Bradford E. "Brad" Sullivan (November 18, 1931 – December 31, 2008) was an American actor known for character roles in television and on film and stage.

Biography

Early life and career
Born in Chicago, Illinois, Bradford E. Sullivan served in the Korean War and then attended the University of Maine. After touring with a stage company, he moved to New York City and studied at the American Theatre Wing. He made his Off-Broadway debut in Red Roses for Me in 1961, and went on to appear in the London, England company of the musical South Pacific.

In the 1960s and early 1970s, he appeared in two productions of the New York Shakespeare Festival — Coriolanus at Central Park's Delacorte Theatre (1965), and Václav Havel's The Memorandum — and the David Newbburge-Jacques Urbont musical Stag Movie (1971), in which stars Sullivan, as Rip Cord, and Adrienne Barbeau, as Cookie Kovac, were "quite jolly and deserve to be congratulated on the lack of embarrassment they show when, on occasion, they have to wander around stark naked. They may not be sexy but they certainly keep cheerful," wrote The New York Times theater critic Clive Barnes in an otherwise negative review.

In 1972, he made his movie debut in the military drama Parades (1972; re-released as The Line, 1980). This was followed by an appearance in a CBS TV-movie adaptation of David Rabe Sticks and Bones, a black comedy about a Vietnam War veteran. The subject matter proved so controversial that half the network's affiliates refused to broadcast the telefilm.


Success as character actor
Sullivan was then featured prominently in director George Roy Hill's hit The Sting (1973), playing Cole, the hired killer who dogs the Robert Redford and Paul Newman characters.

Following roles in the acclaimed telefilm The Migrants (1974) and other productions, Sullivan reteamed with star Newman and director Hill for Slap Shot (1977), a hit comedy about a down-and-out hockey team. In a departure from the stoic, taciturn parts in which he was often cast, Sullivan played a spectacularly vulgar hockey player, Morris "Mo" Wanchuk.

He followed this with his Broadway debut, playing three different military officers in a revival of David Rabe's play The Basic Training of Pavlo Hummel (April–September 1977), starring Al Pacino. The following year, Sullivan earned a Drama Desk Award nomination for Outstanding Featured Actor in a Musical for his performance as steelworker Mike LeFevre in Working (May–June 1978), adapted from the book by Studs Terkel and also starring Patti LuPone and Joe Mantegna.

Sullivan's other feature film credits include The Island (1980); Ghost Story (1981); Tin Men (1987); The Untouchables (1987); Funny Farm (1988); Dead Bang (1989); The Dream Team (1989); The Abyss (1989); Guilty by Suspicion (1991); True Colors (1991), The Prince of Tides (1991); Sister Act 2: Back in the Habit (1993); The Fantasticks (made 1995, released 2000); The Jerky Boys: The Movie (1995); Canadian Bacon (1995); and Bushwhacked (1995).

Of his role as a harsh husband in The Prince of Tides, in which his unwary character is given dog food to eat and consumes it with gusto, Sullivan told an interviewer he was never quite sure if the contents of a can served him by Kate Nelligan, who played his wife, was actually dog food. He added, however, that as an actor he did not believe in questioning a director, and that whatever it was tasted fine.

On television, Sullivan portrayed Artemas Ward in the 1984 miniseries George Washington, and Judge Roy Bean in the 1991 television movie The Gambler Returns: The Luck of the Draw. Additional television credits include Miami Vice, The Equalizer, Against the Law, and Best of the West. He also had recurring roles on I'll Fly Away, as Mr. Zollicofer Weed, the ex-Marine turned wrestling coach, and NYPD Blue, as Patsy Ferrara. As a cast-member of the drama Nothing Sacred (1997–1998), he played Father Leo, the older priest who helps guide his younger colleagues. His final TV role was on a 2000 episode of Law & Order.

His theater work includes Michael Weller's Ballad of Soapy Smith (1984) and Neal Bell's Cold Sweat (1988) Off-Broadway; and, on Broadway, Beth Henley's Wake of Jamey Foster (October 1982), with Holly Hunter; a Circle in the Square revival of The Caine Mutiny Court Martial (May–November 1983); Peter Hall's revival of Tennessee Williams's Orpheus Descending (September–December 1989), as Jabe Torrance opposite Vanessa Redgrave's Lady Torrance in Orpheus Descending (both recreating their roles in the TNT cable network's adaptation); and a stage version of the movie On the Waterfront (May 1995).