, and do not seem to care. Claudin persists, but Pleyel rudely tells him to leave and goes back to the etchings he was working on.