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Agnieszka Perepeczko is a Actor Australienne born on 6 may 1942 at Warsaw (Pologne)
Agnieszka Perepeczko (born 6 May 1942) is an actress, best known for her performances after her emigration to Australia.
Perepeczko was born in Warsaw, Poland. In 1966 she graduated at Aleksander Zelwerowicz State Theatre Academy in Warsaw. She is best remembered for her appearance in the television series Prisoner, in which she played East German concentration camp survivor Hannah Geldschmidt.
She was married to the late Marek Perepeczko.
Source : Wikidata
Agnieszka Perepeczko
Perepeczko was born in Warsaw, Poland. In 1966 she graduated at Aleksander Zelwerowicz State Theatre Academy in Warsaw. She is best remembered for her appearance in the television series Prisoner, in which she played East German concentration camp survivor Hannah Geldschmidt.
She was married to the late Marek Perepeczko.
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Filmography of Agnieszka Perepeczko (6 films)
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Dead to the World (1991)
Genres Drama
Actors Lynette Curran, Agnieszka Perepeczko, Richard Roxburgh, Paul Chubb, Paul Goddard, Noah Taylor
Roles Alexandra
Rating41%
The owner of an inner city boxing gym and her troupe of boxers band together to fight developers.
The Humpty Dumpty Man (1986)
, 1h32Directed by Paul John Hogan
Genres Drama, Thriller
Actors Deborra-Lee Furness, Jim Holt, Rod Mullinar, Frankie J. Holden, Agnieszka Perepeczko
Roles Yelena Galkin
Rating55%
Shadlow is a trade consultant who accepts a Soviet trade contract and is accused of international espionage.
A Jungle Book of Regulations (1974)
, 1h31Genres Comedy
Actors Jacek Fedorowicz, Stanisław Tym, Stanisława Celińska, Mieczysław Czechowicz, Wiesław Gołas, Bronisław Pawlik
Roles Tenant asking for Buckwheat (uncredited)
Rating73%
I Hate Mondays (1971)
, 1h38Genres Comedy
Actors Bogusz Bilewski, Mieczysław Czechowicz, Agnieszka Perepeczko, Stanisław Gawlik, Marian Glinka, Mieczysław Pawlikowski
Roles Stewardess (uncredited)
Rating74%
Landscape After Battle (1970)
, 1h41Directed by Andrzej Wajda
Origin Pologne
Genres Drama, War, Historical, Romance
Actors Daniel Olbrychski, Aleksander Bardini, Stanisława Celińska, Tadeusz Janczar, Zygmunt Malanowicz, Mieczysław Stoor
Roles Nina's Friend
Rating69%
The Landscape After the Battle film tells a story of two young concentration camp survivors. A young Polish poet (Tadeusz) is asked by a pretty Jewish girl (Nina) to go with her to the West. His camp experience, however, prevents him from realizing the depth of her love for him, and he is reluctant to commit. The woman is accidentally shot dead by an American soldier, causing the poet to cry for the first time in years. The shock of her death brings back the world of feelings suppressed by his Nazi captors, and allows for his original creativity to reemerge.
The Doll (1968)
, 2h19Directed by Wojciech Has
Origin Pologne
Genres Drama, Historical, Romance
Actors Beata Tyszkiewicz, Mariusz Dmochowski, Tadeusz Fijewski, Wiesław Gołas, Jan Machulski, Kalina Jędrusik
Roles Young Lady (uncredited)
Rating68%
As a descendant of an impoverished Polish noble family, young Wokulski is forced to work as a waiter at Hopfer's, a Warsaw restaurant, while dreaming of a life in science. After taking part in the failed 1863 Uprising against Tsarist Russia, he is sentenced to exile in Siberia. On eventual return to Warsaw, he becomes a salesman at Mincel's haberdashery. Marrying the late owner's widow (who eventually dies), he comes into money and uses it to set up a partnership with a Russian merchant he had met while in exile. The two merchants go to Bulgaria during the Russo-Turkish War, and Wokulski makes a fortune supplying the Russian Army. The enterprising Wokulski now proves a romantic at heart, falling in love with Izabela, daughter of the vacuous, bankrupt aristocrat, Tomasz Łęcki. In his quest to win Izabela, Wokulski begins frequenting theatres and aristocratic salons; and to help her financially distressed father, founds a company and sets the aristocrats up as shareholders in his business. The indolence of these aristocrats, who secure with their pensions, are too lazy to undertake new business risks, frustrates Wokulski. His ability to make money is respected but his lack of family and social rank is condescended to. Because of his "help" (in secret) to Izabela's impecunious but influential father, the girl becomes aware of his affection. In the end she consents to accept him, but without true devotion or love.