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Aravind Bolar is a Actor
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Aravind Bolar
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Aravind Bolar is an Indian actor in the Tulu film industry.
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Filmography of Aravind Bolar (5 films)
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Ekka Saka (2015)
, 2hActors Bhojaraj Vamanjoor, Naveen D. Padil, Tennis Krishna, Achyuth Kumar, Aravind Bolar, Sandeep Shetty
The hero Prashant (Hitesh Naik) who has been looking after his father’s money lending business falls in love at first site in the college campus with the heroine Divya (Sonal Monteiro). He seeks Divya to marry him within a few days of knowing each other. The heroine asks him to convince her parents. When both of them decided to get married, their parents were adamant to their wishes. Meanwhile, both take the help of Gopal (Naveen D Padil) to get married, but ] unforeseen happens.
Chaali Polilu (2014)
, 2h35Actors Devadas Kapikad, Bhojaraj Vamanjoor, Naveen D. Padil, Aravind Bolar, Arjun D Kapikad
Rating59%
The first half of the film tells about the three main characters Pandu (Devadas Kapikad), Damu (Naveen D Padil) and Manju (Bhojaraj Vamanjoor). They are best friends from childhood and stay in same neighbourhood. They are naughty and are not interested in studies at all. They are jobless and do not do any work. The trio are called 'Chaali Polilu' by the people in the area.
Chandi Kori (2014)
, 2h20Directed by Devadas Kapikad
Actors Arjun D Kapikad, Devadas Kapikad, Bhojaraj Vamanjoor, Naveen D. Padil, Aravind Bolar
Telikeda Bolli (2011)
Actors Ashrita Shetty, Arjun D Kapikad, Devadas Kapikad, Bhojaraj Vamanjoor, Naveen D. Padil, Aravind Bolar
Kanchilda Baale (2010)
, 2h10Actors Naveen D. Padil, Aravind Bolar
Manu, a doctor who lives in the U.S., visits his mother along with his wife and daughter, in the ancestral house after several years. Ajjamma (Manu’s mother) tells Manu that she had promised to perform the Kanchil ceremony if a girl was born to her son, but Manu dismisses it as a “blind belief”. She made the promise as her son and daughter-in-law did not have a child even after more than four years of marriage. Manu said that he would not allow his daughter to participate in the ceremony as he and his wife had deferred having a baby because she was still pursuing her studies for some years after they got married. In many ways, the film is about negotiating between tradition and modernity, and faith and superstition, as well as the omnipresent caste. Manu’s wife suggests that there is no harm in letting the ceremony as it would please the old woman. Manu remained adamant arguing that his daughter was not born because god willed it to happen.