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Andjar Asmara is a Director and Scriptwriter Malaisien born on 26 february 1902 at Alahan Panjang (Indonesie)
Abisin Abbas ([aˈbisɪn aˈbas]; 26 February 1902 – 20 October 1961), better known by his pseudonym Andjar Asmara ([anˈdʒar asˈmara]), was a dramatist and filmmaker active in the cinema of the Dutch East Indies. Born in Alahan Panjang, West Sumatra, he first worked as a reporter in Batavia (modern day Jakarta). He became a writer for the Padangsche Opera in Padang, where he developed a new, dialogue-centric style, which later spread throughout the region. After returning to Batavia in 1929, he spent over a year as a theatre and film critic. In 1930 he joined the Dardanella touring troupe as a writer. He went to India in an unsuccessful bid to film his stage play Dr Samsi.
After leaving Dardanella in 1936, Andjar established his own troupe. He also worked at a publishers, writing serials based on successful films. In 1940 he was asked to join The Teng Chun's company, Java Industrial Film, helping with marketing and working as a director for two productions. After the Japanese occupation, during which time he stayed in theatre, Andjar made a brief return to cinema. He directed three films in the late 1940s and wrote four screenplays, which were produced as films in the early 1950s. He published a novel, Noesa Penida (1950). Afterward he worked for the remainder of his life writing serials based on local films and publishing film criticism. Historians recognise him as a pioneer of theatre and one of the first native Indonesian film directors, although he had little creative control of his productions.
Source : Wikidata
Andjar Asmara
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Birth name Abisin Abbas
Nationality Malaisie
Birth 26 february 1902 at Alahan Panjang (Indonesie)
Death 20 october 1961 (at 59 years) at Cianjur Regency (Indonesie)
Nationality Malaisie
Birth 26 february 1902 at Alahan Panjang (Indonesie)
Death 20 october 1961 (at 59 years) at Cianjur Regency (Indonesie)
After leaving Dardanella in 1936, Andjar established his own troupe. He also worked at a publishers, writing serials based on successful films. In 1940 he was asked to join The Teng Chun's company, Java Industrial Film, helping with marketing and working as a director for two productions. After the Japanese occupation, during which time he stayed in theatre, Andjar made a brief return to cinema. He directed three films in the late 1940s and wrote four screenplays, which were produced as films in the early 1950s. He published a novel, Noesa Penida (1950). Afterward he worked for the remainder of his life writing serials based on local films and publishing film criticism. Historians recognise him as a pioneer of theatre and one of the first native Indonesian film directors, although he had little creative control of his productions.
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Filmography of Andjar Asmara (4 films)
Director
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Gadis Desa (1949)
Directed by Andjar Asmara
Actors Ali Joego
Abu Bakar (Ali Joego) attempts to evict Amat after the latter falls behind on his rent, only to fall in love with Amat's beautiful daughter Aisah (Ratna Ruthinah). He says that she shall work as his maid, although he intends to make her his second wife. Rusli (Basuki Zaelani), Aisah's cousin and a manservant at Abu Bakar's home, discovers this plan and tells Abu Bakar's wife. Aisah is sent back to her village and Rusli, who has fallen in love with her, proposes.
Djaoeh Dimata (1947)
Directed by Andjar Asmara
Actors Ali Joego
A poor villager, Asrad (Ali Joego), is blinded following a traffic accident and thus unable to work. As a result, his wife Soelastri (Ratna Asmara) travels to the capital, Jakarta, to find a job. As Asrad does not trust his wife and fears she may be unfaithful, he writes her a letter telling her to not come back. Soelastri becomes a singer, and – unknown to Asrad – soon achieves wide acclaim. Her most popular song, "Djaoeh Dimata", receives heavy airplay on the radio and soon becomes one of Asrad's favourites. Ultimately Soelastri is brought home by Soekarto (Iskandar Sucarno), who attempts to pass her off as a maid for Asrad. When Asrad recognises his wife's voice, they are reconciled.
Noesa Penida (1941)
Directed by Andjar Asmara
Actors Ali Joego
On the island of Nusa Penida, two common-born brothers (Jaya and I Pageh) are friends with Pandansari, daughter of the king. When the king is murdered, Pandansari goes into hiding with her father's loyal manservant I Murda. Jaya, I Pageh, and Pandansari are soon entangled in a love triangle, one which is rendered more difficult owing to differences in caste. Ultimately, after rumors emerge that Jaya has been killed, Pandansari chooses I Pageh.
Kartinah (1940)
Directed by Andjar Asmara
Genres Drama
Actors Ali Joego
Suria (Astaman), a commander at the Air Raid Preparation team (Lucht Beschermings Dienst, or LBD), has fallen in love with the nurse Kartinah (Ratna Asmara), who serves with the LBD. However, he is married to Titi (Tante Han), a woman who has lost her sanity. Although Suria's uncle (R. Inoe Perbatasari) suggests that Suria take Kartinah as a second wife, Kartinah refuses, as she considers herself a modern woman and not bound by traditional practices.
Scriptwriter
Gadis Desa (1949)
Directed by Andjar Asmara
Actors Ali Joego
Abu Bakar (Ali Joego) attempts to evict Amat after the latter falls behind on his rent, only to fall in love with Amat's beautiful daughter Aisah (Ratna Ruthinah). He says that she shall work as his maid, although he intends to make her his second wife. Rusli (Basuki Zaelani), Aisah's cousin and a manservant at Abu Bakar's home, discovers this plan and tells Abu Bakar's wife. Aisah is sent back to her village and Rusli, who has fallen in love with her, proposes.
Noesa Penida (1941)
Directed by Andjar Asmara
Actors Ali Joego
On the island of Nusa Penida, two common-born brothers (Jaya and I Pageh) are friends with Pandansari, daughter of the king. When the king is murdered, Pandansari goes into hiding with her father's loyal manservant I Murda. Jaya, I Pageh, and Pandansari are soon entangled in a love triangle, one which is rendered more difficult owing to differences in caste. Ultimately, after rumors emerge that Jaya has been killed, Pandansari chooses I Pageh.
Kartinah (1940)
Directed by Andjar Asmara
Genres Drama
Actors Ali Joego
Suria (Astaman), a commander at the Air Raid Preparation team (Lucht Beschermings Dienst, or LBD), has fallen in love with the nurse Kartinah (Ratna Asmara), who serves with the LBD. However, he is married to Titi (Tante Han), a woman who has lost her sanity. Although Suria's uncle (R. Inoe Perbatasari) suggests that Suria take Kartinah as a second wife, Kartinah refuses, as she considers herself a modern woman and not bound by traditional practices.