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Fleur Albert is a Actor, Director, Scriptwriter and Assistant Director French born on 17 may 1972
Fleur Albert est une réalisatrice et documentariste française, née le 17 mai 1972 à Gétigné (Loire-Atlantique).
Source : Wikidata
Fleur Albert
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Biography
Après des études de lettres modernes à l’Université de Nantes, Fleur Albert obtient en 1994 une maîtrise de Sciences et techniques audiovisuelles, option cinéma documentaire, à l’Université de Poitiers. La même année, elle devient assistante de production et de réalisation de Jean-Michel Carré sur le film Trottoirs de Paris, l’un des quatre documentaires tournés par le réalisateur sur la prostitution. Au cours des années qui suivent, elle sera à la fois deuxième assistante sur des courts, moyens et longs-métrages de fiction, et lectrice de scénarios. Entre 1999 et 2001, elle est engagée comme première assistante à la mise en scène sur le film de Jean-Luc Godard, Éloge de l'amour. En 2001, toujours comme assistante de réalisation et au montage, elle collabore au documentaire de David Carr-Brown La République atomique, ainsi qu’à un Théma pour la chaîne Arte sur la Corée du Nord.Usually with
Filmography of Fleur Albert (5 films)
Actress
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Sleeping Beauty (2017)
, 1h22Directed by Adolfo Arrieta
Origin France
Genres Drama, Comedy-drama, Fantasy
Actors Niels Schneider, Agathe Bonitzer, Mathieu Amalric, Serge Bozon, Ingrid Caven, Andy Gillet
Roles la troisième fée
Rating59%
Dans le royaume de Letonia, le jeune prince Egon passe ses nuits à jouer de la batterie. Le jour, il n'a qu'une idée en tête: pénétrer le royaume de Kentz pour retrouver la belle dormant et briser le charme. Mais son père, le roi, qui ne croit pas aux contes de fées, y est totalement opposé.
Director
Stalingrad Lovers (2013)
Directed by Fleur Albert
Origin France
Genres Drama
Actors Eriq Ebouaney, Vincent Dieutre, Malick Bowens, Sandy Lakdar
Rating63%
Un homme est mort. Mehdi fut le parrain de la communauté des usagers du crack entre La Chapelle et Stalingrad. Alors qu’Isaïe aspire à quitter la rue pour retrouver son fils, il est rattrapé par la promesse faite un jour à Mehdi : en cas de malheur, faire revenir son corps au pays.
, 52minutesDirected by Fleur Albert
Origin Egypte
Genres Documentary
Themes Films about music and musicians, Documentary films about music and musicians, Documentaire sur une personnalité, Musical films
Starting out at a concert at Saint Nazaire, passing through London and finally arriving in Cairo’s uproar, the film depicts a series of fragmented musical sketches that, together, form the portrait of the singer from the sands, Natacha Atlas. From one migration to the next, one sole journey, one sole melancholic dream from East to West following in the footsteps of a rose of Pop...
Scriptwriter
, 52minutesDirected by Fleur Albert
Origin Egypte
Genres Documentary
Themes Films about music and musicians, Documentary films about music and musicians, Documentaire sur une personnalité, Musical films
Starting out at a concert at Saint Nazaire, passing through London and finally arriving in Cairo’s uproar, the film depicts a series of fragmented musical sketches that, together, form the portrait of the singer from the sands, Natacha Atlas. From one migration to the next, one sole journey, one sole melancholic dream from East to West following in the footsteps of a rose of Pop...
Direction
In Praise of Love (2001)
, 1h37Directed by Jean-Luc Godard
Genres Drama, Romance
Actors Bruno Putzulu, Cécile Camp, Jean Davy, Jérémie Lippmann, Remo Forlani, Juliette Binoche
Roles Assistant Director
Rating62%
The first half of the film, shot on black and white film, follows a man named Edgar who is working on an undefined "project" about what he considers the four stages of love: meeting, physical passion, separation, and reconciliation, involving people at three different stages of life: youth, adulthood, and old age. Edgar keeps flipping through the pages of an empty book, staring intently as if waiting for words to appear. He is unsure whether the project should be a novel, a play, an opera, or a film. In Paris, he interviews potential participants from all walks of life (including those people Victor Hugo dubbed les misérables, whom Edgar considers important to the project), but is continually dissatisfied. The person Edgar really wants is someone he met two years ago, a woman who "dared speak her mind." At the urging of his financial backer Mr. Rosenthal, an art dealer whose father once owned a gallery with Edgar's grandfather, Edgar tracks down the woman, named Berthe, where she is working at night cleaning passenger cars at a railroad depot. Berthe remembers Edgar (and marvels at his memory) but emphatically does not want to be involved in his project. She holds down several jobs and also cares for her three-year-old son. Edgar continues to interview people, to his continuing dissatisfaction. He is able to visualize the stages of youth and old age but keeps having trouble with adulthood.