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Ariffien is a Director and Scriptwriter Indonesien born on 23 june 1902 at Cimahi (Indonesie)

Ariffien

Ariffien
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Nationality Indonesie
Birth 23 june 1902 (122 years) at Cimahi (Indonesie)

Raden Ariffien, often credited as Rd Ariffien, was an Indonesian film director. Initially a nationalist figure, he entered the film industry in 1940 after a period in theatre and radio. During his 25-year career, he was involved in some 36 films in various positions. He later became head editor of the film magazine Varia.

Usually with

Saeroen
Saeroen
(3 films)
Kartolo
Kartolo
(1 films)
Dhalia
Dhalia
(1 films)
Elly Joenara
Elly Joenara
(1 films)
Source : Wikidata

Filmography of Ariffien (5 films)

Display filmography as list

Director

Berdjoang
Berdjoang (1943)

Directed by Ariffien
Themes Documentary films about war, Documentary films about historical events, Political films, Documentary films about World War II
Actors Kartolo, Dhalia, Mohamad Mochtar

In Legok, a Japanese spokesman gives a speech regarding the formation of military units for native Indonesians. Two village boys, the best friends Saman (Sambas) and Anang (Mohamad Mochtar), try to join the army. Saman is not accepted owing to a lame leg, but Anang begins training. Saman, meanwhile, begins working indirectly for the Japanese occupation government by taking up work at a food company.
Wanita dan Satria
Directed by Ariffien

Soedrajat abuses his high social status in order to womanise and becomes his rich uncle's heir despite the latter having a son, the kindly and noble Soelarsa. The uncle is disappointed with Soelarsa and considers Soedrajat the better man. Being considered high class, he is unwilling to associate with people of the lower classes. Ultimately Soedrajat falls for a beautiful young woman, Koestijah. Meanwhile, Soelarsa saves Koestijah's life while driving a truck through her village; the two fall in love at first sight. By manipulating Koestijah's father, Soedrajat arranges for her to marry him.
Asmara Moerni
Directed by Ariffien

After four years of doing his residency in Singkawang, Borneo, Dr. Pardi (Adnan Kapau Gani) returns to Java to open a practice. Before then, he goes to Cigading to visit his family and give them souvenirs. Upon arrival he is stunned to find that his family's maid Tati (Djoewariah), who had been his childhood playmate, is now a grown and beautiful woman. He secretly begins to fawn over Tati, although he does not tell her the reason. When Pardi's mother tells him he should marry quickly, he refuses all of her suggested brides. He says only that he already had someone in mind, aware that his mother would never approve an inter-class marriage with the maid.
Harta Berdarah
Directed by Ariffien

In the village of Soekasari, Mardjan (Oedjang) is forcefully evicting people who are unable to pay their taxes to his boss, the landlord Hadji Doerachman (Moesa). Doerachman, though aware of this, is unwilling to stop him, even after his daughter, Atikah (Soelastri), tries to convince him.

Scriptwriter

Berdjoang
Berdjoang (1943)

Directed by Ariffien
Themes Documentary films about war, Documentary films about historical events, Political films, Documentary films about World War II
Actors Kartolo, Dhalia, Mohamad Mochtar

In Legok, a Japanese spokesman gives a speech regarding the formation of military units for native Indonesians. Two village boys, the best friends Saman (Sambas) and Anang (Mohamad Mochtar), try to join the army. Saman is not accepted owing to a lame leg, but Anang begins training. Saman, meanwhile, begins working indirectly for the Japanese occupation government by taking up work at a food company.
Tjioeng Wanara
Themes Films based on mythology
Actors Elly Joenara

In 1255 Saka, Permana Dikoesoemah is the King of Galuh, beloved by his people and his wife Naganingroem. The minister Aria Kebonan wants power for himself, and persuades the king to surrender the crown to him. Permana Dikoesoemah warns Aria Kebonan to respect him always and not to bother his wife. He then abdicates to meditate, ultimately ascending to a higher plane of existence. Aria Kebonan, meanwhile, magically gains the king's appearance, ensuring that the people of Galuh are unaware that they have a new king.