Connection
Ekin Cheng is a Actor, Executive Producer and Songs Chinois born on 4 october 1967
Among those, 1 have good markets following the box office.
Here are the best films classified by number of entries :
Directed by Wong Kar-wai
Origin Hong kong
Genres Drama, Romance
Actors Tony Leung Chiu-wai, Maggie Cheung, Rebecca Pan, Joe Cheung, Julien Carbon et Laurent Courtiaud, Chin Tsi-ang
Roles Executive Producer
Rating80%
The film takes place in Hong Kong, 1962. Chow Mo-wan (Tony Leung), a journalist, rents a room in an apartment of a building on the same day as Su Li-zhen (Maggie Cheung), a secretary from a shipping company. They become next-door neighbours. Each has a spouse who works and often leaves them alone on overtime shifts. Despite the presence of a friendly Shanghainese landlady, Mrs. Suen, and bustling, mahjong-playing neighbours, Chow and Su often find themselves alone in their rooms. Their lives continue to intersect in everyday situations: a recurring motif in this film is the loneliness of eating alone, and the film documents the leads' chance encounters, each making their individual trek to the street noodle stall.
Ekin Cheng
- Infos
- Photos
- Best films
- Family
- Characters
- Awards
Among those, 1 have good markets following the box office.
Here are the best films classified by number of entries :
Producer
Add to a movie listIn the Mood for Love (2000)
, 1h38Directed by Wong Kar-wai
Origin Hong kong
Genres Drama, Romance
Actors Tony Leung Chiu-wai, Maggie Cheung, Rebecca Pan, Joe Cheung, Julien Carbon et Laurent Courtiaud, Chin Tsi-ang
Roles Executive Producer
Rating80%
The film takes place in Hong Kong, 1962. Chow Mo-wan (Tony Leung), a journalist, rents a room in an apartment of a building on the same day as Su Li-zhen (Maggie Cheung), a secretary from a shipping company. They become next-door neighbours. Each has a spouse who works and often leaves them alone on overtime shifts. Despite the presence of a friendly Shanghainese landlady, Mrs. Suen, and bustling, mahjong-playing neighbours, Chow and Su often find themselves alone in their rooms. Their lives continue to intersect in everyday situations: a recurring motif in this film is the loneliness of eating alone, and the film documents the leads' chance encounters, each making their individual trek to the street noodle stall.